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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 84 23 it is the complementary color RGB 198 171 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 84 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 57 84 23: RGB 62 84 18, RGB 79 102 37, RGB 96 120 56, RGB 113 138 75 and RGB 130 156 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 84 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 57 84 23: RGB 57 84 23, RGB 40 66 4, RGB 23 48 0, RGB 6 30 0 and RGB 0 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

Complementary color

CMYK 15 / 26 / 0 / 9

HEX #C6ABE8

RGB 198 171 232

HSL 266.56, 0.57%, 0.79%

LAB 74.16, 21.4, -26.99

 

CMYK 26 / 0 / 79 / 67

HEX #3E5412

RGB 62 84 18

HSL 80, 0.65%, 0.2%

LAB 32.72, -19.38, 33.77

 

CMYK 23 / 0 / 64 / 60

HEX #4F6625

RGB 79 102 37

HSL 81.23, 0.47%, 0.27%

LAB 40.08, -19.8, 33.14

 

CMYK 20 / 0 / 53 / 53

HEX #607838

RGB 96 120 56

HSL 82.5, 0.36%, 0.35%

LAB 47.24, -20.01, 32

 

CMYK 18 / 0 / 46 / 46

HEX #718A4B

RGB 113 138 75

HSL 83.81, 0.3%, 0.42%

LAB 54.23, -20.09, 30.75

 

CMYK 17 / 0 / 40 / 39

HEX #829C5E

RGB 130 156 94

HSL 85.16, 0.25%, 0.49%

LAB 61.07, -20.11, 29.51

 

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

CMYK 39 / 0 / 94 / 74

HEX #284204

RGB 40 66 4

HSL 85.16, 0.89%, 0.14%

LAB 24.82, -20.68, 31.26

 

CMYK 52 / 0 / 100 / 81

HEX #173000

RGB 23 48 0

HSL 91.25, 1%, 0.09%

LAB 16.97, -19.25, 23.98

 

CMYK 80 / 0 / 100 / 88

HEX #061E00

RGB 6 30 0

HSL 108, 1%, 0.06%

LAB 8.72, -15.47, 12.76

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

CMYK 44 / 0 / 73 / 67

HEX #2F5417

RGB 47 84 23

HSL 96.39, 0.57%, 0.21%

LAB 31.82, -25.29, 30.34

 

CMYK 56 / 0 / 73 / 67

HEX #255417

RGB 37 84 23

HSL 106.23, 0.57%, 0.21%

LAB 31.34, -28.86, 29.68

 

CMYK 68 / 0 / 73 / 67

HEX #1B5417

RGB 27 84 23

HSL 116.07, 0.57%, 0.21%

LAB 30.96, -31.8, 29.16

 

CMYK 73 / 0 / 65 / 67

HEX #17541D

RGB 23 84 29

HSL 125.9, 0.57%, 0.21%

LAB 30.91, -32.03, 26.06

 

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

CMYK 32 / 0 / 73 / 47

HEX #5C8725

RGB 92 135 37

HSL 86.33, 0.57%, 0.34%

LAB 51.54, -30.81, 45.53

 

CMYK 32 / 0 / 73 / 27

HEX #7EBA33

RGB 126 186 51

HSL 86.67, 0.57%, 0.46%

LAB 69.32, -40.06, 58.71

 

CMYK 32 / 0 / 73 / 7

HEX #A1ED41

RGB 161 237 65

HSL 86.51, 0.83%, 0.59%

LAB 86.27, -48.43, 71.21

 

CMYK 33 / 0 / 73 / 87

HEX #162109

RGB 22 33 9

HSL 87.5, 0.57%, 0.08%

LAB 11.12, -10.19, 12.65

 

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

CMYK 73 / 0 / 27 / 67

HEX #17543D

RGB 23 84 61

HSL 157.38, 0.57%, 0.21%

LAB 31.49, -25.61, 7.9

 

CMYK 0 / 73 / 2 / 67

HEX #541752

RGB 84 23 82

HSL 301.97, 0.57%, 0.21%

LAB 20.47, 36.04, -21.9

 

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

CMYK 73 / 32 / 0 / 67

HEX #173954

RGB 23 57 84

HSL 206.56, 0.57%, 0.21%

LAB 22.82, -2.32, -19.96

 

CMYK 0 / 73 / 32 / 67

HEX #541739

RGB 84 23 57

HSL 326.56, 0.57%, 0.21%

LAB 19.2, 31.83, -6.69

 

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

CMYK 73 / 0 / 27 / 67

HEX #17543D

RGB 23 84 61

HSL 157.38, 0.57%, 0.21%

LAB 31.49, -25.61, 7.9

 

CMYK 42 / 73 / 0 / 67

HEX #311754

RGB 49 23 84

HSL 265.57, 0.57%, 0.21%

LAB 14.99, 27.44, -32.35

 

CMYK 0 / 73 / 46 / 67

HEX #54172D

RGB 84 23 45

HSL 338.36, 0.57%, 0.21%

LAB 18.74, 30.26, 1.1

 

CMYK 32 / 0 / 73 / 67

HEX #395417

RGB 57 84 23

HSL 86.56, 0.57%, 0.21%

LAB 32.42, -21.2, 31.15

 

CMYK 73 / 0 / 5 / 67

HEX #175450

RGB 23 84 80

HSL 176.07, 0.57%, 0.21%

LAB 32.04, -20.07, -3.31

 

CMYK 42 / 73 / 0 / 67

HEX #311754

RGB 49 23 84

HSL 265.57, 0.57%, 0.21%

LAB 14.99, 27.44, -32.35

 

CMYK 0 / 73 / 68 / 67

HEX #54171B

RGB 84 23 27

HSL 356.07, 0.57%, 0.21%

LAB 18.26, 28.53, 13.19

 

Description

Color code: RGB 57 84 23 | qconv.com Color code: RGB 57 84 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 84 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 84 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 73 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 73% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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