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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 55 85 it is the complementary color RGB 199 200 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 55 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 55 85: RGB 61 55 80, RGB 78 73 99, RGB 95 91 118, RGB 112 109 137 and RGB 129 127 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 55 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 55 85: RGB 56 55 85, RGB 39 37 66, RGB 22 19 47, RGB 5 1 28 and RGB 0 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

Complementary color

CMYK 0 / 0 / 15 / 22

HEX #C7C8AA

RGB 199 200 170

HSL 62, 0.21%, 0.73%

LAB 79.81, -5.47, 14.91

 

CMYK 24 / 31 / 0 / 69

HEX #3D3750

RGB 61 55 80

HSL 254.4, 0.19%, 0.26%

LAB 24.65, 8.8, -14.27

 

CMYK 21 / 26 / 0 / 61

HEX #4E4963

RGB 78 73 99

HSL 251.54, 0.15%, 0.34%

LAB 32.45, 8.23, -14.44

 

CMYK 19 / 23 / 0 / 54

HEX #5F5B76

RGB 95 91 118

HSL 248.89, 0.13%, 0.41%

LAB 39.95, 7.76, -14.67

 

CMYK 18 / 20 / 0 / 46

HEX #706D89

RGB 112 109 137

HSL 246.43, 0.11%, 0.48%

LAB 47.22, 7.35, -14.94

 

CMYK 17 / 19 / 0 / 39

HEX #817F9C

RGB 129 127 156

HSL 244.14, 0.13%, 0.55%

LAB 54.29, 7, -15.23

 

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

CMYK 41 / 44 / 0 / 74

HEX #272542

RGB 39 37 66

HSL 244.14, 0.28%, 0.2%

LAB 16.24, 9.35, -18.06

 

CMYK 53 / 60 / 0 / 82

HEX #16132F

RGB 22 19 47

HSL 246.43, 0.42%, 0.13%

LAB 7.6, 10.57, -18.31

 

CMYK 82 / 96 / 0 / 89

HEX #05011C

RGB 5 1 28

HSL 248.89, 0.93%, 0.06%

LAB 1.24, 6.23, -13.64

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

CMYK 28 / 35 / 0 / 67

HEX #3C3653

RGB 60 54 83

HSL 252.41, 0.21%, 0.27%

LAB 24.4, 9.97, -16.65

 

CMYK 23 / 35 / 0 / 67

HEX #403653

RGB 64 54 83

HSL 260.69, 0.21%, 0.27%

LAB 24.81, 11.4, -15.99

 

CMYK 17 / 35 / 0 / 67

HEX #453653

RGB 69 54 83

HSL 271.03, 0.21%, 0.27%

LAB 25.35, 13.22, -15.11

 

CMYK 11 / 35 / 0 / 67

HEX #4A3653

RGB 74 54 83

HSL 281.38, 0.21%, 0.27%

LAB 25.92, 15.08, -14.18

 

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

CMYK 34 / 35 / 0 / 47

HEX #5A5888

RGB 90 88 136

HSL 242.5, 0.21%, 0.44%

LAB 39.46, 12.81, -26.45

 

CMYK 34 / 35 / 0 / 27

HEX #7B79BB

RGB 123 121 187

HSL 241.82, 0.33%, 0.6%

LAB 53.46, 16.51, -34.43

 

CMYK 34 / 35 / 0 / 7

HEX #9D9AEE

RGB 157 154 238

HSL 242.14, 0.71%, 0.77%

LAB 66.86, 20.29, -41.84

 

CMYK 35 / 35 / 0 / 87

HEX #161622

RGB 22 22 34

HSL 240, 0.21%, 0.11%

LAB 7.77, 3.59, -8.33

 

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

CMYK 0 / 35 / 8 / 67

HEX #53364C

RGB 83 54 76

HSL 314.48, 0.21%, 0.27%

LAB 26.73, 16.99, -8.22

 

CMYK 23 / 0 / 35 / 67

HEX #405336

RGB 64 83 54

HSL 99.31, 0.21%, 0.27%

LAB 33.01, -13.58, 14.66

 

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

CMYK 0 / 34 / 35 / 67

HEX #533736

RGB 83 55 54

HSL 2.07, 0.21%, 0.27%

LAB 26.27, 12.37, 5.68

 

CMYK 35 / 0 / 34 / 67

HEX #365337

RGB 54 83 55

HSL 122.07, 0.21%, 0.27%

LAB 32.36, -17.38, 13.06

 

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

CMYK 0 / 35 / 8 / 67

HEX #53364C

RGB 83 54 76

HSL 314.48, 0.21%, 0.27%

LAB 26.73, 16.99, -8.22

 

CMYK 1 / 0 / 35 / 67

HEX #525336

RGB 82 83 54

HSL 62.07, 0.21%, 0.27%

LAB 34.49, -5.7, 16.9

 

CMYK 35 / 0 / 27 / 67

HEX #36533D

RGB 54 83 61

HSL 134.48, 0.21%, 0.27%

LAB 32.5, -16.15, 9.52

 

CMYK 34 / 35 / 0 / 67

HEX #383755

RGB 56 55 85

HSL 242, 0.21%, 0.27%

LAB 24.41, 8.5, -17.97

 

CMYK 0 / 35 / 19 / 67

HEX #533643

RGB 83 54 67

HSL 333.1, 0.21%, 0.27%

LAB 26.4, 15.22, -2.76

 

CMYK 1 / 0 / 35 / 67

HEX #525336

RGB 82 83 54

HSL 62.07, 0.21%, 0.27%

LAB 34.49, -5.7, 16.9

 

CMYK 35 / 0 / 17 / 67

HEX #365345

RGB 54 83 69

HSL 151.03, 0.21%, 0.27%

LAB 32.7, -14.34, 4.78

 

Description

Color code: RGB 56 55 85 | qconv.com Color code: RGB 56 55 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 55 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 55 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 35 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 35% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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