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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 126.4 233.4 it is the complementary color RGB 198 128.6 21.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 126.4 233.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 126.4 233.4 shade: RGB 62 126.4 228.4, RGB 79 144.4 247.4, RGB 96 162.4 255, RGB 113 180.4 255 and RGB 130 198.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 126.4 233.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 126.4 233.4 shade: RGB 57 126.4 233.4, RGB 40 108.4 214.4, RGB 23 90.4 195.4, RGB 6 72.4 176.4 and RGB 0 54.4 157.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 126.4 233.4 shade: RGB 58 127 233, RGB 58 79 233, RGB 83 58 233, RGB 131 58 233 and RGB 178 58 233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 126.4 233.4 shade: RGB 58 127 233, RGB 58 79 233 and RGB 58 58 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 126.4 233.4 shade matches the following richer shades: RGB 58 127 233 and RGB 40 123 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 126.4 233.4 shade: RGB 58 127 233, RGB 75 130 215, RGB 93 134 198, RGB 111 138 180 and RGB 129 142 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 126.4 233.4 shade: RGB 58 221 233, RGB 58 175 233, RGB 58 128 233, RGB 58 81 233 and RGB 81 58 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 126.4 233.4 shade: RGB 21 86 187, RGB 25 103 224, RGB 58 127 233, RGB 95 151 237 and RGB 132 175 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 126.4 233.4 shade: RGB 57 126.4 233.4, RGB 198 58 233 and RGB 198 233 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 126.4 233.4 shade: RGB 57 126.4 233.4, RGB 233 58 128 and RGB 128 233 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 126.4 233.4 shade: RGB 57 126.4 233.4, RGB 198 58 233, RGB 233 163 58 and RGB 93 233 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 126.4 233.4 shade: RGB 57 126.4 233.4, RGB 233 58 216, RGB 233 163 58 and RGB 58 233 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 46 / 0 / 8

HEX #397EE9

RGB 57 126.4 233.4

HSL 216.39, 0.8%, 0.57%

LAB 53.81, 14.95, -60.35

 

Complementary color

CMYK 0 / 35 / 89 / 22

HEX #C68015

RGB 198 128.6 21.6

HSL 36.39, 0.8%, 0.43%

LAB 59.58, 19.25, 61.51

 

CMYK 73 / 45 / 0 / 10

HEX #3E7EE4

RGB 62 126.4 228.4

HSL 216.78, 0.76%, 0.57%

LAB 53.68, 13.74, -57.77

 

CMYK 68 / 42 / 0 / 3

HEX #4F90F7

RGB 79 144.4 247.4

HSL 216.7, 0.92%, 0.64%

LAB 60.31, 11.92, -57.66

 

CMYK 62 / 36 / 0 / 0

HEX #60A2FF

RGB 96 162.4 255

HSL 214.94, 1%, 0.69%

LAB 66.28, 6.65, -52.29

 

CMYK 56 / 29 / 0 / 0

HEX #71B4FF

RGB 113 180.4 255

HSL 211.52, 1%, 0.72%

LAB 71.92, -0.36, -43.37

 

CMYK 49 / 22 / 0 / 0

HEX #82C6FF

RGB 130 198.4 255

HSL 207.17, 1%, 0.75%

LAB 77.6, -6.55, -34.47

 

CMYK 76 / 46 / 0 / 8

HEX #397EE9

RGB 57 126.4 233.4

HSL 216.39, 0.8%, 0.57%

LAB 53.81, 14.95, -60.35

 

CMYK 81 / 49 / 0 / 16

HEX #286CD6

RGB 40 108.4 214.4

HSL 216.47, 0.69%, 0.5%

LAB 47.15, 17.39, -60.4

 

CMYK 88 / 54 / 0 / 23

HEX #175AC3

RGB 23 90.4 195.4

HSL 216.54, 0.79%, 0.43%

LAB 40.44, 20.38, -60.36

 

CMYK 97 / 59 / 0 / 31

HEX #0648B0

RGB 6 72.4 176.4

HSL 216.62, 0.93%, 0.36%

LAB 33.72, 24.02, -60.16

 

CMYK 100 / 65 / 0 / 38

HEX #00369D

RGB 0 54.4 157.4

HSL 219.26, 1%, 0.31%

LAB 27.08, 28.35, -59.61

 

CMYK 75 / 45 / 0 / 9

HEX #3A7FE9

RGB 58 127 233

HSL 216.34, 0.8%, 0.57%

LAB 53.99, 14.55, -59.85

 

CMYK 75 / 66 / 0 / 9

HEX #3A4FE9

RGB 58 79 233

HSL 232.8, 0.8%, 0.57%

LAB 41.81, 44.46, -79.64

 

CMYK 64 / 75 / 0 / 9

HEX #533AE9

RGB 83 58 233

HSL 248.57, 0.8%, 0.57%

LAB 39.15, 58.61, -83.96

 

CMYK 44 / 75 / 0 / 9

HEX #833AE9

RGB 131 58 233

HSL 265.03, 0.8%, 0.57%

LAB 43.85, 64.85, -76.07

 

CMYK 24 / 75 / 0 / 9

HEX #B23AE9

RGB 178 58 233

HSL 281.14, 0.8%, 0.57%

LAB 49.95, 72.69, -65.87

 

CMYK 75 / 45 / 0 / 9

HEX #3A7FE9

RGB 58 127 233

HSL 216.34, 0.8%, 0.57%

LAB 53.99, 14.55, -59.85

 

CMYK 75 / 66 / 0 / 9

HEX #3A4FE9

RGB 58 79 233

HSL 232.8, 0.8%, 0.57%

LAB 41.81, 44.46, -79.64

 

CMYK 75 / 75 / 0 / 9

HEX #3A3AE9

RGB 58 58 233

HSL 240, 0.8%, 0.57%

LAB 37.5, 56.36, -86.75

 

CMYK 75 / 45 / 0 / 9

HEX #3A7FE9

RGB 58 127 233

HSL 216.34, 0.8%, 0.57%

LAB 53.99, 14.55, -59.85

 

CMYK 84 / 51 / 0 / 2

HEX #287BFB

RGB 40 123 251

HSL 216.4, 0.96%, 0.57%

LAB 53.58, 22.02, -70.54

 

CMYK 75 / 45 / 0 / 9

HEX #3A7FE9

RGB 58 127 233

HSL 216.34, 0.8%, 0.57%

LAB 53.99, 14.55, -59.85

 

CMYK 65 / 40 / 0 / 16

HEX #4B82D7

RGB 75 130 215

HSL 216.43, 0.64%, 0.57%

LAB 54.41, 8.74, -49.03

 

CMYK 53 / 32 / 0 / 22

HEX #5D86C6

RGB 93 134 198

HSL 216.57, 0.48%, 0.57%

LAB 55.54, 4.27, -37.59

 

CMYK 38 / 23 / 0 / 29

HEX #6F8AB4

RGB 111 138 180

HSL 216.52, 0.32%, 0.57%

LAB 56.93, 1.16, -25.11

 

CMYK 20 / 12 / 0 / 36

HEX #818EA2

RGB 129 142 162

HSL 216.36, 0.15%, 0.57%

LAB 58.62, -0.23, -12.14

 

CMYK 75 / 5 / 0 / 9

HEX #3ADDE9

RGB 58 221 233

HSL 184.11, 0.8%, 0.57%

LAB 81.01, -36.39, -17.72

 

CMYK 75 / 25 / 0 / 9

HEX #3AAFE9

RGB 58 175 233

HSL 199.89, 0.8%, 0.57%

LAB 67.61, -13.33, -38.29

 

CMYK 75 / 45 / 0 / 9

HEX #3A80E9

RGB 58 128 233

HSL 216, 0.8%, 0.57%

LAB 54.26, 13.93, -59.41

 

CMYK 75 / 65 / 0 / 9

HEX #3A51E9

RGB 58 81 233

HSL 232.11, 0.8%, 0.57%

LAB 42.26, 43.26, -78.9

 

CMYK 65 / 75 / 0 / 9

HEX #513AE9

RGB 81 58 233

HSL 247.89, 0.8%, 0.57%

LAB 39, 58.4, -84.21

 

CMYK 89 / 54 / 0 / 27

HEX #1556BB

RGB 21 86 187

HSL 216.51, 0.8%, 0.41%

LAB 38.56, 19.84, -58.53

 

CMYK 89 / 54 / 0 / 12

HEX #1967E0

RGB 25 103 224

HSL 216.48, 0.8%, 0.49%

LAB 46.03, 23.48, -67.69

 

CMYK 75 / 45 / 0 / 9

HEX #3A7FE9

RGB 58 127 233

HSL 216.34, 0.8%, 0.57%

LAB 53.99, 14.55, -59.85

 

CMYK 60 / 36 / 0 / 7

HEX #5F97ED

RGB 95 151 237

HSL 216.34, 0.8%, 0.65%

LAB 62.24, 7.21, -48.83

 

CMYK 45 / 27 / 0 / 5

HEX #84AFF1

RGB 132 175 241

HSL 216.33, 0.8%, 0.73%

LAB 70.81, 2.74, -37.44

 

CMYK 76 / 46 / 0 / 8

HEX #397EE9

RGB 57 126.4 233.4

HSL 216.39, 0.8%, 0.57%

LAB 53.81, 14.95, -60.35

 

CMYK 15 / 75 / 0 / 9

HEX #C63AE9

RGB 198 58 233

HSL 288, 0.8%, 0.57%

LAB 52.86, 76.36, -61.03

 

CMYK 15 / 0 / 75 / 9

HEX #C6E93A

RGB 198 233 58

HSL 72, 0.8%, 0.57%

LAB 87.28, -33.16, 75.19

 

CMYK 76 / 46 / 0 / 8

HEX #397EE9

RGB 57 126.4 233.4

HSL 216.39, 0.8%, 0.57%

LAB 53.81, 14.95, -60.35

 

CMYK 0 / 75 / 45 / 9

HEX #E93A80

RGB 233 58 128

HSL 336, 0.8%, 0.57%

LAB 53.93, 70.17, 2.16

 

CMYK 45 / 0 / 75 / 9

HEX #80E93A

RGB 128 233 58

HSL 96, 0.8%, 0.57%

LAB 83.53, -58.1, 70.3

 

CMYK 76 / 46 / 0 / 8

HEX #397EE9

RGB 57 126.4 233.4

HSL 216.39, 0.8%, 0.57%

LAB 53.81, 14.95, -60.35

 

CMYK 15 / 75 / 0 / 9

HEX #C63AE9

RGB 198 58 233

HSL 288, 0.8%, 0.57%

LAB 52.86, 76.36, -61.03

 

CMYK 0 / 30 / 75 / 9

HEX #E9A33A

RGB 233 163 58

HSL 36, 0.8%, 0.57%

LAB 72.11, 16.9, 61.8

 

CMYK 60 / 0 / 75 / 9

HEX #5DE93A

RGB 93 233 58

HSL 108, 0.8%, 0.57%

LAB 82.33, -67.46, 68.72

 

CMYK 76 / 46 / 0 / 8

HEX #397EE9

RGB 57 126.4 233.4

HSL 216.39, 0.8%, 0.57%

LAB 53.81, 14.95, -60.35

 

CMYK 0 / 75 / 7 / 9

HEX #E93AD8

RGB 233 58 216

HSL 305.83, 0.8%, 0.57%

LAB 57.37, 80.55, -43.9

 

CMYK 0 / 30 / 75 / 9

HEX #E9A33A

RGB 233 163 58

HSL 36, 0.8%, 0.57%

LAB 72.11, 16.9, 61.8

 

CMYK 75 / 0 / 68 / 9

HEX #3AE94B

RGB 58 233 75

HSL 125.83, 0.8%, 0.57%

LAB 81.67, -72.59, 61.8

 

Description

Color code: RGB 57 126.4 233.4 | qconv.com Color code: RGB 57 126.4 233.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 126.4 green and 233.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 126.4 233.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 46 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 46% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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