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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 54 253 it is the complementary color RGB 199 201 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 54 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 56 54 253: RGB 61 54 248, RGB 78 72 255, RGB 95 90 255, RGB 112 108 255 and RGB 129 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 54 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 56 54 253: RGB 56 54 253, RGB 39 36 234, RGB 22 18 215, RGB 5 0 196 and RGB 0 0 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

Complementary color

CMYK 1 / 0 / 99 / 21

HEX #C7C902

RGB 199 201 2

HSL 60.6, 0.98%, 0.4%

LAB 78.41, -18.85, 78.59

 

CMYK 75 / 78 / 0 / 3

HEX #3D36F8

RGB 61 54 248

HSL 242.16, 0.93%, 0.59%

LAB 38.56, 63.13, -93.45

 

CMYK 69 / 72 / 0 / 0

HEX #4E48FF

RGB 78 72 255

HSL 241.97, 1%, 0.64%

LAB 43.47, 57.53, -89.22

 

CMYK 63 / 65 / 0 / 0

HEX #5F5AFF

RGB 95 90 255

HSL 241.82, 1%, 0.68%

LAB 48.22, 49.54, -81.39

 

CMYK 56 / 58 / 0 / 0

HEX #706CFF

RGB 112 108 255

HSL 241.63, 1%, 0.71%

LAB 53.37, 41.77, -72.93

 

CMYK 49 / 51 / 0 / 0

HEX #817EFF

RGB 129 126 255

HSL 241.4, 1%, 0.75%

LAB 58.8, 34.49, -64.12

 

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

CMYK 83 / 85 / 0 / 8

HEX #2724EA

RGB 39 36 234

HSL 240.91, 0.83%, 0.53%

LAB 33.21, 65.8, -94.46

 

CMYK 90 / 92 / 0 / 16

HEX #1612D7

RGB 22 18 215

HSL 241.22, 0.85%, 0.46%

LAB 28.14, 66.12, -92.02

 

CMYK 97 / 100 / 0 / 23

HEX #0500C4

RGB 5 0 196

HSL 241.53, 1%, 0.38%

LAB 23.73, 65, -88.3

 

CMYK 100 / 100 / 0 / 31

HEX #0000B1

RGB 0 0 177

HSL 240, 1%, 0.35%

LAB 20.73, 60.22, -82.02

 

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

CMYK 66 / 79 / 0 / 1

HEX #5635FC

RGB 86 53 252

HSL 249.95, 0.97%, 0.6%

LAB 40.5, 66.61, -92.44

 

CMYK 53 / 79 / 0 / 1

HEX #7735FC

RGB 119 53 252

HSL 259.9, 0.97%, 0.6%

LAB 43.5, 69.97, -87.38

 

CMYK 39 / 79 / 0 / 1

HEX #9935FC

RGB 153 53 252

HSL 270.15, 0.97%, 0.6%

LAB 47.43, 74.38, -80.79

 

CMYK 26 / 79 / 0 / 1

HEX #BA35FC

RGB 186 53 252

HSL 280.1, 0.97%, 0.6%

LAB 51.85, 79.37, -73.38

 

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

CMYK 78 / 80 / 0 / 81

HEX #0B0A31

RGB 11 10 49

HSL 241.54, 0.66%, 0.12%

LAB 4.61, 12.95, -24.62

 

CMYK 78 / 79 / 0 / 61

HEX #161564

RGB 22 21 100

HSL 240.76, 0.65%, 0.24%

LAB 13.39, 29.53, -45.79

 

CMYK 78 / 79 / 0 / 41

HEX #212097

RGB 33 32 151

HSL 240.5, 0.65%, 0.36%

LAB 22.27, 41.89, -63.6

 

CMYK 78 / 79 / 0 / 21

HEX #2D2BCA

RGB 45 43 202

HSL 240.75, 0.65%, 0.48%

LAB 30.76, 53.44, -80.07

 

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

CMYK 0 / 79 / 16 / 1

HEX #FC35D4

RGB 252 53 212

HSL 312.06, 0.97%, 0.6%

LAB 59.88, 85.24, -37.46

 

CMYK 47 / 0 / 79 / 1

HEX #85FC35

RGB 133 252 53

HSL 95.88, 0.97%, 0.6%

LAB 89.33, -63.95, 77.31

 

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 79 / 0 / 79 / 1

HEX #35FC35

RGB 53 252 53

HSL 120, 0.97%, 0.6%

LAB 87.31, -80.47, 74.69

 

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

CMYK 0 / 79 / 16 / 1

HEX #FC35D4

RGB 252 53 212

HSL 312.06, 0.97%, 0.6%

LAB 59.88, 85.24, -37.46

 

CMYK 0 / 0 / 79 / 1

HEX #FCFC35

RGB 252 252 53

HSL 60, 0.97%, 0.6%

LAB 96.23, -20.51, 86.1

 

CMYK 79 / 0 / 63 / 1

HEX #35FC5D

RGB 53 252 93

HSL 132.06, 0.97%, 0.6%

LAB 87.57, -77.25, 61.07

 

CMYK 78 / 79 / 0 / 1

HEX #3836FD

RGB 56 54 253

HSL 240.6, 0.98%, 0.6%

LAB 38.85, 64.31, -95.79

 

CMYK 0 / 79 / 39 / 1

HEX #FC3599

RGB 252 53 153

HSL 329.85, 0.97%, 0.6%

LAB 57.6, 78.62, -6.88

 

CMYK 0 / 0 / 79 / 1

HEX #FCFC35

RGB 252 252 53

HSL 60, 0.97%, 0.6%

LAB 96.23, -20.51, 86.1

 

CMYK 79 / 0 / 39 / 1

HEX #35FC99

RGB 53 252 153

HSL 150.15, 0.97%, 0.6%

LAB 88.29, -68.62, 34.29

 

Description

Color code: RGB 56 54 253 | qconv.com Color code: RGB 56 54 253 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 54 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 54 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 79 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 79% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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