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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 54 77 it is the complementary color RGB 199 201 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 54 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 54 77: RGB 61 54 72, RGB 78 72 91, RGB 95 90 110, RGB 112 108 129 and RGB 129 126 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 54 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 54 77: RGB 56 54 77, RGB 39 36 58, RGB 22 18 39, RGB 5 0 20 and RGB 0 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

Complementary color

CMYK 1 / 0 / 11 / 21

HEX #C7C9B2

RGB 199 201 178

HSL 65.22, 0.18%, 0.74%

LAB 80.25, -4.7, 11.26

 

CMYK 15 / 25 / 0 / 72

HEX #3D3648

RGB 61 54 72

HSL 263.33, 0.14%, 0.25%

LAB 23.99, 7.33, -9.96

 

CMYK 14 / 21 / 0 / 64

HEX #4E485B

RGB 78 72 91

HSL 258.95, 0.12%, 0.32%

LAB 31.83, 6.84, -10.3

 

CMYK 14 / 18 / 0 / 57

HEX #5F5A6E

RGB 95 90 110

HSL 255, 0.1%, 0.39%

LAB 39.36, 6.43, -10.66

 

CMYK 13 / 16 / 0 / 49

HEX #706C81

RGB 112 108 129

HSL 251.43, 0.09%, 0.46%

LAB 46.65, 6.07, -11.03

 

CMYK 13 / 15 / 0 / 42

HEX #817E94

RGB 129 126 148

HSL 248.18, 0.09%, 0.54%

LAB 53.74, 5.75, -11.42

 

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

CMYK 33 / 38 / 0 / 77

HEX #27243A

RGB 39 36 58

HSL 248.18, 0.23%, 0.18%

LAB 15.48, 7.48, -13.68

 

CMYK 44 / 54 / 0 / 85

HEX #161227

RGB 22 18 39

HSL 251.43, 0.37%, 0.11%

LAB 6.77, 8.15, -13.65

 

CMYK 75 / 100 / 0 / 92

HEX #050014

RGB 5 0 20

HSL 255, 1%, 0.04%

LAB 0.75, 4.51, -8.26

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

CMYK 23 / 31 / 0 / 69

HEX #3C364E

RGB 60 54 78

HSL 255, 0.18%, 0.26%

LAB 24.16, 8.56, -13.71

 

CMYK 18 / 31 / 0 / 69

HEX #40364E

RGB 64 54 78

HSL 265, 0.18%, 0.26%

LAB 24.57, 10.05, -13.04

 

CMYK 13 / 31 / 0 / 69

HEX #44364E

RGB 68 54 78

HSL 275, 0.18%, 0.26%

LAB 25.01, 11.57, -12.34

 

CMYK 8 / 31 / 0 / 69

HEX #48364E

RGB 72 54 78

HSL 285, 0.18%, 0.26%

LAB 25.46, 13.11, -11.6

 

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

CMYK 27 / 30 / 0 / 50

HEX #5D5A80

RGB 93 90 128

HSL 244.74, 0.17%, 0.43%

LAB 39.91, 10.3, -20.87

 

CMYK 27 / 30 / 0 / 30

HEX #827EB3

RGB 130 126 179

HSL 244.53, 0.26%, 0.6%

LAB 54.99, 13.52, -27.41

 

CMYK 27 / 30 / 0 / 10

HEX #A7A1E6

RGB 167 161 230

HSL 245.22, 0.58%, 0.77%

LAB 69.05, 17.12, -33.98

 

CMYK 27 / 31 / 0 / 90

HEX #13121A

RGB 19 18 26

HSL 247.5, 0.18%, 0.09%

LAB 5.83, 2.36, -5.15

 

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

CMYK 0 / 31 / 9 / 69

HEX #4E3647

RGB 78 54 71

HSL 317.5, 0.18%, 0.26%

LAB 25.9, 13.93, -6.23

 

CMYK 22 / 0 / 31 / 69

HEX #3D4E36

RGB 61 78 54

HSL 102.5, 0.18%, 0.26%

LAB 31.13, -11.95, 12.09

 

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

CMYK 0 / 28 / 31 / 69

HEX #4E3836

RGB 78 56 54

HSL 5, 0.18%, 0.26%

LAB 25.91, 9.45, 5.08

 

CMYK 31 / 0 / 28 / 69

HEX #364E38

RGB 54 78 56

HSL 125, 0.18%, 0.26%

LAB 30.68, -14.39, 10.14

 

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

CMYK 0 / 31 / 9 / 69

HEX #4E3647

RGB 78 54 71

HSL 317.5, 0.18%, 0.26%

LAB 25.9, 13.93, -6.23

 

CMYK 3 / 0 / 31 / 69

HEX #4C4E36

RGB 76 78 54

HSL 65, 0.18%, 0.26%

LAB 32.37, -5.4, 13.98

 

CMYK 31 / 0 / 22 / 69

HEX #364E3D

RGB 54 78 61

HSL 137.5, 0.18%, 0.26%

LAB 30.81, -13.31, 7.15

 

CMYK 27 / 30 / 0 / 70

HEX #38364D

RGB 56 54 77

HSL 245.22, 0.18%, 0.26%

LAB 23.72, 6.81, -13.75

 

CMYK 0 / 31 / 18 / 69

HEX #4E3640

RGB 78 54 64

HSL 335, 0.18%, 0.26%

LAB 25.65, 12.54, -1.94

 

CMYK 3 / 0 / 31 / 69

HEX #4C4E36

RGB 76 78 54

HSL 65, 0.18%, 0.26%

LAB 32.37, -5.4, 13.98

 

CMYK 31 / 0 / 13 / 69

HEX #364E44

RGB 54 78 68

HSL 155, 0.18%, 0.26%

LAB 31, -11.68, 2.97

 

Description

Color code: RGB 56 54 77 | qconv.com Color code: RGB 56 54 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 54 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 54 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 30 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 30% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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