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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 69 79 it is the complementary color RGB 201 186 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 69 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 54 69 79: RGB 59 69 74, RGB 76 87 93, RGB 93 105 112, RGB 110 123 131 and RGB 127 141 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 69 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 54 69 79: RGB 54 69 79, RGB 37 51 60, RGB 20 33 41, RGB 3 15 22 and RGB 0 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

Complementary color

CMYK 0 / 7 / 12 / 21

HEX #C9BAB0

RGB 201 186 176

HSL 24, 0.19%, 0.74%

LAB 76.48, 3.62, 6.97

 

CMYK 20 / 7 / 0 / 71

HEX #3B454A

RGB 59 69 74

HSL 200, 0.11%, 0.26%

LAB 28.59, -2.79, -4.38

 

CMYK 18 / 6 / 0 / 64

HEX #4C575D

RGB 76 87 93

HSL 201.18, 0.1%, 0.33%

LAB 36.26, -2.85, -4.93

 

CMYK 17 / 6 / 0 / 56

HEX #5D6970

RGB 93 105 112

HSL 202.11, 0.09%, 0.4%

LAB 43.65, -2.92, -5.46

 

CMYK 16 / 6 / 0 / 49

HEX #6E7B83

RGB 110 123 131

HSL 202.86, 0.09%, 0.47%

LAB 50.83, -3, -5.99

 

CMYK 15 / 6 / 0 / 41

HEX #7F8D96

RGB 127 141 150

HSL 203.48, 0.1%, 0.54%

LAB 57.81, -3.08, -6.5

 

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

CMYK 38 / 15 / 0 / 76

HEX #25333C

RGB 37 51 60

HSL 203.48, 0.24%, 0.19%

LAB 20.39, -3.13, -7.54

 

CMYK 51 / 20 / 0 / 84

HEX #142129

RGB 20 33 41

HSL 202.86, 0.34%, 0.12%

LAB 11.93, -2.94, -7.14

 

CMYK 86 / 32 / 0 / 91

HEX #030F16

RGB 3 15 22

HSL 202.11, 0.76%, 0.05%

LAB 3.78, -1.84, -5.22

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

CMYK 32 / 18 / 0 / 69

HEX #35404E

RGB 53 64 78

HSL 213.6, 0.19%, 0.26%

LAB 26.66, -0.66, -9.94

 

CMYK 32 / 23 / 0 / 69

HEX #353C4E

RGB 53 60 78

HSL 223.2, 0.19%, 0.26%

LAB 25.38, 1.98, -11.89

 

CMYK 32 / 28 / 0 / 69

HEX #35384E

RGB 53 56 78

HSL 232.8, 0.19%, 0.26%

LAB 24.11, 4.67, -13.84

 

CMYK 29 / 32 / 0 / 69

HEX #37354E

RGB 55 53 78

HSL 244.8, 0.19%, 0.26%

LAB 23.37, 7.42, -14.97

 

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

CMYK 32 / 12 / 0 / 49

HEX #597282

RGB 89 114 130

HSL 203.41, 0.19%, 0.43%

LAB 46.67, -5.04, -11.77

 

CMYK 31 / 13 / 0 / 29

HEX #7C9EB5

RGB 124 158 181

HSL 204.21, 0.28%, 0.6%

LAB 63.4, -6.12, -15.72

 

CMYK 31 / 13 / 0 / 9

HEX #9FCBE8

RGB 159 203 232

HSL 203.84, 0.61%, 0.77%

LAB 79.56, -7.69, -19.02

 

CMYK 32 / 14 / 0 / 89

HEX #13181C

RGB 19 24 28

HSL 206.67, 0.19%, 0.09%

LAB 7.91, -1.12, -3.6

 

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

CMYK 13 / 32 / 0 / 69

HEX #44354E

RGB 68 53 78

HSL 276, 0.19%, 0.26%

LAB 24.72, 12.24, -12.78

 

CMYK 0 / 0 / 32 / 69

HEX #4E4E35

RGB 78 78 53

HSL 60, 0.19%, 0.26%

LAB 32.54, -4.65, 14.85

 

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

CMYK 0 / 32 / 13 / 69

HEX #4E3544

RGB 78 53 68

HSL 324, 0.19%, 0.26%

LAB 25.51, 13.97, -4.81

 

CMYK 13 / 0 / 32 / 69

HEX #444E35

RGB 68 78 53

HSL 84, 0.19%, 0.26%

LAB 31.66, -9.13, 13.52

 

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

CMYK 13 / 32 / 0 / 69

HEX #44354E

RGB 68 53 78

HSL 276, 0.19%, 0.26%

LAB 24.72, 12.24, -12.78

 

CMYK 0 / 19 / 32 / 69

HEX #4E3F35

RGB 78 63 53

HSL 24, 0.19%, 0.26%

LAB 27.93, 4.76, 8.58

 

CMYK 19 / 0 / 32 / 69

HEX #3F4E35

RGB 63 78 53

HSL 96, 0.19%, 0.26%

LAB 31.26, -11.29, 12.91

 

CMYK 32 / 13 / 0 / 69

HEX #36454F

RGB 54 69 79

HSL 204, 0.19%, 0.26%

LAB 28.39, -3.25, -7.96

 

CMYK 3 / 32 / 0 / 69

HEX #4C354E

RGB 76 53 78

HSL 295.2, 0.19%, 0.26%

LAB 25.66, 15.32, -11.25

 

CMYK 0 / 19 / 32 / 69

HEX #4E3F35

RGB 78 63 53

HSL 24, 0.19%, 0.26%

LAB 27.93, 4.76, 8.58

 

CMYK 28 / 0 / 32 / 69

HEX #384E35

RGB 56 78 53

HSL 112.8, 0.19%, 0.26%

LAB 30.75, -14.19, 12.14

 

Description

Color code: RGB 54 69 79 | qconv.com Color code: RGB 54 69 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 69 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 69 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 13 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 13% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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