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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 126.8 103.4 it is the complementary color RGB 198 128.2 151.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 126.8 103.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 126.8 103.4 shade: RGB 62 126.8 98.4, RGB 79 144.8 117.4, RGB 96 162.8 136.4, RGB 113 180.8 155.4 and RGB 130 198.8 174.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 126.8 103.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 126.8 103.4 shade: RGB 57 126.8 103.4, RGB 40 108.8 84.4, RGB 23 90.8 65.4, RGB 6 72.8 46.4 and RGB 0 54.8 27.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 126.8 103.4 shade: RGB 57 127 103, RGB 57 127 84, RGB 57 127 66, RGB 67 127 57 and RGB 86 127 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 126.8 103.4 shade: RGB 57 127 103, RGB 57 127 122, RGB 57 112 127, RGB 57 94 127 and RGB 57 75 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 126.8 103.4 shade matches the following richer shades: RGB 57 127 103, RGB 42 142 108, RGB 27 156 113 and RGB 12 171 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 126.8 103.4 shade: RGB 57 127 103, RGB 72 112 98, RGB 87 97 94, RGB 101 82 89 and RGB 116 67 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 126.8 103.4 shade: RGB 57 127 65, RGB 57 127 84, RGB 57 127 102, RGB 57 127 121 and RGB 57 114 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 126.8 103.4 shade: RGB 31 70 57, RGB 44 98 80, RGB 57 127 103, RGB 70 155 127 and RGB 87 179 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 126.8 103.4 shade: RGB 57 126.8 103.4, RGB 57 67 127 and RGB 127 74 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 126.8 103.4 shade: RGB 57 126.8 103.4, RGB 102 57 127 and RGB 127 102 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 126.8 103.4 shade: RGB 57 126.8 103.4, RGB 57 67 127, RGB 127 57 81 and RGB 127 116 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 126.8 103.4 shade: RGB 57 126.8 103.4, RGB 67 57 127, RGB 127 57 81 and RGB 116 127 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 18 / 50

HEX #397E67

RGB 57 126.8 103.4

HSL 159.89, 0.38%, 0.36%

LAB 48.24, -28.04, 6.11

 

Complementary color

CMYK 0 / 35 / 23 / 22

HEX #C68097

RGB 198 128.2 151.6

HSL 339.89, 0.38%, 0.64%

LAB 61.44, 30.2, -1.29

 

CMYK 51 / 0 / 22 / 50

HEX #3E7E62

RGB 62 126.8 98.4

HSL 153.7, 0.34%, 0.37%

LAB 48.31, -27.96, 9.17

 

CMYK 45 / 0 / 19 / 43

HEX #4F9075

RGB 79 144.8 117.4

HSL 155.02, 0.29%, 0.44%

LAB 55.22, -27.77, 8.08

 

CMYK 41 / 0 / 16 / 36

HEX #60A288

RGB 96 162.8 136.4

HSL 156.29, 0.27%, 0.51%

LAB 62, -27.54, 7.1

 

CMYK 38 / 0 / 14 / 29

HEX #71B49B

RGB 113 180.8 155.4

HSL 157.52, 0.31%, 0.58%

LAB 68.65, -27.31, 6.2

 

CMYK 35 / 0 / 12 / 22

HEX #82C6AE

RGB 130 198.8 174.4

HSL 158.72, 0.38%, 0.64%

LAB 75.18, -27.09, 5.36

 

CMYK 55 / 0 / 18 / 50

HEX #397E67

RGB 57 126.8 103.4

HSL 159.89, 0.38%, 0.36%

LAB 48.24, -28.04, 6.11

 

CMYK 63 / 0 / 22 / 57

HEX #286C54

RGB 40 108.8 84.4

HSL 158.72, 0.46%, 0.29%

LAB 41.2, -28.01, 7.3

 

CMYK 75 / 0 / 28 / 64

HEX #175A41

RGB 23 90.8 65.4

HSL 157.52, 0.6%, 0.22%

LAB 34.02, -27.71, 8.7

 

CMYK 92 / 0 / 36 / 71

HEX #06482E

RGB 6 72.8 46.4

HSL 156.29, 0.85%, 0.15%

LAB 26.67, -26.88, 10.4

 

CMYK 100 / 0 / 50 / 79

HEX #00361B

RGB 0 54.8 27.4

HSL 150, 1%, 0.11%

LAB 19.2, -24.68, 12.55

 

CMYK 55 / 0 / 19 / 50

HEX #397F67

RGB 57 127 103

HSL 159.43, 0.38%, 0.36%

LAB 48.3, -28.23, 6.42

 

CMYK 55 / 0 / 34 / 50

HEX #397F54

RGB 57 127 84

HSL 143.14, 0.38%, 0.36%

LAB 47.87, -32.53, 16.86

 

CMYK 55 / 0 / 48 / 50

HEX #397F42

RGB 57 127 66

HSL 127.71, 0.38%, 0.36%

LAB 47.55, -35.85, 26.55

 

CMYK 47 / 0 / 55 / 50

HEX #437F39

RGB 67 127 57

HSL 111.43, 0.38%, 0.36%

LAB 47.84, -34.17, 31.79

 

CMYK 32 / 0 / 55 / 50

HEX #567F39

RGB 86 127 57

HSL 95.14, 0.38%, 0.36%

LAB 48.83, -27.44, 33.21

 

CMYK 55 / 0 / 19 / 50

HEX #397F67

RGB 57 127 103

HSL 159.43, 0.38%, 0.36%

LAB 48.3, -28.23, 6.42

 

CMYK 55 / 0 / 4 / 50

HEX #397F7A

RGB 57 127 122

HSL 175.71, 0.38%, 0.36%

LAB 48.83, -23.21, -3.98

 

CMYK 55 / 12 / 0 / 50

HEX #39707F

RGB 57 112 127

HSL 192.86, 0.38%, 0.36%

LAB 44.22, -13.62, -13.86

 

CMYK 55 / 26 / 0 / 50

HEX #395E7F

RGB 57 94 127

HSL 208.29, 0.38%, 0.36%

LAB 38.56, -2.98, -22.54

 

CMYK 55 / 41 / 0 / 50

HEX #394B7F

RGB 57 75 127

HSL 224.57, 0.38%, 0.36%

LAB 32.78, 9.19, -31.62

 

CMYK 55 / 0 / 19 / 50

HEX #397F67

RGB 57 127 103

HSL 159.43, 0.38%, 0.36%

LAB 48.3, -28.23, 6.42

 

CMYK 70 / 0 / 24 / 44

HEX #2A8E6C

RGB 42 142 108

HSL 159.6, 0.54%, 0.36%

LAB 52.86, -37.02, 9.94

 

CMYK 83 / 0 / 28 / 39

HEX #1B9C71

RGB 27 156 113

HSL 160, 0.7%, 0.36%

LAB 57.27, -43.71, 13.25

 

CMYK 93 / 0 / 31 / 33

HEX #0CAB76

RGB 12 171 118

HSL 160, 0.87%, 0.36%

LAB 62.09, -49.56, 17.14

 

CMYK 55 / 0 / 19 / 50

HEX #397F67

RGB 57 127 103

HSL 159.43, 0.38%, 0.36%

LAB 48.3, -28.23, 6.42

 

CMYK 36 / 0 / 13 / 56

HEX #487062

RGB 72 112 98

HSL 159, 0.22%, 0.36%

LAB 44.01, -17.47, 3.34

 

CMYK 10 / 0 / 3 / 62

HEX #57615E

RGB 87 97 94

HSL 162, 0.05%, 0.36%

LAB 40.22, -4.52, 0.38

 

CMYK 0 / 19 / 12 / 60

HEX #655259

RGB 101 82 89

HSL 337.89, 0.1%, 0.36%

LAB 36.97, 9.18, -1.11

 

CMYK 0 / 42 / 28 / 55

HEX #744354

RGB 116 67 84

HSL 339.18, 0.27%, 0.36%

LAB 34.74, 23.56, -1.02

 

CMYK 55 / 0 / 49 / 50

HEX #397F41

RGB 57 127 65

HSL 126.86, 0.38%, 0.36%

LAB 47.53, -36.01, 27.07

 

CMYK 55 / 0 / 34 / 50

HEX #397F54

RGB 57 127 84

HSL 143.14, 0.38%, 0.36%

LAB 47.87, -32.53, 16.86

 

CMYK 55 / 0 / 20 / 50

HEX #397F66

RGB 57 127 102

HSL 158.57, 0.38%, 0.36%

LAB 48.27, -28.48, 6.97

 

CMYK 55 / 0 / 5 / 50

HEX #397F79

RGB 57 127 121

HSL 174.86, 0.38%, 0.36%

LAB 48.8, -23.49, -3.44

 

CMYK 55 / 10 / 0 / 50

HEX #39727F

RGB 57 114 127

HSL 191.14, 0.38%, 0.36%

LAB 44.85, -14.74, -12.9

 

CMYK 56 / 0 / 19 / 73

HEX #1F4639

RGB 31 70 57

HSL 160, 0.39%, 0.2%

LAB 26.64, -17.55, 3.63

 

CMYK 55 / 0 / 18 / 62

HEX #2C6250

RGB 44 98 80

HSL 160, 0.38%, 0.28%

LAB 37.57, -22.79, 4.83

 

CMYK 55 / 0 / 19 / 50

HEX #397F67

RGB 57 127 103

HSL 159.43, 0.38%, 0.36%

LAB 48.3, -28.23, 6.42

 

CMYK 55 / 0 / 18 / 39

HEX #469B7F

RGB 70 155 127

HSL 160.24, 0.38%, 0.44%

LAB 58.3, -32.71, 6.96

 

CMYK 51 / 0 / 17 / 30

HEX #57B394

RGB 87 179 148

HSL 159.78, 0.38%, 0.52%

LAB 66.83, -34.98, 7.51

 

CMYK 55 / 0 / 18 / 50

HEX #397E67

RGB 57 126.8 103.4

HSL 159.89, 0.38%, 0.36%

LAB 48.24, -28.04, 6.11

 

CMYK 55 / 47 / 0 / 50

HEX #39437F

RGB 57 67 127

HSL 231.43, 0.38%, 0.36%

LAB 30.44, 14.53, -35.34

 

CMYK 0 / 42 / 55 / 50

HEX #7F4A39

RGB 127 74 57

HSL 14.57, 0.38%, 0.36%

LAB 37.31, 20.64, 19.75

 

CMYK 55 / 0 / 18 / 50

HEX #397E67

RGB 57 126.8 103.4

HSL 159.89, 0.38%, 0.36%

LAB 48.24, -28.04, 6.11

 

CMYK 20 / 55 / 0 / 50

HEX #66397F

RGB 102 57 127

HSL 278.57, 0.38%, 0.36%

LAB 32.44, 33.17, -31.88

 

CMYK 0 / 20 / 55 / 50

HEX #7F6639

RGB 127 102 57

HSL 38.57, 0.38%, 0.36%

LAB 44.67, 4.04, 29

 

CMYK 55 / 0 / 18 / 50

HEX #397E67

RGB 57 126.8 103.4

HSL 159.89, 0.38%, 0.36%

LAB 48.24, -28.04, 6.11

 

CMYK 55 / 47 / 0 / 50

HEX #39437F

RGB 57 67 127

HSL 231.43, 0.38%, 0.36%

LAB 30.44, 14.53, -35.34

 

CMYK 0 / 55 / 36 / 50

HEX #7F3951

RGB 127 57 81

HSL 339.43, 0.38%, 0.36%

LAB 34.05, 33, 0.09

 

CMYK 0 / 9 / 55 / 50

HEX #7F7439

RGB 127 116 57

HSL 50.57, 0.38%, 0.36%

LAB 48.63, -4.04, 33.75

 

CMYK 55 / 0 / 18 / 50

HEX #397E67

RGB 57 126.8 103.4

HSL 159.89, 0.38%, 0.36%

LAB 48.24, -28.04, 6.11

 

CMYK 47 / 55 / 0 / 50

HEX #43397F

RGB 67 57 127

HSL 248.57, 0.38%, 0.36%

LAB 28.52, 23.61, -38.37

 

CMYK 0 / 55 / 36 / 50

HEX #7F3951

RGB 127 57 81

HSL 339.43, 0.38%, 0.36%

LAB 34.05, 33, 0.09

 

CMYK 9 / 0 / 55 / 50

HEX #747F39

RGB 116 127 57

HSL 69.43, 0.38%, 0.36%

LAB 50.91, -15.04, 36.18

 

Description

Color code: RGB 57 126.8 103.4 | qconv.com Color code: RGB 57 126.8 103.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 126.8 green and 103.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 126.8 103.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 18 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 18% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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