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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 231 103 it is the complementary color RGB 202 24 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 231 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 231 103 shade: RGB 58 231 98, RGB 75 249 117, RGB 92 255 136, RGB 109 255 155 and RGB 126 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 231 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 231 103 shade: RGB 53 231 103, RGB 36 213 84, RGB 19 195 65, RGB 2 177 46 and RGB 0 159 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 231 103 shade: RGB 54 231 104, RGB 54 231 56, RGB 100 231 54, RGB 148 231 54 and RGB 196 231 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 231 103 shade: RGB 54 231 104, RGB 54 231 152, RGB 54 231 200, RGB 54 216 231 and RGB 54 168 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 231 103 shade matches the following richer shades: RGB 54 231 104 and RGB 36 250 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 231 103 shade: RGB 54 231 104, RGB 72 213 112, RGB 90 195 120, RGB 109 177 128 and RGB 127 159 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 231 103 shade: RGB 101 231 54, RGB 54 231 54, RGB 54 231 101, RGB 54 231 149 and RGB 54 231 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 231 103 shade: RGB 21 182 66, RGB 26 219 80, RGB 54 231 104, RGB 91 236 132 and RGB 128 240 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 231 103 shade: RGB 53 231 103, RGB 54 149 231 and RGB 231 54 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 231 103 shade: RGB 53 231 103, RGB 101 54 231 and RGB 231 101 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 231 103 shade: RGB 53 231 103, RGB 54 149 231, RGB 231 54 184 and RGB 231 137 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 231 103 shade: RGB 53 231 103, RGB 54 96 231, RGB 231 54 184 and RGB 231 190 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 55 / 9

HEX #35E767

RGB 53 231 103

HSL 136.85, 0.79%, 0.56%

LAB 81.23, -69.48, 49.42

 

Complementary color

CMYK 0 / 88 / 25 / 21

HEX #CA1898

RGB 202 24 152

HSL 316.85, 0.79%, 0.44%

LAB 46.28, 73.31, -24.32

 

CMYK 75 / 0 / 58 / 9

HEX #3AE762

RGB 58 231 98

HSL 133.87, 0.78%, 0.57%

LAB 81.25, -69.47, 51.73

 

CMYK 70 / 0 / 53 / 2

HEX #4BF975

RGB 75 249 117

HSL 134.48, 0.94%, 0.64%

LAB 87.26, -70.42, 50.34

 

CMYK 64 / 0 / 47 / 0

HEX #5CFF88

RGB 92 255 136

HSL 136.2, 1%, 0.68%

LAB 89.66, -66.84, 44.48

 

CMYK 57 / 0 / 39 / 0

HEX #6DFF9B

RGB 109 255 155

HSL 138.9, 1%, 0.71%

LAB 90.38, -60.43, 36.27

 

CMYK 51 / 0 / 32 / 0

HEX #7EFFAE

RGB 126 255 174

HSL 142.33, 1%, 0.75%

LAB 91.24, -53.29, 28.01

 

CMYK 77 / 0 / 55 / 9

HEX #35E767

RGB 53 231 103

HSL 136.85, 0.79%, 0.56%

LAB 81.23, -69.48, 49.42

 

CMYK 83 / 0 / 61 / 16

HEX #24D554

RGB 36 213 84

HSL 136.27, 0.71%, 0.49%

LAB 75.2, -68.04, 50.85

 

CMYK 90 / 0 / 67 / 24

HEX #13C341

RGB 19 195 65

HSL 135.68, 0.82%, 0.42%

LAB 69.15, -66.01, 52.15

 

CMYK 99 / 0 / 74 / 31

HEX #02B12E

RGB 2 177 46

HSL 135.09, 0.98%, 0.35%

LAB 63.06, -63.31, 53.1

 

CMYK 100 / 0 / 83 / 38

HEX #009F1B

RGB 0 159 27

HSL 130.19, 1%, 0.31%

LAB 56.95, -59.54, 53.34

 

CMYK 77 / 0 / 55 / 9

HEX #36E768

RGB 54 231 104

HSL 136.95, 0.79%, 0.56%

LAB 81.26, -69.23, 49

 

CMYK 77 / 0 / 76 / 9

HEX #36E738

RGB 54 231 56

HSL 120.68, 0.79%, 0.56%

LAB 80.86, -74.03, 67.63

 

CMYK 57 / 0 / 77 / 9

HEX #64E736

RGB 100 231 54

HSL 104.41, 0.79%, 0.56%

LAB 81.91, -65.36, 69.63

 

CMYK 36 / 0 / 77 / 9

HEX #94E736

RGB 148 231 54

HSL 88.14, 0.79%, 0.56%

LAB 83.82, -51.06, 72.12

 

CMYK 15 / 0 / 77 / 9

HEX #C4E736

RGB 196 231 54

HSL 71.86, 0.79%, 0.56%

LAB 86.58, -33.2, 75.68

 

CMYK 77 / 0 / 55 / 9

HEX #36E768

RGB 54 231 104

HSL 136.95, 0.79%, 0.56%

LAB 81.26, -69.23, 49

 

CMYK 77 / 0 / 34 / 9

HEX #36E798

RGB 54 231 152

HSL 153.22, 0.79%, 0.56%

LAB 81.95, -61.22, 26.31

 

CMYK 77 / 0 / 13 / 9

HEX #36E7C8

RGB 54 231 200

HSL 169.49, 0.79%, 0.56%

LAB 82.97, -50.28, 2.67

 

CMYK 77 / 6 / 0 / 9

HEX #36D8E7

RGB 54 216 231

HSL 185.08, 0.79%, 0.56%

LAB 79.42, -35.05, -19.06

 

CMYK 77 / 27 / 0 / 9

HEX #36A8E7

RGB 54 168 231

HSL 201.36, 0.79%, 0.56%

LAB 65.4, -10.64, -40.64

 

CMYK 77 / 0 / 55 / 9

HEX #36E768

RGB 54 231 104

HSL 136.95, 0.79%, 0.56%

LAB 81.26, -69.23, 49

 

CMYK 86 / 0 / 62 / 2

HEX #24FA60

RGB 36 250 96

HSL 136.82, 0.96%, 0.56%

LAB 86.8, -77.92, 58.91

 

CMYK 77 / 0 / 55 / 9

HEX #36E768

RGB 54 231 104

HSL 136.95, 0.79%, 0.56%

LAB 81.26, -69.23, 49

 

CMYK 66 / 0 / 47 / 16

HEX #48D570

RGB 72 213 112

HSL 137.02, 0.63%, 0.56%

LAB 76.15, -59.1, 38.99

 

CMYK 54 / 0 / 38 / 24

HEX #5AC378

RGB 90 195 120

HSL 137.14, 0.47%, 0.56%

LAB 71.26, -46.92, 28.7

 

CMYK 38 / 0 / 28 / 31

HEX #6DB180

RGB 109 177 128

HSL 136.76, 0.3%, 0.56%

LAB 66.71, -32.26, 18.44

 

CMYK 20 / 0 / 14 / 38

HEX #7F9F88

RGB 127 159 136

HSL 136.88, 0.14%, 0.56%

LAB 62.58, -15.83, 8.39

 

CMYK 56 / 0 / 77 / 9

HEX #65E736

RGB 101 231 54

HSL 104.07, 0.79%, 0.56%

LAB 81.94, -65.11, 69.67

 

CMYK 77 / 0 / 77 / 9

HEX #36E736

RGB 54 231 54

HSL 120, 0.79%, 0.56%

LAB 80.85, -74.17, 68.24

 

CMYK 77 / 0 / 56 / 9

HEX #36E765

RGB 54 231 101

HSL 135.93, 0.79%, 0.56%

LAB 81.22, -69.62, 50.33

 

CMYK 77 / 0 / 35 / 9

HEX #36E795

RGB 54 231 149

HSL 152.2, 0.79%, 0.56%

LAB 81.9, -61.81, 27.77

 

CMYK 77 / 0 / 15 / 9

HEX #36E7C4

RGB 54 231 196

HSL 168.14, 0.79%, 0.56%

LAB 82.87, -51.29, 4.64

 

CMYK 88 / 0 / 64 / 29

HEX #15B642

RGB 21 182 66

HSL 136.77, 0.79%, 0.4%

LAB 64.97, -61.77, 47.11

 

CMYK 88 / 0 / 63 / 14

HEX #1ADB50

RGB 26 219 80

HSL 136.79, 0.79%, 0.48%

LAB 76.96, -71.17, 54.54

 

CMYK 77 / 0 / 55 / 9

HEX #36E768

RGB 54 231 104

HSL 136.95, 0.79%, 0.56%

LAB 81.26, -69.23, 49

 

CMYK 61 / 0 / 44 / 7

HEX #5BEC84

RGB 91 236 132

HSL 136.97, 0.79%, 0.64%

LAB 83.9, -60.75, 39.09

 

CMYK 47 / 0 / 34 / 6

HEX #80F09F

RGB 128 240 159

HSL 136.61, 0.79%, 0.72%

LAB 86.71, -49.23, 29.49

 

CMYK 77 / 0 / 55 / 9

HEX #35E767

RGB 53 231 103

HSL 136.85, 0.79%, 0.56%

LAB 81.23, -69.48, 49.42

 

CMYK 77 / 35 / 0 / 9

HEX #3695E7

RGB 54 149 231

HSL 207.8, 0.79%, 0.56%

LAB 59.93, 0.14, -49.26

 

CMYK 0 / 77 / 66 / 9

HEX #E7364E

RGB 231 54 78

HSL 351.86, 0.79%, 0.56%

LAB 52.04, 67.32, 29.47

 

CMYK 77 / 0 / 55 / 9

HEX #35E767

RGB 53 231 103

HSL 136.85, 0.79%, 0.56%

LAB 81.23, -69.48, 49.42

 

CMYK 56 / 77 / 0 / 9

HEX #6536E7

RGB 101 54 231

HSL 255.93, 0.79%, 0.56%

LAB 39.87, 61.97, -81.58

 

CMYK 0 / 56 / 77 / 9

HEX #E76536

RGB 231 101 54

HSL 15.93, 0.79%, 0.56%

LAB 58.57, 47.82, 50

 

CMYK 77 / 0 / 55 / 9

HEX #35E767

RGB 53 231 103

HSL 136.85, 0.79%, 0.56%

LAB 81.23, -69.48, 49.42

 

CMYK 77 / 35 / 0 / 9

HEX #3695E7

RGB 54 149 231

HSL 207.8, 0.79%, 0.56%

LAB 59.93, 0.14, -49.26

 

CMYK 0 / 77 / 20 / 9

HEX #E736B8

RGB 231 54 184

HSL 315.93, 0.79%, 0.56%

LAB 55.16, 76.88, -29.03

 

CMYK 0 / 41 / 77 / 9

HEX #E78936

RGB 231 137 54

HSL 28.14, 0.79%, 0.56%

LAB 65.86, 29.69, 57.27

 

CMYK 77 / 0 / 55 / 9

HEX #35E767

RGB 53 231 103

HSL 136.85, 0.79%, 0.56%

LAB 81.23, -69.48, 49.42

 

CMYK 77 / 58 / 0 / 9

HEX #3660E7

RGB 54 96 231

HSL 225.76, 0.79%, 0.56%

LAB 45.52, 32.84, -72.43

 

CMYK 0 / 77 / 20 / 9

HEX #E736B8

RGB 231 54 184

HSL 315.93, 0.79%, 0.56%

LAB 55.16, 76.88, -29.03

 

CMYK 0 / 18 / 77 / 9

HEX #E7BE36

RGB 231 190 54

HSL 46.1, 0.79%, 0.56%

LAB 78.51, 1.66, 69.28

 

Description

Color code: RGB 53 231 103 | qconv.com Color code: RGB 53 231 103 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 231 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 231 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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