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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 128.2 101.6 it is the complementary color RGB 202 126.8 153.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 128.2 101.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 128.2 101.6 shade: RGB 58 128.2 96.6, RGB 75 146.2 115.6, RGB 92 164.2 134.6, RGB 109 182.2 153.6 and RGB 126 200.2 172.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 128.2 101.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 128.2 101.6 shade: RGB 53 128.2 101.6, RGB 36 110.2 82.6, RGB 19 92.2 63.6, RGB 2 74.2 44.6 and RGB 0 56.2 25.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 128.2 101.6 shade: RGB 53 130 103, RGB 53 130 82, RGB 53 130 61, RGB 66 130 53 and RGB 87 130 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 128.2 101.6 shade: RGB 53 130 103, RGB 53 130 124, RGB 53 116 130, RGB 53 95 130 and RGB 53 74 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 128.2 101.6 shade matches the following richer shades: RGB 53 130 103, RGB 38 145 107, RGB 24 160 112 and RGB 9 175 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 128.2 101.6 shade: RGB 53 130 103, RGB 68 116 99, RGB 83 101 94, RGB 98 86 90 and RGB 113 71 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 128.2 101.6 shade: RGB 53 130 61, RGB 53 130 82, RGB 53 130 102, RGB 53 130 123 and RGB 53 118 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 128.2 101.6 shade: RGB 29 72 57, RGB 41 101 80, RGB 53 130 103, RGB 65 160 126 and RGB 82 184 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 128.2 101.6 shade: RGB 53 128.2 101.6, RGB 53 66 130 and RGB 130 71 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 128.2 101.6 shade: RGB 53 128.2 101.6, RGB 102 53 130 and RGB 130 102 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 128.2 101.6 shade: RGB 53 128.2 101.6, RGB 53 66 130, RGB 130 53 82 and RGB 130 118 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 128.2 101.6 shade: RGB 53 128.2 101.6, RGB 64 53 130, RGB 130 53 82 and RGB 120 130 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 21 / 50

HEX #358065

RGB 53 128.2 101.6

HSL 158.78, 0.42%, 0.36%

LAB 48.51, -30.1, 7.53

 

Complementary color

CMYK 0 / 37 / 24 / 21

HEX #CA7E99

RGB 202 126.8 153.4

HSL 338.78, 0.42%, 0.64%

LAB 61.65, 32.68, -1.96

 

CMYK 55 / 0 / 25 / 50

HEX #3A8060

RGB 58 128.2 96.6

HSL 152.99, 0.38%, 0.37%

LAB 48.57, -30.09, 10.55

 

CMYK 49 / 0 / 21 / 43

HEX #4B9273

RGB 75 146.2 115.6

HSL 154.21, 0.32%, 0.43%

LAB 55.45, -29.94, 9.4

 

CMYK 44 / 0 / 18 / 36

HEX #5CA486

RGB 92 164.2 134.6

HSL 155.4, 0.28%, 0.5%

LAB 62.2, -29.74, 8.37

 

CMYK 40 / 0 / 16 / 29

HEX #6DB699

RGB 109 182.2 153.6

HSL 156.56, 0.33%, 0.57%

LAB 68.83, -29.52, 7.42

 

CMYK 37 / 0 / 14 / 21

HEX #7EC8AC

RGB 126 200.2 172.6

HSL 157.68, 0.4%, 0.64%

LAB 75.35, -29.3, 6.54

 

CMYK 59 / 0 / 21 / 50

HEX #358065

RGB 53 128.2 101.6

HSL 158.78, 0.42%, 0.36%

LAB 48.51, -30.1, 7.53

 

CMYK 67 / 0 / 25 / 57

HEX #246E52

RGB 36 110.2 82.6

HSL 157.68, 0.51%, 0.29%

LAB 41.51, -29.97, 8.8

 

CMYK 79 / 0 / 31 / 64

HEX #135C3F

RGB 19 92.2 63.6

HSL 156.56, 0.66%, 0.22%

LAB 34.38, -29.48, 10.31

 

CMYK 97 / 0 / 40 / 71

HEX #024A2C

RGB 2 74.2 44.6

HSL 155.4, 0.95%, 0.15%

LAB 27.08, -28.52, 12.08

 

CMYK 100 / 0 / 54 / 78

HEX #003819

RGB 0 56.2 25.6

HSL 147.33, 1%, 0.11%

LAB 19.72, -25.68, 14.37

 

CMYK 59 / 0 / 21 / 49

HEX #358267

RGB 53 130 103

HSL 158.96, 0.42%, 0.36%

LAB 49.13, -30.61, 7.6

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 59 / 0 / 53 / 49

HEX #35823D

RGB 53 130 61

HSL 126.23, 0.42%, 0.36%

LAB 48.33, -38.98, 30.18

 

CMYK 49 / 0 / 59 / 49

HEX #428235

RGB 66 130 53

HSL 109.87, 0.42%, 0.36%

LAB 48.74, -36.32, 34.88

 

CMYK 33 / 0 / 59 / 49

HEX #578235

RGB 87 130 53

HSL 93.51, 0.42%, 0.36%

LAB 49.8, -28.96, 36.38

 

CMYK 59 / 0 / 21 / 49

HEX #358267

RGB 53 130 103

HSL 158.96, 0.42%, 0.36%

LAB 49.13, -30.61, 7.6

 

CMYK 59 / 0 / 5 / 49

HEX #35827C

RGB 53 130 124

HSL 175.32, 0.42%, 0.36%

LAB 49.71, -25.03, -3.86

 

CMYK 59 / 11 / 0 / 49

HEX #357482

RGB 53 116 130

HSL 190.91, 0.42%, 0.36%

LAB 45.44, -15.8, -13.81

 

CMYK 59 / 27 / 0 / 49

HEX #355F82

RGB 53 95 130

HSL 207.27, 0.42%, 0.36%

LAB 38.82, -3.51, -23.99

 

CMYK 59 / 43 / 0 / 49

HEX #354A82

RGB 53 74 130

HSL 223.64, 0.42%, 0.36%

LAB 32.41, 9.99, -34.08

 

CMYK 59 / 0 / 21 / 49

HEX #358267

RGB 53 130 103

HSL 158.96, 0.42%, 0.36%

LAB 49.13, -30.61, 7.6

 

CMYK 74 / 0 / 26 / 43

HEX #26916B

RGB 38 145 107

HSL 158.69, 0.58%, 0.36%

LAB 53.73, -39.19, 11.72

 

CMYK 85 / 0 / 30 / 37

HEX #18A070

RGB 24 160 112

HSL 158.82, 0.74%, 0.36%

LAB 58.51, -45.84, 15.53

 

CMYK 95 / 0 / 34 / 31

HEX #09AF74

RGB 9 175 116

HSL 158.67, 0.9%, 0.36%

LAB 63.33, -51.66, 19.92

 

CMYK 59 / 0 / 21 / 49

HEX #358267

RGB 53 130 103

HSL 158.96, 0.42%, 0.36%

LAB 49.13, -30.61, 7.6

 

CMYK 41 / 0 / 15 / 55

HEX #447463

RGB 68 116 99

HSL 158.75, 0.26%, 0.36%

LAB 45.11, -20.62, 4.29

 

CMYK 18 / 0 / 7 / 60

HEX #53655E

RGB 83 101 94

HSL 156.67, 0.1%, 0.36%

LAB 41.14, -8.38, 1.69

 

CMYK 0 / 12 / 8 / 62

HEX #62565A

RGB 98 86 90

HSL 340, 0.07%, 0.36%

LAB 37.83, 5.68, -0.52

 

CMYK 0 / 37 / 24 / 56

HEX #714756

RGB 113 71 86

HSL 338.57, 0.23%, 0.36%

LAB 35.38, 20.29, -1.4

 

CMYK 59 / 0 / 53 / 49

HEX #35823D

RGB 53 130 61

HSL 126.23, 0.42%, 0.36%

LAB 48.33, -38.98, 30.18

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 59 / 0 / 22 / 49

HEX #358266

RGB 53 130 102

HSL 158.18, 0.42%, 0.36%

LAB 49.11, -30.86, 8.14

 

CMYK 59 / 0 / 5 / 49

HEX #35827B

RGB 53 130 123

HSL 174.55, 0.42%, 0.36%

LAB 49.68, -25.32, -3.32

 

CMYK 59 / 9 / 0 / 49

HEX #357682

RGB 53 118 130

HSL 189.35, 0.42%, 0.36%

LAB 46.08, -16.91, -12.85

 

CMYK 60 / 0 / 21 / 72

HEX #1D4839

RGB 29 72 57

HSL 159.07, 0.43%, 0.2%

LAB 27.27, -19.19, 4.52

 

CMYK 59 / 0 / 21 / 60

HEX #296550

RGB 41 101 80

HSL 159, 0.42%, 0.28%

LAB 38.48, -25.07, 6.1

 

CMYK 59 / 0 / 21 / 49

HEX #358267

RGB 53 130 103

HSL 158.96, 0.42%, 0.36%

LAB 49.13, -30.61, 7.6

 

CMYK 59 / 0 / 21 / 37

HEX #41A07E

RGB 65 160 126

HSL 158.53, 0.42%, 0.44%

LAB 59.68, -36.36, 9.47

 

CMYK 55 / 0 / 20 / 28

HEX #52B894

RGB 82 184 148

HSL 158.82, 0.42%, 0.52%

LAB 68.18, -38.4, 9.41

 

CMYK 59 / 0 / 21 / 50

HEX #358065

RGB 53 128.2 101.6

HSL 158.78, 0.42%, 0.36%

LAB 48.51, -30.1, 7.53

 

CMYK 59 / 49 / 0 / 49

HEX #354282

RGB 53 66 130

HSL 229.87, 0.42%, 0.36%

LAB 30.07, 15.36, -37.81

 

CMYK 0 / 45 / 59 / 49

HEX #824735

RGB 130 71 53

HSL 14.03, 0.42%, 0.36%

LAB 36.95, 23.32, 21.8

 

CMYK 59 / 0 / 21 / 50

HEX #358065

RGB 53 128.2 101.6

HSL 158.78, 0.42%, 0.36%

LAB 48.51, -30.1, 7.53

 

CMYK 22 / 59 / 0 / 49

HEX #663582

RGB 102 53 130

HSL 278.18, 0.42%, 0.36%

LAB 31.77, 36.15, -34.82

 

CMYK 0 / 22 / 59 / 49

HEX #826635

RGB 130 102 53

HSL 38.18, 0.42%, 0.36%

LAB 44.95, 5.06, 31.61

 

CMYK 59 / 0 / 21 / 50

HEX #358065

RGB 53 128.2 101.6

HSL 158.78, 0.42%, 0.36%

LAB 48.51, -30.1, 7.53

 

CMYK 59 / 49 / 0 / 49

HEX #354282

RGB 53 66 130

HSL 229.87, 0.42%, 0.36%

LAB 30.07, 15.36, -37.81

 

CMYK 0 / 59 / 37 / 49

HEX #823552

RGB 130 53 82

HSL 337.4, 0.42%, 0.36%

LAB 33.78, 36.29, -0.9

 

CMYK 0 / 9 / 59 / 49

HEX #827635

RGB 130 118 53

HSL 50.65, 0.42%, 0.36%

LAB 49.45, -4.16, 36.84

 

CMYK 59 / 0 / 21 / 50

HEX #358065

RGB 53 128.2 101.6

HSL 158.78, 0.42%, 0.36%

LAB 48.51, -30.1, 7.53

 

CMYK 51 / 59 / 0 / 49

HEX #403582

RGB 64 53 130

HSL 248.57, 0.42%, 0.36%

LAB 27.43, 26.47, -42.02

 

CMYK 0 / 59 / 37 / 49

HEX #823552

RGB 130 53 82

HSL 337.4, 0.42%, 0.36%

LAB 33.78, 36.29, -0.9

 

CMYK 8 / 0 / 59 / 49

HEX #788235

RGB 120 130 53

HSL 67.79, 0.42%, 0.36%

LAB 52.08, -15.25, 39.59

 

Description

Color code: RGB 53 128.2 101.6 | qconv.com Color code: RGB 53 128.2 101.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 128.2 green and 101.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 128.2 101.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 21 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 21% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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