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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56.7 92.6 54 it is the complementary color RGB 198.3 162.4 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56.7 92.6 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56.7 92.6 54 shade: RGB 61.7 92.6 49, RGB 78.7 110.6 68, RGB 95.7 128.6 87, RGB 112.7 146.6 106 and RGB 129.7 164.6 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56.7 92.6 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56.7 92.6 54 shade: RGB 56.7 92.6 54, RGB 39.7 74.6 35, RGB 22.7 56.6 16, RGB 5.7 38.6 0 and RGB 0 20.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56.7 92.6 54 shade: RGB 57 93 55, RGB 68 93 55, RGB 78 93 55, RGB 89 93 55 and RGB 93 87 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56.7 92.6 54 shade: RGB 57 93 55, RGB 55 93 62, RGB 55 93 73, RGB 55 93 83 and RGB 55 93 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56.7 92.6 54 shade matches the following richer shades: RGB 57 93 55, RGB 47 105 43, RGB 37 117 31, RGB 27 129 19 and RGB 16 141 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56.7 92.6 54 shade: RGB 57 93 55, RGB 68 81 67, RGB 78 69 79, RGB 88 57 91 and RGB 99 45 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56.7 92.6 54 shade: RGB 78 93 55, RGB 68 93 55, RGB 58 93 55, RGB 55 93 62 and RGB 55 93 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56.7 92.6 54 shade: RGB 25 41 24, RGB 41 67 39, RGB 57 93 55, RGB 73 119 70 and RGB 89 145 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56.7 92.6 54 shade: RGB 56.7 92.6 54, RGB 55 89 93 and RGB 93 55 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56.7 92.6 54 shade: RGB 56.7 92.6 54, RGB 55 58 93 and RGB 93 55 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56.7 92.6 54 shade: RGB 56.7 92.6 54, RGB 55 89 93, RGB 90 55 93 and RGB 93 59 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56.7 92.6 54 shade: RGB 56.7 92.6 54, RGB 55 77 93, RGB 90 55 93 and RGB 93 71 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 42 / 64

HEX #385C36

RGB 56.7 92.6 54

HSL 115.8, 0.26%, 0.29%

LAB 35.76, -21.68, 18.22

 

Complementary color

CMYK 1 / 19 / 0 / 21

HEX #C6A2C9

RGB 198.3 162.4 201

HSL 295.8, 0.26%, 0.71%

LAB 71.04, 19.94, -14.75

 

CMYK 33 / 0 / 47 / 64

HEX #3D5C31

RGB 61.7 92.6 49

HSL 102.52, 0.31%, 0.28%

LAB 35.97, -20.6, 21.48

 

CMYK 29 / 0 / 39 / 57

HEX #4E6E44

RGB 78.7 110.6 68

HSL 104.93, 0.24%, 0.35%

LAB 43.28, -20.41, 20.14

 

CMYK 26 / 0 / 32 / 50

HEX #5F8057

RGB 95.7 128.6 87

HSL 107.45, 0.19%, 0.42%

LAB 50.4, -20.2, 18.9

 

CMYK 23 / 0 / 28 / 43

HEX #70926A

RGB 112.7 146.6 106

HSL 110.1, 0.16%, 0.5%

LAB 57.34, -20.01, 17.77

 

CMYK 21 / 0 / 24 / 35

HEX #81A47D

RGB 129.7 164.6 125

HSL 112.88, 0.18%, 0.57%

LAB 64.14, -19.82, 16.71

 

CMYK 39 / 0 / 42 / 64

HEX #385C36

RGB 56.7 92.6 54

HSL 115.8, 0.26%, 0.29%

LAB 35.76, -21.68, 18.22

 

CMYK 47 / 0 / 53 / 71

HEX #274A23

RGB 39.7 74.6 35

HSL 112.88, 0.36%, 0.21%

LAB 28.23, -21.88, 19.67

 

CMYK 60 / 0 / 72 / 78

HEX #163810

RGB 22.7 56.6 16

HSL 110.1, 0.56%, 0.14%

LAB 20.45, -21.81, 21.11

 

CMYK 85 / 0 / 100 / 85

HEX #052600

RGB 5.7 38.6 0

HSL 111.14, 1%, 0.08%

LAB 12.36, -21.18, 17.87

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20.6 0

HSL 120, 1%, 0.04%

LAB 4.71, -9.63, 6.88

 

CMYK 39 / 0 / 41 / 64

HEX #395D37

RGB 57 93 55

HSL 116.84, 0.26%, 0.29%

LAB 35.93, -21.6, 17.85

 

CMYK 27 / 0 / 41 / 64

HEX #445D37

RGB 68 93 55

HSL 99.47, 0.26%, 0.29%

LAB 36.62, -17.34, 18.87

 

CMYK 16 / 0 / 41 / 64

HEX #4E5D37

RGB 78 93 55

HSL 83.68, 0.26%, 0.29%

LAB 37.34, -13.15, 19.96

 

CMYK 4 / 0 / 41 / 64

HEX #595D37

RGB 89 93 55

HSL 66.32, 0.26%, 0.29%

LAB 38.25, -8.29, 21.3

 

CMYK 0 / 6 / 41 / 64

HEX #5D5737

RGB 93 87 55

HSL 50.53, 0.26%, 0.29%

LAB 36.78, -2.92, 19.48

 

CMYK 39 / 0 / 41 / 64

HEX #395D37

RGB 57 93 55

HSL 116.84, 0.26%, 0.29%

LAB 35.93, -21.6, 17.85

 

CMYK 41 / 0 / 33 / 64

HEX #375D3E

RGB 55 93 62

HSL 131.05, 0.26%, 0.29%

LAB 35.96, -20.99, 13.66

 

CMYK 41 / 0 / 22 / 64

HEX #375D49

RGB 55 93 73

HSL 148.42, 0.26%, 0.29%

LAB 36.22, -18.61, 7.28

 

CMYK 41 / 0 / 11 / 64

HEX #375D53

RGB 55 93 83

HSL 164.21, 0.26%, 0.29%

LAB 36.49, -16.16, 1.48

 

CMYK 41 / 0 / 0 / 64

HEX #375D5D

RGB 55 93 93

HSL 180, 0.26%, 0.29%

LAB 36.8, -13.46, -4.27

 

CMYK 39 / 0 / 41 / 64

HEX #395D37

RGB 57 93 55

HSL 116.84, 0.26%, 0.29%

LAB 35.93, -21.6, 17.85

 

CMYK 55 / 0 / 59 / 59

HEX #2F692B

RGB 47 105 43

HSL 116.13, 0.42%, 0.29%

LAB 39.38, -32.58, 28.81

 

CMYK 68 / 0 / 74 / 54

HEX #25751F

RGB 37 117 31

HSL 115.81, 0.58%, 0.29%

LAB 43.09, -41.45, 38.53

 

CMYK 79 / 0 / 85 / 49

HEX #1B8113

RGB 27 129 19

HSL 115.64, 0.74%, 0.29%

LAB 46.95, -48.44, 46.45

 

CMYK 89 / 0 / 95 / 45

HEX #108D07

RGB 16 141 7

HSL 115.97, 0.91%, 0.29%

LAB 50.89, -54.05, 52.43

 

CMYK 39 / 0 / 41 / 64

HEX #395D37

RGB 57 93 55

HSL 116.84, 0.26%, 0.29%

LAB 35.93, -21.6, 17.85

 

CMYK 16 / 0 / 17 / 68

HEX #445143

RGB 68 81 67

HSL 115.71, 0.09%, 0.29%

LAB 32.96, -8.26, 6.54

 

CMYK 1 / 13 / 0 / 69

HEX #4E454F

RGB 78 69 79

HSL 294, 0.07%, 0.29%

LAB 30.5, 5.93, -4.59

 

CMYK 3 / 37 / 0 / 64

HEX #58395B

RGB 88 57 91

HSL 294.71, 0.23%, 0.29%

LAB 28.79, 20.21, -14.84

 

CMYK 4 / 56 / 0 / 60

HEX #632D67

RGB 99 45 103

HSL 295.86, 0.39%, 0.29%

LAB 28.14, 33.63, -23.5

 

CMYK 16 / 0 / 41 / 64

HEX #4E5D37

RGB 78 93 55

HSL 83.68, 0.26%, 0.29%

LAB 37.34, -13.15, 19.96

 

CMYK 27 / 0 / 41 / 64

HEX #445D37

RGB 68 93 55

HSL 99.47, 0.26%, 0.29%

LAB 36.62, -17.34, 18.87

 

CMYK 38 / 0 / 41 / 64

HEX #3A5D37

RGB 58 93 55

HSL 115.26, 0.26%, 0.29%

LAB 35.99, -21.23, 17.94

 

CMYK 41 / 0 / 33 / 64

HEX #375D3E

RGB 55 93 62

HSL 131.05, 0.26%, 0.29%

LAB 35.96, -20.99, 13.66

 

CMYK 41 / 0 / 23 / 64

HEX #375D48

RGB 55 93 72

HSL 146.84, 0.26%, 0.29%

LAB 36.19, -18.84, 7.87

 

CMYK 39 / 0 / 41 / 84

HEX #192918

RGB 25 41 24

HSL 116.47, 0.26%, 0.13%

LAB 14.73, -11.09, 9.08

 

CMYK 39 / 0 / 42 / 74

HEX #294327

RGB 41 67 39

HSL 115.71, 0.26%, 0.21%

LAB 25.66, -16.66, 13.94

 

CMYK 39 / 0 / 41 / 64

HEX #395D37

RGB 57 93 55

HSL 116.84, 0.26%, 0.29%

LAB 35.93, -21.6, 17.85

 

CMYK 39 / 0 / 41 / 53

HEX #497746

RGB 73 119 70

HSL 116.33, 0.26%, 0.37%

LAB 45.71, -26.44, 22.11

 

CMYK 39 / 0 / 41 / 43

HEX #599155

RGB 89 145 85

HSL 116, 0.26%, 0.45%

LAB 55.1, -31.07, 26.17

 

CMYK 39 / 0 / 42 / 64

HEX #385C36

RGB 56.7 92.6 54

HSL 115.8, 0.26%, 0.29%

LAB 35.76, -21.68, 18.22

 

CMYK 41 / 4 / 0 / 64

HEX #37595D

RGB 55 89 93

HSL 186.32, 0.26%, 0.29%

LAB 35.49, -11.14, -6.22

 

CMYK 0 / 41 / 22 / 64

HEX #5D3749

RGB 93 55 73

HSL 331.58, 0.26%, 0.29%

LAB 28.22, 19.79, -3.87

 

CMYK 39 / 0 / 42 / 64

HEX #385C36

RGB 56.7 92.6 54

HSL 115.8, 0.26%, 0.29%

LAB 35.76, -21.68, 18.22

 

CMYK 41 / 38 / 0 / 64

HEX #373A5D

RGB 55 58 93

HSL 235.26, 0.26%, 0.29%

LAB 25.65, 8.62, -21.29

 

CMYK 0 / 41 / 38 / 64

HEX #5D373A

RGB 93 55 58

HSL 355.26, 0.26%, 0.29%

LAB 27.75, 17.39, 5.33

 

CMYK 39 / 0 / 42 / 64

HEX #385C36

RGB 56.7 92.6 54

HSL 115.8, 0.26%, 0.29%

LAB 35.76, -21.68, 18.22

 

CMYK 41 / 4 / 0 / 64

HEX #37595D

RGB 55 89 93

HSL 186.32, 0.26%, 0.29%

LAB 35.49, -11.14, -6.22

 

CMYK 3 / 41 / 0 / 64

HEX #5A375D

RGB 90 55 93

HSL 295.26, 0.26%, 0.29%

LAB 28.63, 22.63, -16.36

 

CMYK 0 / 37 / 41 / 64

HEX #5D3B37

RGB 93 59 55

HSL 6.32, 0.26%, 0.29%

LAB 28.72, 14.47, 8.66

 

CMYK 39 / 0 / 42 / 64

HEX #385C36

RGB 56.7 92.6 54

HSL 115.8, 0.26%, 0.29%

LAB 35.76, -21.68, 18.22

 

CMYK 41 / 17 / 0 / 64

HEX #374D5D

RGB 55 77 93

HSL 205.26, 0.26%, 0.29%

LAB 31.6, -3.85, -12.09

 

CMYK 3 / 41 / 0 / 64

HEX #5A375D

RGB 90 55 93

HSL 295.26, 0.26%, 0.29%

LAB 28.63, 22.63, -16.36

 

CMYK 0 / 24 / 41 / 64

HEX #5D4737

RGB 93 71 55

HSL 25.26, 0.26%, 0.29%

LAB 32.05, 6.92, 13.23

 

Description

Color code: RGB 56.7 92.6 54 | qconv.com Color code: RGB 56.7 92.6 54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56.7 red, 92.6 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56.7 92.6 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 42 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 42% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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