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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 55 194 it is the complementary color RGB 199 200 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 55 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 55 194: RGB 61 55 189, RGB 78 73 208, RGB 95 91 227, RGB 112 109 246 and RGB 129 127 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 55 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 55 194: RGB 56 55 194, RGB 39 37 175, RGB 22 19 156, RGB 5 1 137 and RGB 0 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

Complementary color

CMYK 0 / 0 / 70 / 22

HEX #C7C83D

RGB 199 200 61

HSL 60.43, 0.56%, 0.51%

LAB 78.34, -16.79, 65.65

 

CMYK 68 / 71 / 0 / 26

HEX #3D37BD

RGB 61 55 189

HSL 242.69, 0.55%, 0.48%

LAB 32.7, 44.2, -69.21

 

CMYK 63 / 65 / 0 / 18

HEX #4E49D0

RGB 78 73 208

HSL 242.22, 0.59%, 0.55%

LAB 39.48, 42.09, -69.13

 

CMYK 58 / 60 / 0 / 11

HEX #5F5BE3

RGB 95 91 227

HSL 241.76, 0.71%, 0.62%

LAB 46.26, 40.14, -68.88

 

CMYK 54 / 56 / 0 / 4

HEX #706DF6

RGB 112 109 246

HSL 241.31, 0.88%, 0.7%

LAB 52.99, 38.41, -68.56

 

CMYK 49 / 50 / 0 / 0

HEX #817FFF

RGB 129 127 255

HSL 240.94, 1%, 0.75%

LAB 59.04, 33.9, -63.73

 

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

CMYK 78 / 79 / 0 / 31

HEX #2725AF

RGB 39 37 175

HSL 240.87, 0.65%, 0.42%

LAB 26.3, 47.54, -71.5

 

CMYK 86 / 88 / 0 / 39

HEX #16139C

RGB 22 19 156

HSL 241.31, 0.78%, 0.34%

LAB 20.19, 49.15, -70.15

 

CMYK 96 / 99 / 0 / 46

HEX #050189

RGB 5 1 137

HSL 241.76, 0.99%, 0.27%

LAB 14.74, 49.58, -67.46

 

CMYK 100 / 100 / 0 / 54

HEX #000076

RGB 0 0 118

HSL 240, 1%, 0.23%

LAB 11.33, 44.81, -61.03

 

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

CMYK 60 / 72 / 0 / 24

HEX #4E36C2

RGB 78 54 194

HSL 250.29, 0.56%, 0.49%

LAB 34.3, 48.49, -69.47

 

CMYK 48 / 72 / 0 / 24

HEX #6536C2

RGB 101 54 194

HSL 260.14, 0.56%, 0.49%

LAB 36.56, 51.96, -65.69

 

CMYK 36 / 72 / 0 / 24

HEX #7C36C2

RGB 124 54 194

HSL 270, 0.56%, 0.49%

LAB 39.27, 55.99, -61.14

 

CMYK 24 / 72 / 0 / 24

HEX #9436C2

RGB 148 54 194

HSL 280.29, 0.56%, 0.49%

LAB 42.5, 60.61, -55.75

 

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

CMYK 71 / 72 / 0 / 4

HEX #4745F5

RGB 71 69 245

HSL 240.68, 0.9%, 0.62%

LAB 41.51, 55.36, -86.87

 

CMYK 71 / 71 / 0 / 84

HEX #0C0C29

RGB 12 12 41

HSL 240, 0.55%, 0.1%

LAB 4.53, 8.48, -18.74

 

CMYK 71 / 72 / 0 / 64

HEX #1B1A5C

RGB 27 26 92

HSL 240.91, 0.56%, 0.23%

LAB 14.08, 23.88, -39.31

 

CMYK 71 / 71 / 0 / 44

HEX #29298F

RGB 41 41 143

HSL 240, 0.55%, 0.36%

LAB 23.8, 34.62, -56.11

 

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

CMYK 0 / 72 / 14 / 24

HEX #C236A6

RGB 194 54 166

HSL 312, 0.56%, 0.49%

LAB 48.08, 65.9, -29.98

 

CMYK 43 / 0 / 72 / 24

HEX #6EC236

RGB 110 194 54

HSL 96, 0.56%, 0.49%

LAB 70.98, -48.75, 59.03

 

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

CMYK 0 / 72 / 72 / 24

HEX #C23636

RGB 194 54 54

HSL 0, 0.56%, 0.49%

LAB 44.76, 55.13, 33.21

 

CMYK 72 / 0 / 72 / 24

HEX #36C236

RGB 54 194 54

HSL 120, 0.56%, 0.49%

LAB 69.21, -62.72, 56.65

 

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

CMYK 0 / 72 / 14 / 24

HEX #C236A6

RGB 194 54 166

HSL 312, 0.56%, 0.49%

LAB 48.08, 65.9, -29.98

 

CMYK 0 / 0 / 72 / 24

HEX #C2C236

RGB 194 194 54

HSL 60, 0.56%, 0.49%

LAB 76.26, -16.23, 65.99

 

CMYK 72 / 0 / 58 / 24

HEX #36C252

RGB 54 194 82

HSL 132, 0.56%, 0.49%

LAB 69.45, -59.78, 45.15

 

CMYK 71 / 72 / 0 / 24

HEX #3837C2

RGB 56 55 194

HSL 240.43, 0.56%, 0.49%

LAB 32.85, 45.29, -71.92

 

CMYK 0 / 72 / 36 / 24

HEX #C2367C

RGB 194 54 124

HSL 330, 0.56%, 0.49%

LAB 46.4, 60.57, -7.31

 

CMYK 0 / 0 / 72 / 24

HEX #C2C236

RGB 194 194 54

HSL 60, 0.56%, 0.49%

LAB 76.26, -16.23, 65.99

 

CMYK 72 / 0 / 36 / 24

HEX #36C27C

RGB 54 194 124

HSL 150, 0.56%, 0.49%

LAB 70.05, -52.92, 24.83

 

Description

Color code: RGB 56 55 194 | qconv.com Color code: RGB 56 55 194 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 55 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 55 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 72 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 72% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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