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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 56 66 it is the complementary color RGB 199 199 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 56 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 56 66: RGB 61 56 61, RGB 78 74 80, RGB 95 92 99, RGB 112 110 118 and RGB 129 128 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 56 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 56 66: RGB 56 56 66, RGB 39 38 47, RGB 22 20 28, RGB 5 2 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

Complementary color

CMYK 0 / 0 / 5 / 22

HEX #C7C7BD

RGB 199 199 189

HSL 60, 0.08%, 0.76%

LAB 79.99, -1.79, 4.99

 

CMYK 0 / 8 / 0 / 76

HEX #3D383D

RGB 61 56 61

HSL 300, 0.04%, 0.23%

LAB 24.19, 3.29, -2.32

 

CMYK 2 / 7 / 0 / 69

HEX #4E4A50

RGB 78 74 80

HSL 280, 0.04%, 0.3%

LAB 32.03, 2.96, -2.97

 

CMYK 4 / 7 / 0 / 61

HEX #5F5C63

RGB 95 92 99

HSL 265.71, 0.04%, 0.37%

LAB 39.56, 2.68, -3.58

 

CMYK 5 / 7 / 0 / 54

HEX #706E76

RGB 112 110 118

HSL 255, 0.04%, 0.45%

LAB 46.85, 2.43, -4.16

 

CMYK 6 / 7 / 0 / 46

HEX #818089

RGB 129 128 137

HSL 246.67, 0.04%, 0.52%

LAB 53.93, 2.21, -4.73

 

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

CMYK 17 / 19 / 0 / 82

HEX #27262F

RGB 39 38 47

HSL 246.67, 0.11%, 0.17%

LAB 15.61, 2.78, -5.72

 

CMYK 21 / 29 / 0 / 89

HEX #16141C

RGB 22 20 28

HSL 255, 0.17%, 0.09%

LAB 6.82, 3, -5.2

 

CMYK 44 / 78 / 0 / 96

HEX #050209

RGB 5 2 9

HSL 265.71, 0.64%, 0.02%

LAB 0.86, 1.76, -2.37

 

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

CMYK 14 / 15 / 0 / 74

HEX #393842

RGB 57 56 66

HSL 246, 0.08%, 0.24%

LAB 23.97, 2.85, -6.03

 

CMYK 11 / 15 / 0 / 74

HEX #3B3842

RGB 59 56 66

HSL 258, 0.08%, 0.24%

LAB 24.17, 3.66, -5.71

 

CMYK 8 / 15 / 0 / 74

HEX #3D3842

RGB 61 56 66

HSL 270, 0.08%, 0.24%

LAB 24.37, 4.47, -5.39

 

CMYK 6 / 15 / 0 / 74

HEX #3E3842

RGB 62 56 66

HSL 276, 0.08%, 0.24%

LAB 24.47, 4.88, -5.23

 

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

CMYK 15 / 15 / 0 / 54

HEX #636375

RGB 99 99 117

HSL 240, 0.08%, 0.42%

LAB 42.55, 4.03, -10.09

 

CMYK 15 / 15 / 0 / 34

HEX #8F8FA8

RGB 143 143 168

HSL 240, 0.13%, 0.61%

LAB 60.17, 5.24, -13.12

 

CMYK 15 / 15 / 0 / 14

HEX #BABADB

RGB 186 186 219

HSL 240, 0.31%, 0.79%

LAB 76.48, 6.6, -16.5

 

CMYK 13 / 13 / 0 / 94

HEX #0D0D0F

RGB 13 13 15

HSL 240, 0.07%, 0.05%

LAB 3.68, 0.35, -0.94

 

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

CMYK 0 / 15 / 3 / 74

HEX #423840

RGB 66 56 64

HSL 312, 0.08%, 0.24%

LAB 24.82, 6.09, -3.33

 

CMYK 9 / 0 / 15 / 74

HEX #3C4238

RGB 60 66 56

HSL 96, 0.08%, 0.24%

LAB 27.14, -4.71, 5.25

 

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

CMYK 0 / 15 / 15 / 74

HEX #423838

RGB 66 56 56

HSL 0, 0.08%, 0.24%

LAB 24.55, 4.4, 1.62

 

CMYK 15 / 0 / 15 / 74

HEX #384238

RGB 56 66 56

HSL 120, 0.08%, 0.24%

LAB 26.8, -6.42, 4.72

 

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

CMYK 0 / 15 / 3 / 74

HEX #423840

RGB 66 56 64

HSL 312, 0.08%, 0.24%

LAB 24.82, 6.09, -3.33

 

CMYK 0 / 0 / 15 / 74

HEX #424238

RGB 66 66 56

HSL 60, 0.08%, 0.24%

LAB 27.68, -2.09, 6.1

 

CMYK 15 / 0 / 12 / 74

HEX #38423A

RGB 56 66 58

HSL 132, 0.08%, 0.24%

LAB 26.86, -5.97, 3.5

 

CMYK 15 / 15 / 0 / 74

HEX #383842

RGB 56 56 66

HSL 240, 0.08%, 0.24%

LAB 23.88, 2.45, -6.18

 

CMYK 0 / 15 / 8 / 74

HEX #42383D

RGB 66 56 61

HSL 330, 0.08%, 0.24%

LAB 24.71, 5.44, -1.48

 

CMYK 0 / 0 / 15 / 74

HEX #424238

RGB 66 66 56

HSL 60, 0.08%, 0.24%

LAB 27.68, -2.09, 6.1

 

CMYK 15 / 0 / 8 / 74

HEX #38423D

RGB 56 66 61

HSL 150, 0.08%, 0.24%

LAB 26.94, -5.28, 1.66

 

Description

Color code: RGB 56 56 66 | qconv.com Color code: RGB 56 56 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 56 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 56 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 15 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 15% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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