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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59.1 72.8 27 it is the complementary color RGB 195.9 182.2 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59.1 72.8 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59.1 72.8 27 shade: RGB 64.1 72.8 22, RGB 81.1 90.8 41, RGB 98.1 108.8 60, RGB 115.1 126.8 79 and RGB 132.1 144.8 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59.1 72.8 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59.1 72.8 27 shade: RGB 59.1 72.8 27, RGB 42.1 54.8 8, RGB 25.1 36.8 0, RGB 8.1 18.8 0 and RGB 0 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59.1 72.8 27 shade: RGB 60 74 28, RGB 73 74 28, RGB 74 63 28, RGB 74 51 28 and RGB 74 38 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59.1 72.8 27 shade: RGB 60 74 28, RGB 48 74 28, RGB 35 74 28, RGB 28 74 33 and RGB 28 74 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59.1 72.8 27 shade matches the following richer shades: RGB 60 74 28, RGB 64 83 19, RGB 67 91 11 and RGB 70 99 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59.1 72.8 27 shade: RGB 60 74 28, RGB 57 66 36, RGB 54 58 44, RGB 50 50 52 and RGB 47 41 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59.1 72.8 27 shade: RGB 74 63 28, RGB 74 74 28, RGB 61 74 28, RGB 49 74 28 and RGB 36 74 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59.1 72.8 27 shade: RGB 12 14 5, RGB 36 44 16, RGB 60 74 28, RGB 85 105 39 and RGB 109 135 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59.1 72.8 27 shade: RGB 59.1 72.8 27, RGB 28 74 50 and RGB 69 28 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59.1 72.8 27 shade: RGB 59.1 72.8 27, RGB 28 61 74 and RGB 74 28 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59.1 72.8 27 shade: RGB 59.1 72.8 27, RGB 28 74 50, RGB 41 28 74 and RGB 74 28 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59.1 72.8 27 shade: RGB 59.1 72.8 27, RGB 28 74 64, RGB 41 28 74 and RGB 74 28 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 63 / 71

HEX #3B481B

RGB 59.1 72.8 27

HSL 77.95, 0.46%, 0.2%

LAB 28.77, -13.78, 25.18

 

Complementary color

CMYK 14 / 20 / 0 / 11

HEX #C3B6E4

RGB 195.9 182.2 228

HSL 257.95, 0.46%, 0.8%

LAB 76.6, 13.75, -21.12

 

CMYK 12 / 0 / 70 / 71

HEX #404816

RGB 64.1 72.8 22

HSL 70.28, 0.54%, 0.19%

LAB 29.13, -11.87, 28.31

 

CMYK 11 / 0 / 55 / 64

HEX #515A29

RGB 81.1 90.8 41

HSL 71.69, 0.38%, 0.26%

LAB 36.67, -12.33, 27.17

 

CMYK 10 / 0 / 45 / 57

HEX #626C3C

RGB 98.1 108.8 60

HSL 73.16, 0.29%, 0.33%

LAB 43.98, -12.59, 25.86

 

CMYK 9 / 0 / 38 / 50

HEX #737E4F

RGB 115.1 126.8 79

HSL 74.69, 0.23%, 0.4%

LAB 51.09, -12.75, 24.58

 

CMYK 9 / 0 / 32 / 43

HEX #849062

RGB 132.1 144.8 98

HSL 76.28, 0.19%, 0.48%

LAB 58.02, -12.86, 23.38

 

CMYK 19 / 0 / 63 / 71

HEX #3B481B

RGB 59.1 72.8 27

HSL 77.95, 0.46%, 0.2%

LAB 28.77, -13.78, 25.18

 

CMYK 23 / 0 / 85 / 79

HEX #2A3608

RGB 42.1 54.8 8

HSL 76.28, 0.75%, 0.12%

LAB 20.92, -13.3, 25.67

 

CMYK 32 / 0 / 100 / 86

HEX #192400

RGB 25.1 36.8 0

HSL 79.08, 1%, 0.07%

LAB 12.73, -12.15, 18.55

 

CMYK 57 / 0 / 100 / 93

HEX #081200

RGB 8.1 18.8 0

HSL 94.15, 1%, 0.04%

LAB 4.62, -6.35, 6.8

 

CMYK 100 / 0 / 100 / 100

HEX #000000

RGB 0 0.8 0

HSL 120, 1%, 0%

LAB 0.16, -0.32, 0.23

 

CMYK 19 / 0 / 62 / 71

HEX #3C4A1C

RGB 60 74 28

HSL 78.26, 0.45%, 0.2%

LAB 29.27, -13.94, 25.21

 

CMYK 1 / 0 / 62 / 71

HEX #494A1C

RGB 73 74 28

HSL 61.3, 0.45%, 0.2%

LAB 30.39, -7.69, 26.8

 

CMYK 0 / 15 / 62 / 71

HEX #4A3F1C

RGB 74 63 28

HSL 45.65, 0.45%, 0.2%

LAB 27, -0.4, 22.93

 

CMYK 0 / 31 / 62 / 71

HEX #4A331C

RGB 74 51 28

HSL 30, 0.45%, 0.2%

LAB 23.36, 7.35, 18.57

 

CMYK 0 / 49 / 62 / 71

HEX #4A261C

RGB 74 38 28

HSL 13.04, 0.45%, 0.2%

LAB 19.74, 15.79, 14.04

 

CMYK 19 / 0 / 62 / 71

HEX #3C4A1C

RGB 60 74 28

HSL 78.26, 0.45%, 0.2%

LAB 29.27, -13.94, 25.21

 

CMYK 35 / 0 / 62 / 71

HEX #304A1C

RGB 48 74 28

HSL 93.91, 0.45%, 0.2%

LAB 28.41, -19.28, 23.99

 

CMYK 53 / 0 / 62 / 71

HEX #234A1C

RGB 35 74 28

HSL 110.87, 0.45%, 0.2%

LAB 27.68, -24.31, 22.96

 

CMYK 62 / 0 / 55 / 71

HEX #1C4A21

RGB 28 74 33

HSL 126.52, 0.45%, 0.2%

LAB 27.45, -25.78, 19.75

 

CMYK 62 / 0 / 39 / 71

HEX #1C4A2D

RGB 28 74 45

HSL 142.17, 0.45%, 0.2%

LAB 27.67, -23.45, 12.72

 

CMYK 19 / 0 / 62 / 71

HEX #3C4A1C

RGB 60 74 28

HSL 78.26, 0.45%, 0.2%

LAB 29.27, -13.94, 25.21

 

CMYK 23 / 0 / 77 / 67

HEX #405313

RGB 64 83 19

HSL 77.81, 0.63%, 0.2%

LAB 32.53, -17.87, 33.21

 

CMYK 26 / 0 / 88 / 64

HEX #435B0B

RGB 67 91 11

HSL 78, 0.78%, 0.2%

LAB 35.4, -21.19, 38.89

 

CMYK 29 / 0 / 97 / 61

HEX #466303

RGB 70 99 3

HSL 78.13, 0.94%, 0.2%

LAB 38.26, -24.24, 43.64

 

CMYK 19 / 0 / 62 / 71

HEX #3C4A1C

RGB 60 74 28

HSL 78.26, 0.45%, 0.2%

LAB 29.27, -13.94, 25.21

 

CMYK 14 / 0 / 45 / 74

HEX #394224

RGB 57 66 36

HSL 78, 0.29%, 0.2%

LAB 26.43, -9.64, 17.04

 

CMYK 7 / 0 / 24 / 77

HEX #363A2C

RGB 54 58 44

HSL 77.14, 0.14%, 0.2%

LAB 23.65, -4.71, 8.15

 

CMYK 4 / 4 / 0 / 80

HEX #323234

RGB 50 50 52

HSL 240, 0.02%, 0.2%

LAB 20.86, 0.48, -1.27

 

CMYK 23 / 33 / 0 / 76

HEX #2F293D

RGB 47 41 61

HSL 258, 0.2%, 0.2%

LAB 18.04, 7.83, -11.74

 

CMYK 0 / 15 / 62 / 71

HEX #4A3F1C

RGB 74 63 28

HSL 45.65, 0.45%, 0.2%

LAB 27, -0.4, 22.93

 

CMYK 0 / 0 / 62 / 71

HEX #4A4A1C

RGB 74 74 28

HSL 60, 0.45%, 0.2%

LAB 30.49, -7.2, 26.93

 

CMYK 18 / 0 / 62 / 71

HEX #3D4A1C

RGB 61 74 28

HSL 76.96, 0.45%, 0.2%

LAB 29.35, -13.47, 25.32

 

CMYK 34 / 0 / 62 / 71

HEX #314A1C

RGB 49 74 28

HSL 92.61, 0.45%, 0.2%

LAB 28.47, -18.86, 24.09

 

CMYK 51 / 0 / 62 / 71

HEX #244A1C

RGB 36 74 28

HSL 109.57, 0.45%, 0.2%

LAB 27.73, -23.96, 23.03

 

CMYK 14 / 0 / 64 / 95

HEX #0C0E05

RGB 12 14 5

HSL 73.33, 0.47%, 0.04%

LAB 3.64, -1.93, 3.37

 

CMYK 18 / 0 / 64 / 83

HEX #242C10

RGB 36 44 16

HSL 77.14, 0.47%, 0.12%

LAB 16.57, -9.08, 16.75

 

CMYK 19 / 0 / 62 / 71

HEX #3C4A1C

RGB 60 74 28

HSL 78.26, 0.45%, 0.2%

LAB 29.27, -13.94, 25.21

 

CMYK 19 / 0 / 63 / 59

HEX #556927

RGB 85 105 39

HSL 78.18, 0.46%, 0.28%

LAB 41.5, -18.58, 33.85

 

CMYK 19 / 0 / 63 / 47

HEX #6D8732

RGB 109 135 50

HSL 78.35, 0.46%, 0.36%

LAB 52.74, -22.85, 41.51

 

CMYK 19 / 0 / 63 / 71

HEX #3B481B

RGB 59.1 72.8 27

HSL 77.95, 0.46%, 0.2%

LAB 28.77, -13.78, 25.18

 

CMYK 62 / 0 / 32 / 71

HEX #1C4A32

RGB 28 74 50

HSL 148.7, 0.45%, 0.2%

LAB 27.78, -22.29, 9.72

 

CMYK 7 / 62 / 0 / 71

HEX #451C4A

RGB 69 28 74

HSL 293.48, 0.45%, 0.2%

LAB 18.32, 27.5, -20.03

 

CMYK 19 / 0 / 63 / 71

HEX #3B481B

RGB 59.1 72.8 27

HSL 77.95, 0.46%, 0.2%

LAB 28.77, -13.78, 25.18

 

CMYK 62 / 18 / 0 / 71

HEX #1C3D4A

RGB 28 61 74

HSL 196.96, 0.45%, 0.2%

LAB 23.93, -7.63, -11.61

 

CMYK 0 / 62 / 18 / 71

HEX #4A1C3D

RGB 74 28 61

HSL 316.96, 0.45%, 0.2%

LAB 18.47, 26.53, -10.76

 

CMYK 19 / 0 / 63 / 71

HEX #3B481B

RGB 59.1 72.8 27

HSL 77.95, 0.46%, 0.2%

LAB 28.77, -13.78, 25.18

 

CMYK 62 / 0 / 32 / 71

HEX #1C4A32

RGB 28 74 50

HSL 148.7, 0.45%, 0.2%

LAB 27.78, -22.29, 9.72

 

CMYK 45 / 62 / 0 / 71

HEX #291C4A

RGB 41 28 74

HSL 256.96, 0.45%, 0.2%

LAB 14.38, 19.04, -26.54

 

CMYK 0 / 62 / 30 / 71

HEX #4A1C34

RGB 74 28 52

HSL 328.7, 0.45%, 0.2%

LAB 18.07, 24.99, -5.05

 

CMYK 19 / 0 / 63 / 71

HEX #3B481B

RGB 59.1 72.8 27

HSL 77.95, 0.46%, 0.2%

LAB 28.77, -13.78, 25.18

 

CMYK 62 / 0 / 14 / 71

HEX #1C4A40

RGB 28 74 64

HSL 166.96, 0.45%, 0.2%

LAB 28.15, -18.55, 1.26

 

CMYK 45 / 62 / 0 / 71

HEX #291C4A

RGB 41 28 74

HSL 256.96, 0.45%, 0.2%

LAB 14.38, 19.04, -26.54

 

CMYK 0 / 62 / 49 / 71

HEX #4A1C26

RGB 74 28 38

HSL 346.96, 0.45%, 0.2%

LAB 17.58, 23, 4.16

 

Description

Color code: RGB 59.1 72.8 27 | qconv.com Color code: RGB 59.1 72.8 27 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59.1 red, 72.8 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59.1 72.8 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 63 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 63% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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