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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 252 167 it is the complementary color RGB 201 3 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 252 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 54 252 167: RGB 59 252 162, RGB 76 255 181, RGB 93 255 200, RGB 110 255 219 and RGB 127 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 252 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 54 252 167: RGB 54 252 167, RGB 37 234 148, RGB 20 216 129, RGB 3 198 110 and RGB 0 180 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

Complementary color

CMYK 0 / 99 / 56 / 21

HEX #C90358

RGB 201 3 88

HSL 334.24, 0.97%, 0.4%

LAB 43.04, 69.58, 10.34

 

CMYK 77 / 0 / 36 / 1

HEX #3BFCA2

RGB 59 252 162

HSL 152.02, 0.97%, 0.61%

LAB 88.52, -66.29, 30.11

 

CMYK 70 / 0 / 29 / 0

HEX #4CFFB5

RGB 76 255 181

HSL 155.2, 1%, 0.65%

LAB 90.04, -61.46, 22.61

 

CMYK 64 / 0 / 22 / 0

HEX #5DFFC8

RGB 93 255 200

HSL 159.63, 1%, 0.68%

LAB 90.79, -54.79, 13.98

 

CMYK 57 / 0 / 14 / 0

HEX #6EFFDB

RGB 110 255 219

HSL 165.1, 1%, 0.72%

LAB 91.66, -47.46, 5.49

 

CMYK 50 / 0 / 7 / 0

HEX #7FFFEE

RGB 127 255 238

HSL 172.03, 1%, 0.75%

LAB 92.67, -39.6, -2.81

 

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

CMYK 84 / 0 / 37 / 8

HEX #25EA94

RGB 37 234 148

HSL 153.81, 0.82%, 0.53%

LAB 82.58, -64.73, 29.17

 

CMYK 91 / 0 / 40 / 15

HEX #14D881

RGB 20 216 129

HSL 153.37, 0.83%, 0.46%

LAB 76.59, -63.22, 30.85

 

CMYK 98 / 0 / 44 / 22

HEX #03C66E

RGB 3 198 110

HSL 152.92, 0.97%, 0.39%

LAB 70.55, -61.27, 32.66

 

CMYK 100 / 0 / 49 / 29

HEX #00B45B

RGB 0 180 91

HSL 150.33, 1%, 0.35%

LAB 64.48, -58.66, 34.59

 

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

CMYK 78 / 0 / 21 / 2

HEX #36FBC7

RGB 54 251 199

HSL 164.16, 0.96%, 0.6%

LAB 88.88, -58.56, 11.68

 

CMYK 78 / 0 / 8 / 2

HEX #36FBE8

RGB 54 251 232

HSL 174.21, 0.96%, 0.6%

LAB 89.68, -50.31, -4.29

 

CMYK 78 / 5 / 0 / 2

HEX #36EEFB

RGB 54 238 251

HSL 183.96, 0.96%, 0.6%

LAB 86.45, -39.31, -19.02

 

CMYK 78 / 18 / 0 / 2

HEX #36CDFB

RGB 54 205 251

HSL 194.01, 0.96%, 0.6%

LAB 76.93, -23.48, -33.56

 

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

CMYK 79 / 0 / 33 / 81

HEX #0A3020

RGB 10 48 32

HSL 154.74, 0.66%, 0.11%

LAB 16.91, -18.03, 6.44

 

CMYK 79 / 0 / 33 / 61

HEX #156342

RGB 21 99 66

HSL 154.62, 0.65%, 0.24%

LAB 36.89, -31.62, 12.3

 

CMYK 79 / 0 / 34 / 41

HEX #209663

RGB 32 150 99

HSL 154.07, 0.65%, 0.36%

LAB 55.09, -43.93, 18.09

 

CMYK 79 / 0 / 34 / 21

HEX #2BC985

RGB 43 201 133

HSL 154.18, 0.65%, 0.48%

LAB 72.22, -55.18, 22.97

 

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

CMYK 78 / 60 / 0 / 2

HEX #3664FB

RGB 54 100 251

HSL 225.99, 0.96%, 0.6%

LAB 48.09, 37.54, -79.46

 

CMYK 0 / 65 / 78 / 2

HEX #FB5736

RGB 251 87 54

HSL 10.05, 0.96%, 0.6%

LAB 59.52, 60.86, 52.02

 

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

CMYK 34 / 78 / 0 / 2

HEX #A636FB

RGB 166 54 251

HSL 274.11, 0.96%, 0.6%

LAB 49.14, 75.73, -77.36

 

CMYK 0 / 34 / 78 / 2

HEX #FBA636

RGB 251 166 54

HSL 34.11, 0.96%, 0.6%

LAB 74.86, 22.72, 66.67

 

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

CMYK 78 / 60 / 0 / 2

HEX #3664FB

RGB 54 100 251

HSL 225.99, 0.96%, 0.6%

LAB 48.09, 37.54, -79.46

 

CMYK 0 / 78 / 45 / 2

HEX #FB368B

RGB 251 54 139

HSL 334.11, 0.96%, 0.6%

LAB 57.09, 76.86, 0.61

 

CMYK 0 / 18 / 78 / 2

HEX #FBCD36

RGB 251 205 54

HSL 45.99, 0.96%, 0.6%

LAB 84.19, 2.42, 75.17

 

CMYK 79 / 0 / 34 / 1

HEX #36FCA7

RGB 54 252 167

HSL 154.24, 0.97%, 0.6%

LAB 88.54, -65.86, 27.6

 

CMYK 73 / 78 / 0 / 2

HEX #4336FB

RGB 67 54 251

HSL 243.96, 0.96%, 0.6%

LAB 39.24, 64.41, -94.01

 

CMYK 0 / 78 / 45 / 2

HEX #FB368B

RGB 251 54 139

HSL 334.11, 0.96%, 0.6%

LAB 57.09, 76.86, 0.61

 

CMYK 5 / 0 / 78 / 2

HEX #EEFB36

RGB 238 251 54

HSL 63.96, 0.96%, 0.6%

LAB 94.92, -25.68, 84.29

 

Description

Color code: RGB 54 252 167 | qconv.com Color code: RGB 54 252 167 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 252 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 252 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 34% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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