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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 80 62 it is the complementary color RGB 198 175 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 80 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 57 80 62: RGB 62 80 57, RGB 79 98 76, RGB 96 116 95, RGB 113 134 114 and RGB 130 152 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 80 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 57 80 62: RGB 57 80 62, RGB 40 62 43, RGB 23 44 24, RGB 6 26 5 and RGB 0 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

Complementary color

CMYK 0 / 12 / 3 / 22

HEX #C6AFC1

RGB 198 175 193

HSL 313.04, 0.17%, 0.73%

LAB 73.88, 11.44, -6.12

 

CMYK 23 / 0 / 29 / 69

HEX #3E5039

RGB 62 80 57

HSL 106.96, 0.17%, 0.27%

LAB 31.94, -12.13, 11.32

 

CMYK 19 / 0 / 22 / 62

HEX #4F624C

RGB 79 98 76

HSL 111.82, 0.13%, 0.34%

LAB 39.44, -11.96, 10.2

 

CMYK 17 / 0 / 18 / 55

HEX #60745F

RGB 96 116 95

HSL 117.14, 0.1%, 0.41%

LAB 46.72, -11.82, 9.18

 

CMYK 16 / 0 / 15 / 47

HEX #718672

RGB 113 134 114

HSL 122.86, 0.09%, 0.48%

LAB 53.79, -11.71, 8.26

 

CMYK 14 / 0 / 13 / 40

HEX #829885

RGB 130 152 133

HSL 128.18, 0.1%, 0.55%

LAB 60.69, -11.62, 7.4

 

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

CMYK 35 / 0 / 31 / 76

HEX #283E2B

RGB 40 62 43

HSL 128.18, 0.22%, 0.2%

LAB 23.9, -13.4, 8.99

 

CMYK 48 / 0 / 45 / 83

HEX #172C18

RGB 23 44 24

HSL 122.86, 0.31%, 0.13%

LAB 15.74, -13.72, 10.41

 

CMYK 77 / 0 / 81 / 90

HEX #061A05

RGB 6 26 5

HSL 117.14, 0.68%, 0.06%

LAB 7.12, -11.37, 8.4

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

CMYK 29 / 0 / 18 / 69

HEX #395042

RGB 57 80 66

HSL 143.48, 0.17%, 0.27%

LAB 31.81, -12.21, 5.43

 

CMYK 29 / 0 / 13 / 69

HEX #395046

RGB 57 80 70

HSL 153.91, 0.17%, 0.27%

LAB 31.92, -11.28, 3.05

 

CMYK 29 / 0 / 9 / 69

HEX #395049

RGB 57 80 73

HSL 161.74, 0.17%, 0.27%

LAB 32.01, -10.55, 1.27

 

CMYK 29 / 0 / 4 / 69

HEX #39504D

RGB 57 80 77

HSL 172.17, 0.17%, 0.27%

LAB 32.13, -9.53, -1.09

 

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

CMYK 29 / 0 / 22 / 49

HEX #5D8366

RGB 93 131 102

HSL 134.21, 0.17%, 0.44%

LAB 51.29, -19.66, 11.48

 

CMYK 29 / 0 / 23 / 29

HEX #82B68D

RGB 130 182 141

HSL 132.69, 0.26%, 0.61%

LAB 69.56, -25.57, 15.49

 

CMYK 29 / 0 / 22 / 9

HEX #A6E9B5

RGB 166 233 181

HSL 133.43, 0.6%, 0.78%

LAB 86.86, -31.29, 18.67

 

CMYK 28 / 0 / 24 / 89

HEX #151D16

RGB 21 29 22

HSL 127.5, 0.16%, 0.1%

LAB 9.77, -5.54, 3.63

 

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

CMYK 29 / 13 / 0 / 69

HEX #394650

RGB 57 70 80

HSL 206.09, 0.17%, 0.27%

LAB 28.98, -2.54, -7.71

 

CMYK 0 / 29 / 24 / 69

HEX #50393D

RGB 80 57 61

HSL 349.57, 0.17%, 0.27%

LAB 26.65, 10.9, 1.54

 

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

CMYK 23 / 29 / 0 / 69

HEX #3E3950

RGB 62 57 80

HSL 253.04, 0.17%, 0.27%

LAB 25.35, 7.83, -13.19

 

CMYK 0 / 23 / 29 / 69

HEX #503E39

RGB 80 62 57

HSL 13.04, 0.17%, 0.27%

LAB 27.97, 6.98, 6.06

 

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

CMYK 29 / 13 / 0 / 69

HEX #394650

RGB 57 70 80

HSL 206.09, 0.17%, 0.27%

LAB 28.98, -2.54, -7.71

 

CMYK 0 / 29 / 6 / 69

HEX #50394B

RGB 80 57 75

HSL 313.04, 0.17%, 0.27%

LAB 27.13, 13.64, -7

 

CMYK 0 / 18 / 29 / 69

HEX #504239

RGB 80 66 57

HSL 23.48, 0.17%, 0.27%

LAB 29.15, 4.41, 7.72

 

CMYK 29 / 0 / 23 / 69

HEX #39503E

RGB 57 80 62

HSL 133.04, 0.17%, 0.27%

LAB 31.7, -13.1, 7.81

 

CMYK 29 / 21 / 0 / 69

HEX #393F50

RGB 57 63 80

HSL 224.35, 0.17%, 0.27%

LAB 26.75, 2, -11.09

 

CMYK 0 / 29 / 6 / 69

HEX #50394B

RGB 80 57 75

HSL 313.04, 0.17%, 0.27%

LAB 27.13, 13.64, -7

 

CMYK 0 / 9 / 29 / 69

HEX #504939

RGB 80 73 57

HSL 41.74, 0.17%, 0.27%

LAB 31.27, -0.02, 10.66

 

Description

Color code: RGB 57 80 62 | qconv.com Color code: RGB 57 80 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 80 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 80 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 23 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 23% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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