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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 55 216 it is the complementary color RGB 199 200 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 55 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 55 216: RGB 61 55 211, RGB 78 73 230, RGB 95 91 249, RGB 112 109 255 and RGB 129 127 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 55 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 55 216: RGB 56 55 216, RGB 39 37 197, RGB 22 19 178, RGB 5 1 159 and RGB 0 0 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

Complementary color

CMYK 0 / 0 / 81 / 22

HEX #C7C827

RGB 199 200 39

HSL 60.37, 0.67%, 0.47%

LAB 78.23, -17.68, 72.48

 

CMYK 71 / 74 / 0 / 17

HEX #3D37D3

RGB 61 55 211

HSL 242.31, 0.64%, 0.52%

LAB 34.86, 51.28, -78.49

 

CMYK 66 / 68 / 0 / 10

HEX #4E49E6

RGB 78 73 230

HSL 241.91, 0.76%, 0.59%

LAB 41.37, 49.15, -78.61

 

CMYK 62 / 63 / 0 / 2

HEX #5F5BF9

RGB 95 91 249

HSL 241.52, 0.93%, 0.67%

LAB 47.95, 47.09, -78.48

 

CMYK 56 / 57 / 0 / 0

HEX #706DFF

RGB 112 109 255

HSL 241.23, 1%, 0.71%

LAB 53.6, 41.18, -72.56

 

CMYK 49 / 50 / 0 / 0

HEX #817FFF

RGB 129 127 255

HSL 240.94, 1%, 0.75%

LAB 59.04, 33.9, -63.73

 

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

CMYK 80 / 81 / 0 / 23

HEX #2725C5

RGB 39 37 197

HSL 240.75, 0.68%, 0.46%

LAB 28.87, 54.46, -80.3

 

CMYK 88 / 89 / 0 / 30

HEX #1613B2

RGB 22 19 178

HSL 241.13, 0.81%, 0.39%

LAB 23.17, 55.62, -78.52

 

CMYK 97 / 99 / 0 / 38

HEX #05019F

RGB 5 1 159

HSL 241.52, 0.99%, 0.31%

LAB 18.18, 55.38, -75.37

 

CMYK 100 / 100 / 0 / 45

HEX #00008C

RGB 0 0 140

HSL 240, 1%, 0.27%

LAB 14.92, 50.69, -69.04

 

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

CMYK 62 / 75 / 0 / 16

HEX #5136D7

RGB 81 54 215

HSL 250.06, 0.67%, 0.53%

LAB 36.54, 55.11, -77.97

 

CMYK 50 / 75 / 0 / 16

HEX #6C36D7

RGB 108 54 215

HSL 260.12, 0.67%, 0.53%

LAB 39.13, 58.63, -73.63

 

CMYK 37 / 75 / 0 / 16

HEX #8736D7

RGB 135 54 215

HSL 270.19, 0.67%, 0.53%

LAB 42.3, 62.86, -68.31

 

CMYK 25 / 75 / 0 / 16

HEX #A136D7

RGB 161 54 215

HSL 279.88, 0.67%, 0.53%

LAB 45.8, 67.43, -62.47

 

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

CMYK 75 / 75 / 0 / 95

HEX #03030C

RGB 3 3 12

HSL 240, 0.6%, 0.03%

LAB 1, 1.27, -3.45

 

CMYK 75 / 75 / 0 / 75

HEX #10103F

RGB 16 16 63

HSL 240, 0.59%, 0.15%

LAB 7.58, 17.8, -29.97

 

CMYK 74 / 75 / 0 / 55

HEX #1E1D72

RGB 30 29 114

HSL 240.71, 0.59%, 0.28%

LAB 17.32, 30.48, -48.46

 

CMYK 74 / 75 / 0 / 35

HEX #2B2AA5

RGB 43 42 165

HSL 240.49, 0.59%, 0.41%

LAB 26.41, 41.81, -65.29

 

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

CMYK 0 / 75 / 15 / 16

HEX #D736B7

RGB 215 54 183

HSL 311.93, 0.67%, 0.53%

LAB 52.4, 73.15, -32.96

 

CMYK 45 / 0 / 75 / 16

HEX #77D736

RGB 119 215 54

HSL 95.78, 0.67%, 0.53%

LAB 77.75, -54.19, 65.85

 

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

CMYK 0 / 75 / 75 / 16

HEX #D73636

RGB 215 54 54

HSL 0, 0.67%, 0.53%

LAB 48.7, 61.59, 38.72

 

CMYK 75 / 0 / 75 / 16

HEX #36D736

RGB 54 215 54

HSL 120, 0.67%, 0.53%

LAB 75.85, -69.33, 63.35

 

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

CMYK 0 / 75 / 15 / 16

HEX #D736B7

RGB 215 54 183

HSL 311.93, 0.67%, 0.53%

LAB 52.4, 73.15, -32.96

 

CMYK 0 / 0 / 75 / 16

HEX #D7D736

RGB 215 215 54

HSL 60, 0.67%, 0.53%

LAB 83.61, -17.82, 73.46

 

CMYK 75 / 0 / 60 / 16

HEX #36D756

RGB 54 215 86

HSL 131.93, 0.67%, 0.53%

LAB 76.1, -66.29, 51.07

 

CMYK 74 / 75 / 0 / 15

HEX #3837D8

RGB 56 55 216

HSL 240.37, 0.67%, 0.53%

LAB 35.07, 52.43, -81.05

 

CMYK 0 / 75 / 37 / 16

HEX #D73687

RGB 215 54 135

HSL 329.81, 0.67%, 0.53%

LAB 50.49, 67.34, -7.46

 

CMYK 0 / 0 / 75 / 16

HEX #D7D736

RGB 215 215 54

HSL 60, 0.67%, 0.53%

LAB 83.61, -17.82, 73.46

 

CMYK 75 / 0 / 37 / 16

HEX #36D787

RGB 54 215 135

HSL 150.19, 0.67%, 0.53%

LAB 76.76, -58.66, 28.08

 

Description

Color code: RGB 56 55 216 | qconv.com Color code: RGB 56 55 216 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 55 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 55 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 75 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 75% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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