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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 128.2 206.6 it is the complementary color RGB 202 126.8 48.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 128.2 206.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 128.2 206.6 shade: RGB 58 128.2 201.6, RGB 75 146.2 220.6, RGB 92 164.2 239.6, RGB 109 182.2 255 and RGB 126 200.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 128.2 206.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 128.2 206.6 shade: RGB 53 128.2 206.6, RGB 36 110.2 187.6, RGB 19 92.2 168.6, RGB 2 74.2 149.6 and RGB 0 56.2 130.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 128.2 206.6 shade: RGB 54 128 206, RGB 54 87 206, RGB 61 54 206, RGB 103 54 206 and RGB 144 54 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 128.2 206.6 shade: RGB 54 128 206, RGB 54 87 206 and RGB 54 54 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 128.2 206.6 shade matches the following richer shades: RGB 54 128 206, RGB 34 128 226 and RGB 13 128 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 128.2 206.6 shade: RGB 54 128 206, RGB 74 129 186, RGB 94 129 166, RGB 114 130 146 and RGB 135 130 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 128.2 206.6 shade: RGB 54 206 201, RGB 54 171 206, RGB 54 130 206, RGB 54 89 206 and RGB 59 54 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 128.2 206.6 shade: RGB 35 88 143, RGB 43 108 176, RGB 54 128 206, RGB 87 149 214 and RGB 120 170 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 128.2 206.6 shade: RGB 53 128.2 206.6, RGB 161 54 206 and RGB 191 206 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 128.2 206.6 shade: RGB 53 128.2 206.6, RGB 206 54 130 and RGB 130 206 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 128.2 206.6 shade: RGB 53 128.2 206.6, RGB 161 54 206, RGB 206 130 54 and RGB 100 206 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 128.2 206.6 shade: RGB 53 128.2 206.6, RGB 206 54 206, RGB 206 130 54 and RGB 54 206 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 38 / 0 / 19

HEX #3580CE

RGB 53 128.2 206.6

HSL 210.63, 0.61%, 0.51%

LAB 52.66, 3.57, -47.13

 

Complementary color

CMYK 0 / 37 / 76 / 21

HEX #CA7E30

RGB 202 126.8 48.4

HSL 30.63, 0.61%, 0.49%

LAB 59.8, 22.78, 52.47

 

CMYK 71 / 36 / 0 / 21

HEX #3A80C9

RGB 58 128.2 201.6

HSL 210.67, 0.57%, 0.51%

LAB 52.55, 2.44, -44.45

 

CMYK 66 / 34 / 0 / 13

HEX #4B92DC

RGB 75 146.2 220.6

HSL 210.66, 0.68%, 0.58%

LAB 59.26, 1.03, -44.49

 

CMYK 62 / 31 / 0 / 6

HEX #5CA4EF

RGB 92 164.2 239.6

HSL 210.65, 0.83%, 0.65%

LAB 65.88, -0.11, -44.53

 

CMYK 57 / 29 / 0 / 0

HEX #6DB6FF

RGB 109 182.2 255

HSL 209.92, 1%, 0.71%

LAB 72.23, -2.14, -42.88

 

CMYK 51 / 21 / 0 / 0

HEX #7EC8FF

RGB 126 200.2 255

HSL 205.49, 1%, 0.75%

LAB 77.91, -8.4, -34.01

 

CMYK 74 / 38 / 0 / 19

HEX #3580CE

RGB 53 128.2 206.6

HSL 210.63, 0.61%, 0.51%

LAB 52.66, 3.57, -47.13

 

CMYK 81 / 41 / 0 / 26

HEX #246EBB

RGB 36 110.2 187.6

HSL 210.63, 0.68%, 0.44%

LAB 45.88, 5.6, -47.06

 

CMYK 89 / 45 / 0 / 34

HEX #135CA8

RGB 19 92.2 168.6

HSL 210.64, 0.8%, 0.37%

LAB 39.03, 8.2, -46.92

 

CMYK 99 / 50 / 0 / 41

HEX #024A95

RGB 2 74.2 149.6

HSL 210.65, 0.97%, 0.3%

LAB 32.09, 11.46, -46.7

 

CMYK 100 / 57 / 0 / 49

HEX #003882

RGB 0 56.2 130.6

HSL 214.18, 1%, 0.26%

LAB 25.19, 15.8, -46.18

 

CMYK 74 / 38 / 0 / 19

HEX #3680CE

RGB 54 128 206

HSL 210.79, 0.61%, 0.51%

LAB 52.6, 3.6, -46.88

 

CMYK 74 / 58 / 0 / 19

HEX #3657CE

RGB 54 87 206

HSL 226.97, 0.61%, 0.51%

LAB 41.31, 29.47, -65.05

 

CMYK 70 / 74 / 0 / 19

HEX #3D36CE

RGB 61 54 206

HSL 242.76, 0.61%, 0.51%

LAB 34.16, 50.23, -76.74

 

CMYK 50 / 74 / 0 / 19

HEX #6736CE

RGB 103 54 206

HSL 259.34, 0.61%, 0.51%

LAB 37.8, 55.5, -70.63

 

CMYK 30 / 74 / 0 / 19

HEX #9036CE

RGB 144 54 206

HSL 275.53, 0.61%, 0.51%

LAB 42.8, 62.42, -62.27

 

CMYK 74 / 38 / 0 / 19

HEX #3680CE

RGB 54 128 206

HSL 210.79, 0.61%, 0.51%

LAB 52.6, 3.6, -46.88

 

CMYK 74 / 58 / 0 / 19

HEX #3657CE

RGB 54 87 206

HSL 226.97, 0.61%, 0.51%

LAB 41.31, 29.47, -65.05

 

CMYK 74 / 74 / 0 / 19

HEX #3636CE

RGB 54 54 206

HSL 240, 0.61%, 0.51%

LAB 33.73, 49.59, -77.47

 

CMYK 74 / 38 / 0 / 19

HEX #3680CE

RGB 54 128 206

HSL 210.79, 0.61%, 0.51%

LAB 52.6, 3.6, -46.88

 

CMYK 85 / 43 / 0 / 11

HEX #2280E2

RGB 34 128 226

HSL 210.63, 0.77%, 0.51%

LAB 53.24, 9.03, -57.16

 

CMYK 95 / 48 / 0 / 3

HEX #0D80F7

RGB 13 128 247

HSL 210.51, 0.94%, 0.51%

LAB 54.28, 16.03, -67.21

 

CMYK 74 / 38 / 0 / 19

HEX #3680CE

RGB 54 128 206

HSL 210.79, 0.61%, 0.51%

LAB 52.6, 3.6, -46.88

 

CMYK 60 / 31 / 0 / 27

HEX #4A81BA

RGB 74 129 186

HSL 210.54, 0.45%, 0.51%

LAB 52.62, -0.7, -35.39

 

CMYK 43 / 22 / 0 / 35

HEX #5E81A6

RGB 94 129 166

HSL 210.83, 0.29%, 0.51%

LAB 52.77, -2.27, -23.57

 

CMYK 22 / 11 / 0 / 43

HEX #728292

RGB 114 130 146

HSL 210, 0.13%, 0.51%

LAB 53.62, -2.14, -10.55

 

CMYK 0 / 4 / 7 / 47

HEX #87827D

RGB 135 130 125

HSL 30, 0.04%, 0.51%

LAB 54.65, 0.93, 3.36

 

CMYK 74 / 0 / 2 / 19

HEX #36CEC9

RGB 54 206 201

HSL 178.03, 0.61%, 0.51%

LAB 75.54, -39.17, -8.78

 

CMYK 74 / 17 / 0 / 19

HEX #36ABCE

RGB 54 171 206

HSL 193.82, 0.61%, 0.51%

LAB 65.25, -20.63, -27.09

 

CMYK 74 / 37 / 0 / 19

HEX #3682CE

RGB 54 130 206

HSL 210, 0.61%, 0.51%

LAB 53.17, 2.39, -45.97

 

CMYK 74 / 57 / 0 / 19

HEX #3659CE

RGB 54 89 206

HSL 226.18, 0.61%, 0.51%

LAB 41.82, 28.19, -64.21

 

CMYK 71 / 74 / 0 / 19

HEX #3B36CE

RGB 59 54 206

HSL 241.97, 0.61%, 0.51%

LAB 34.03, 50.04, -76.96

 

CMYK 76 / 38 / 0 / 44

HEX #23588F

RGB 35 88 143

HSL 210.56, 0.61%, 0.35%

LAB 36.59, 2.38, -35.44

 

CMYK 76 / 39 / 0 / 31

HEX #2B6CB0

RGB 43 108 176

HSL 210.68, 0.61%, 0.43%

LAB 44.76, 3.37, -42.08

 

CMYK 74 / 38 / 0 / 19

HEX #3680CE

RGB 54 128 206

HSL 210.79, 0.61%, 0.51%

LAB 52.6, 3.6, -46.88

 

CMYK 59 / 30 / 0 / 16

HEX #5795D6

RGB 87 149 214

HSL 210.71, 0.61%, 0.59%

LAB 60.23, -0.63, -39.26

 

CMYK 46 / 23 / 0 / 13

HEX #78AADE

RGB 120 170 222

HSL 210.59, 0.61%, 0.67%

LAB 68.03, -2.79, -31.42

 

CMYK 74 / 38 / 0 / 19

HEX #3580CE

RGB 53 128.2 206.6

HSL 210.63, 0.61%, 0.51%

LAB 52.66, 3.57, -47.13

 

CMYK 22 / 74 / 0 / 19

HEX #A136CE

RGB 161 54 206

HSL 282.24, 0.61%, 0.51%

LAB 45.18, 65.61, -58.3

 

CMYK 7 / 0 / 74 / 19

HEX #BFCE36

RGB 191 206 54

HSL 65.92, 0.61%, 0.51%

LAB 79.32, -23.42, 68.81

 

CMYK 74 / 38 / 0 / 19

HEX #3580CE

RGB 53 128.2 206.6

HSL 210.63, 0.61%, 0.51%

LAB 52.66, 3.57, -47.13

 

CMYK 0 / 74 / 37 / 19

HEX #CE3682

RGB 206 54 130

HSL 330, 0.61%, 0.51%

LAB 48.73, 64.45, -7.25

 

CMYK 37 / 0 / 74 / 19

HEX #82CE36

RGB 130 206 54

HSL 90, 0.61%, 0.51%

LAB 75.55, -46.97, 63.87

 

CMYK 74 / 38 / 0 / 19

HEX #3580CE

RGB 53 128.2 206.6

HSL 210.63, 0.61%, 0.51%

LAB 52.66, 3.57, -47.13

 

CMYK 22 / 74 / 0 / 19

HEX #A136CE

RGB 161 54 206

HSL 282.24, 0.61%, 0.51%

LAB 45.18, 65.61, -58.3

 

CMYK 0 / 37 / 74 / 19

HEX #CE8236

RGB 206 130 54

HSL 30, 0.61%, 0.51%

LAB 61.09, 23, 51.45

 

CMYK 51 / 0 / 74 / 19

HEX #64CE36

RGB 100 206 54

HSL 101.84, 0.61%, 0.51%

LAB 74.27, -56.41, 62.17

 

CMYK 74 / 38 / 0 / 19

HEX #3580CE

RGB 53 128.2 206.6

HSL 210.63, 0.61%, 0.51%

LAB 52.66, 3.57, -47.13

 

CMYK 0 / 74 / 0 / 19

HEX #CE36CE

RGB 206 54 206

HSL 300, 0.61%, 0.51%

LAB 52.08, 74.61, -46.86

 

CMYK 0 / 37 / 74 / 19

HEX #CE8236

RGB 206 130 54

HSL 30, 0.61%, 0.51%

LAB 61.09, 23, 51.45

 

CMYK 74 / 0 / 74 / 19

HEX #36CE36

RGB 54 206 54

HSL 120, 0.61%, 0.51%

LAB 73.02, -66.54, 60.52

 

Description

Color code: RGB 53 128.2 206.6 | qconv.com Color code: RGB 53 128.2 206.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 128.2 green and 206.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 128.2 206.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 38 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 38% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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