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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 56 100 it is the complementary color RGB 199 199 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 56 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 56 100: RGB 61 56 95, RGB 78 74 114, RGB 95 92 133, RGB 112 110 152 and RGB 129 128 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 56 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 56 100: RGB 56 56 100, RGB 39 38 81, RGB 22 20 62, RGB 5 2 43 and RGB 0 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

Complementary color

CMYK 0 / 0 / 22 / 22

HEX #C7C79B

RGB 199 199 155

HSL 60, 0.28%, 0.69%

LAB 79.25, -7.2, 22.1

 

CMYK 36 / 41 / 0 / 63

HEX #3D385F

RGB 61 56 95

HSL 247.69, 0.26%, 0.3%

LAB 25.7, 12.51, -22.47

 

CMYK 32 / 35 / 0 / 55

HEX #4E4A72

RGB 78 74 114

HSL 246, 0.21%, 0.37%

LAB 33.42, 11.7, -22.4

 

CMYK 29 / 31 / 0 / 48

HEX #5F5C85

RGB 95 92 133

HSL 244.39, 0.18%, 0.44%

LAB 40.87, 11.05, -22.42

 

CMYK 26 / 28 / 0 / 40

HEX #706E98

RGB 112 110 152

HSL 242.86, 0.17%, 0.51%

LAB 48.09, 10.5, -22.5

 

CMYK 25 / 25 / 0 / 33

HEX #8180AB

RGB 129 128 171

HSL 241.4, 0.2%, 0.59%

LAB 55.12, 10.02, -22.63

 

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

CMYK 52 / 53 / 0 / 68

HEX #272651

RGB 39 38 81

HSL 241.4, 0.36%, 0.23%

LAB 17.51, 13.82, -26.3

 

CMYK 65 / 68 / 0 / 76

HEX #16143E

RGB 22 20 62

HSL 242.86, 0.51%, 0.16%

LAB 9.15, 15.63, -26.69

 

CMYK 88 / 95 / 0 / 83

HEX #05022B

RGB 5 2 43

HSL 244.39, 0.91%, 0.09%

LAB 2.26, 11.58, -23.86

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

CMYK 37 / 45 / 0 / 60

HEX #403865

RGB 64 56 101

HSL 250.67, 0.29%, 0.31%

LAB 26.33, 15.28, -25.35

 

CMYK 30 / 45 / 0 / 60

HEX #473865

RGB 71 56 101

HSL 260, 0.29%, 0.31%

LAB 27.04, 17.5, -24.18

 

CMYK 22 / 45 / 0 / 60

HEX #4F3865

RGB 79 56 101

HSL 270.67, 0.29%, 0.31%

LAB 27.93, 20.12, -22.73

 

CMYK 15 / 45 / 0 / 60

HEX #563865

RGB 86 56 101

HSL 280, 0.29%, 0.31%

LAB 28.76, 22.47, -21.36

 

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

CMYK 44 / 44 / 0 / 41

HEX #555597

RGB 85 85 151

HSL 240, 0.28%, 0.46%

LAB 39.01, 17.72, -36.27

 

CMYK 44 / 44 / 0 / 21

HEX #7171CA

RGB 113 113 202

HSL 240, 0.46%, 0.62%

LAB 51.36, 22.9, -46.37

 

CMYK 44 / 44 / 0 / 1

HEX #8E8EFD

RGB 142 142 253

HSL 240, 0.97%, 0.77%

LAB 63.5, 27.47, -55.45

 

CMYK 45 / 45 / 0 / 81

HEX #1B1B31

RGB 27 27 49

HSL 240, 0.29%, 0.15%

LAB 10.84, 6.83, -14.61

 

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

CMYK 0 / 45 / 9 / 60

HEX #65385C

RGB 101 56 92

HSL 312, 0.29%, 0.31%

LAB 30.32, 25.78, -12.99

 

CMYK 27 / 0 / 45 / 60

HEX #4A6538

RGB 74 101 56

HSL 96, 0.29%, 0.31%

LAB 39.66, -19.07, 22.3

 

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

CMYK 0 / 45 / 45 / 60

HEX #653838

RGB 101 56 56

HSL 0, 0.29%, 0.31%

LAB 29.11, 19.97, 8.72

 

CMYK 45 / 0 / 45 / 60

HEX #386538

RGB 56 101 56

HSL 120, 0.29%, 0.31%

LAB 38.61, -25.82, 20.74

 

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

CMYK 0 / 45 / 9 / 60

HEX #65385C

RGB 101 56 92

HSL 312, 0.29%, 0.31%

LAB 30.32, 25.78, -12.99

 

CMYK 0 / 0 / 45 / 60

HEX #656538

RGB 101 101 56

HSL 60, 0.29%, 0.31%

LAB 41.78, -7.38, 25.42

 

CMYK 45 / 0 / 36 / 60

HEX #386541

RGB 56 101 65

HSL 132, 0.29%, 0.31%

LAB 38.78, -24.17, 15.67

 

CMYK 44 / 44 / 0 / 61

HEX #383864

RGB 56 56 100

HSL 240, 0.28%, 0.31%

LAB 25.53, 12.55, -26.01

 

CMYK 0 / 45 / 22 / 60

HEX #65384F

RGB 101 56 79

HSL 329.33, 0.29%, 0.31%

LAB 29.81, 23.4, -5.32

 

CMYK 0 / 0 / 45 / 60

HEX #656538

RGB 101 101 56

HSL 60, 0.29%, 0.31%

LAB 41.78, -7.38, 25.42

 

CMYK 45 / 0 / 22 / 60

HEX #38654F

RGB 56 101 79

HSL 150.67, 0.29%, 0.31%

LAB 39.09, -21.16, 7.67

 

Description

Color code: RGB 56 56 100 | qconv.com Color code: RGB 56 56 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 56 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 56 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 44 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 44% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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