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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 124 43 it is the complementary color RGB 201 131 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 124 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 54 124 43: RGB 59 124 38, RGB 76 142 57, RGB 93 160 76, RGB 110 178 95 and RGB 127 196 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 124 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 54 124 43: RGB 54 124 43, RGB 37 106 24, RGB 20 88 5, RGB 3 70 0 and RGB 0 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

Complementary color

CMYK 5 / 38 / 0 / 17

HEX #C983D4

RGB 201 131 212

HSL 291.85, 0.49%, 0.67%

LAB 64.49, 40.12, -30.84

 

CMYK 52 / 0 / 69 / 51

HEX #3B7C26

RGB 59 124 38

HSL 105.35, 0.53%, 0.32%

LAB 46.29, -37.59, 39.14

 

CMYK 46 / 0 / 60 / 44

HEX #4C8E39

RGB 76 142 57

HSL 106.59, 0.43%, 0.39%

LAB 53.14, -37.85, 38.14

 

CMYK 42 / 0 / 53 / 37

HEX #5DA04C

RGB 93 160 76

HSL 107.86, 0.36%, 0.46%

LAB 59.88, -37.88, 36.92

 

CMYK 38 / 0 / 47 / 30

HEX #6EB25F

RGB 110 178 95

HSL 109.16, 0.35%, 0.54%

LAB 66.51, -37.78, 35.66

 

CMYK 35 / 0 / 42 / 23

HEX #7FC472

RGB 127 196 114

HSL 110.49, 0.41%, 0.61%

LAB 73.03, -37.62, 34.41

 

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

CMYK 65 / 0 / 77 / 58

HEX #256A18

RGB 37 106 24

HSL 110.49, 0.63%, 0.25%

LAB 39.19, -37.88, 37.39

 

CMYK 77 / 0 / 94 / 65

HEX #145805

RGB 20 88 5

HSL 109.16, 0.89%, 0.18%

LAB 32.12, -36.37, 37.01

 

CMYK 96 / 0 / 100 / 73

HEX #034600

RGB 3 70 0

HSL 117.43, 1%, 0.14%

LAB 24.95, -33.42, 32.55

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

CMYK 66 / 0 / 65 / 51

HEX #2A7D2C

RGB 42 125 44

HSL 121.45, 0.5%, 0.33%

LAB 46.1, -41.96, 36.01

 

CMYK 66 / 0 / 54 / 51

HEX #2A7D3A

RGB 42 125 58

HSL 131.57, 0.5%, 0.33%

LAB 46.26, -40.05, 29.14

 

CMYK 66 / 0 / 43 / 51

HEX #2A7D47

RGB 42 125 71

HSL 140.96, 0.5%, 0.33%

LAB 46.46, -37.81, 22.29

 

CMYK 66 / 0 / 32 / 51

HEX #2A7D55

RGB 42 125 85

HSL 151.08, 0.5%, 0.33%

LAB 46.73, -34.92, 14.66

 

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

CMYK 57 / 0 / 65 / 31

HEX #4CAF3D

RGB 76 175 61

HSL 112.11, 0.48%, 0.46%

LAB 63.78, -50.75, 48.28

 

CMYK 57 / 0 / 65 / 11

HEX #62E24E

RGB 98 226 78

HSL 111.89, 0.72%, 0.6%

LAB 80.48, -62.3, 59.63

 

CMYK 55 / 0 / 64 / 91

HEX #0A1608

RGB 10 22 8

HSL 111.43, 0.47%, 0.06%

LAB 5.92, -6.86, 5.46

 

CMYK 56 / 0 / 66 / 71

HEX #204919

RGB 32 73 25

HSL 111.25, 0.49%, 0.19%

LAB 27.14, -25.27, 23.94

 

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

CMYK 66 / 3 / 0 / 51

HEX #2A797D

RGB 42 121 125

HSL 182.89, 0.5%, 0.33%

LAB 46.51, -22.18, -9.26

 

CMYK 0 / 66 / 30 / 51

HEX #7D2A58

RGB 125 42 88

HSL 326.75, 0.5%, 0.33%

LAB 31.16, 40.72, -8.76

 

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

CMYK 66 / 56 / 0 / 51

HEX #2A377D

RGB 42 55 125

HSL 230.6, 0.5%, 0.33%

LAB 25.88, 18.83, -41.47

 

CMYK 0 / 66 / 56 / 51

HEX #7D2A37

RGB 125 42 55

HSL 350.6, 0.5%, 0.33%

LAB 30.14, 36.98, 11.42

 

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

CMYK 66 / 3 / 0 / 51

HEX #2A797D

RGB 42 121 125

HSL 182.89, 0.5%, 0.33%

LAB 46.51, -22.18, -9.26

 

CMYK 10 / 66 / 0 / 51

HEX #712A7D

RGB 113 42 125

HSL 291.33, 0.5%, 0.33%

LAB 30.99, 43.6, -32.84

 

CMYK 0 / 62 / 66 / 51

HEX #7D2F2A

RGB 125 47 42

HSL 3.61, 0.5%, 0.33%

LAB 30.78, 33.53, 20.69

 

CMYK 56 / 0 / 65 / 51

HEX #367C2B

RGB 54 124 43

HSL 111.85, 0.49%, 0.33%

LAB 46.14, -38.57, 36.64

 

CMYK 66 / 23 / 0 / 51

HEX #2A607D

RGB 42 96 125

HSL 200.96, 0.5%, 0.33%

LAB 38.44, -8.14, -21.56

 

CMYK 10 / 66 / 0 / 51

HEX #712A7D

RGB 113 42 125

HSL 291.33, 0.5%, 0.33%

LAB 30.99, 43.6, -32.84

 

CMYK 0 / 43 / 66 / 51

HEX #7D472A

RGB 125 71 42

HSL 20.96, 0.5%, 0.33%

LAB 36.05, 20.26, 27.08

 

Description

Color code: RGB 54 124 43 | qconv.com Color code: RGB 54 124 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 124 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 124 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 65 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 65% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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