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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53.7 20.6 76 it is the complementary color RGB 201.3 234.4 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53.7 20.6 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53.7 20.6 76 shade: RGB 58.7 20.6 71, RGB 75.7 38.6 90, RGB 92.7 56.6 109, RGB 109.7 74.6 128 and RGB 126.7 92.6 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53.7 20.6 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53.7 20.6 76 shade: RGB 53.7 20.6 76, RGB 36.7 2.6 57, RGB 19.7 0 38, RGB 2.7 0 19 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53.7 20.6 76 shade: RGB 54 21 76, RGB 69 21 76, RGB 76 21 69, RGB 76 21 54 and RGB 76 21 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53.7 20.6 76 shade: RGB 54 21 76, RGB 39 21 76, RGB 24 21 76 and RGB 21 21 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53.7 20.6 76 shade matches the following richer shades: RGB 54 21 76, RGB 55 13 84 and RGB 57 5 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53.7 20.6 76 shade: RGB 54 21 76, RGB 52 29 68, RGB 51 37 60, RGB 49 44 53 and RGB 48 52 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53.7 20.6 76 shade: RGB 24 21 76, RGB 38 21 76, RGB 53 21 76, RGB 68 21 76 and RGB 76 21 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53.7 20.6 76 shade: RGB 8 3 11, RGB 31 12 44, RGB 54 21 76, RGB 77 30 108 and RGB 100 39 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53.7 20.6 76 shade: RGB 53.7 20.6 76, RGB 76 21 33 and RGB 21 76 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53.7 20.6 76 shade: RGB 53.7 20.6 76, RGB 76 53 21 and RGB 21 76 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53.7 20.6 76 shade: RGB 53.7 20.6 76, RGB 76 21 33, RGB 44 76 21 and RGB 21 76 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53.7 20.6 76 shade: RGB 53.7 20.6 76, RGB 76 25 21, RGB 44 76 21 and RGB 21 71 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 73 / 0 / 70

HEX #35144C

RGB 53.7 20.6 76

HSL 275.85, 0.57%, 0.19%

LAB 14.51, 27.74, -27.62

 

Complementary color

CMYK 14 / 0 / 24 / 8

HEX #C9EAB3

RGB 201.3 234.4 179

HSL 95.85, 0.57%, 0.81%

LAB 89.29, -20.59, 23.4

 

CMYK 17 / 71 / 0 / 72

HEX #3A1447

RGB 58.7 20.6 71

HSL 285.36, 0.55%, 0.18%

LAB 14.94, 27.83, -23.43

 

CMYK 16 / 57 / 0 / 65

HEX #4B265A

RGB 75.7 38.6 90

HSL 283.31, 0.4%, 0.25%

LAB 22.61, 27.15, -23.95

 

CMYK 15 / 48 / 0 / 57

HEX #5C386D

RGB 92.7 56.6 109

HSL 281.34, 0.32%, 0.32%

LAB 30.16, 26.25, -24.22

 

CMYK 14 / 42 / 0 / 50

HEX #6D4A80

RGB 109.7 74.6 128

HSL 279.44, 0.26%, 0.4%

LAB 37.54, 25.37, -24.42

 

CMYK 14 / 37 / 0 / 42

HEX #7E5C93

RGB 126.7 92.6 147

HSL 277.61, 0.23%, 0.47%

LAB 44.74, 24.55, -24.6

 

CMYK 29 / 73 / 0 / 70

HEX #35144C

RGB 53.7 20.6 76

HSL 275.85, 0.57%, 0.19%

LAB 14.51, 27.74, -27.62

 

CMYK 36 / 95 / 0 / 78

HEX #240239

RGB 36.7 2.6 57

HSL 277.61, 0.91%, 0.12%

LAB 6.68, 28.18, -27.01

 

CMYK 48 / 100 / 0 / 85

HEX #130026

RGB 19.7 0 38

HSL 271.11, 1%, 0.07%

LAB 2.58, 14.78, -19.43

 

CMYK 86 / 100 / 0 / 93

HEX #020013

RGB 2.7 0 19

HSL 248.53, 1%, 0.04%

LAB 0.58, 3.69, -7.87

 

CMYK 29 / 72 / 0 / 70

HEX #36154C

RGB 54 21 76

HSL 276, 0.57%, 0.19%

LAB 14.64, 27.59, -27.41

 

CMYK 9 / 72 / 0 / 70

HEX #45154C

RGB 69 21 76

HSL 292.36, 0.57%, 0.19%

LAB 17.1, 31.63, -23.33

 

CMYK 0 / 72 / 9 / 70

HEX #4C1545

RGB 76 21 69

HSL 307.64, 0.57%, 0.19%

LAB 17.93, 32.23, -17.12

 

CMYK 0 / 72 / 29 / 70

HEX #4C1536

RGB 76 21 54

HSL 324, 0.57%, 0.19%

LAB 17.18, 29.67, -7.79

 

CMYK 0 / 72 / 49 / 70

HEX #4C1527

RGB 76 21 39

HSL 340.36, 0.57%, 0.19%

LAB 16.6, 27.64, 2.09

 

CMYK 29 / 72 / 0 / 70

HEX #36154C

RGB 54 21 76

HSL 276, 0.57%, 0.19%

LAB 14.64, 27.59, -27.41

 

CMYK 49 / 72 / 0 / 70

HEX #27154C

RGB 39 21 76

HSL 259.64, 0.57%, 0.19%

LAB 12.54, 23.86, -30.9

 

CMYK 68 / 72 / 0 / 70

HEX #18154C

RGB 24 21 76

HSL 243.27, 0.57%, 0.19%

LAB 10.94, 20.75, -33.59

 

CMYK 72 / 72 / 0 / 70

HEX #15154C

RGB 21 21 76

HSL 240, 0.57%, 0.19%

LAB 10.69, 20.24, -34.01

 

CMYK 29 / 72 / 0 / 70

HEX #36154C

RGB 54 21 76

HSL 276, 0.57%, 0.19%

LAB 14.64, 27.59, -27.41

 

CMYK 35 / 85 / 0 / 67

HEX #370D54

RGB 55 13 84

HSL 275.49, 0.73%, 0.19%

LAB 14.06, 33.87, -33.81

 

CMYK 38 / 95 / 0 / 64

HEX #39055C

RGB 57 5 92

HSL 275.86, 0.9%, 0.19%

LAB 14.12, 39.21, -39.1

 

CMYK 29 / 72 / 0 / 70

HEX #36154C

RGB 54 21 76

HSL 276, 0.57%, 0.19%

LAB 14.64, 27.59, -27.41

 

CMYK 24 / 57 / 0 / 73

HEX #341D44

RGB 52 29 68

HSL 275.38, 0.4%, 0.19%

LAB 15.62, 19.91, -20.32

 

CMYK 15 / 38 / 0 / 76

HEX #33253C

RGB 51 37 60

HSL 276.52, 0.24%, 0.19%

LAB 17.24, 11.92, -12.24

 

CMYK 8 / 17 / 0 / 79

HEX #312C35

RGB 49 44 53

HSL 273.33, 0.09%, 0.19%

LAB 18.85, 4.39, -4.95

 

CMYK 8 / 0 / 13 / 80

HEX #30342D

RGB 48 52 45

HSL 94.29, 0.07%, 0.19%

LAB 21.11, -3.34, 3.84

 

CMYK 68 / 72 / 0 / 70

HEX #18154C

RGB 24 21 76

HSL 243.27, 0.57%, 0.19%

LAB 10.94, 20.75, -33.59

 

CMYK 50 / 72 / 0 / 70

HEX #26154C

RGB 38 21 76

HSL 258.55, 0.57%, 0.19%

LAB 12.42, 23.63, -31.11

 

CMYK 30 / 72 / 0 / 70

HEX #35154C

RGB 53 21 76

HSL 274.91, 0.57%, 0.19%

LAB 14.48, 27.33, -27.67

 

CMYK 11 / 72 / 0 / 70

HEX #44154C

RGB 68 21 76

HSL 291.27, 0.57%, 0.19%

LAB 16.93, 31.36, -23.62

 

CMYK 0 / 72 / 8 / 70

HEX #4C1546

RGB 76 21 70

HSL 306.55, 0.57%, 0.19%

LAB 17.99, 32.41, -17.72

 

CMYK 27 / 73 / 0 / 96

HEX #08030B

RGB 8 3 11

HSL 277.5, 0.57%, 0.03%

LAB 1.27, 2.42, -2.58

 

CMYK 30 / 73 / 0 / 83

HEX #1F0C2C

RGB 31 12 44

HSL 275.63, 0.57%, 0.11%

LAB 6.65, 17.2, -17.52

 

CMYK 29 / 72 / 0 / 70

HEX #36154C

RGB 54 21 76

HSL 276, 0.57%, 0.19%

LAB 14.64, 27.59, -27.41

 

CMYK 29 / 72 / 0 / 58

HEX #4D1E6C

RGB 77 30 108

HSL 276.15, 0.57%, 0.27%

LAB 22.26, 36.69, -36.28

 

CMYK 29 / 72 / 0 / 45

HEX #64278D

RGB 100 39 141

HSL 275.88, 0.57%, 0.35%

LAB 29.62, 45.45, -45.11

 

CMYK 29 / 73 / 0 / 70

HEX #35144C

RGB 53.7 20.6 76

HSL 275.85, 0.57%, 0.19%

LAB 14.51, 27.74, -27.62

 

CMYK 0 / 72 / 57 / 70

HEX #4C1521

RGB 76 21 33

HSL 346.91, 0.57%, 0.19%

LAB 16.42, 26.98, 6.16

 

CMYK 72 / 0 / 59 / 70

HEX #154C1F

RGB 21 76 31

HSL 130.91, 0.57%, 0.19%

LAB 27.92, -28.85, 21.43

 

CMYK 29 / 73 / 0 / 70

HEX #35144C

RGB 53.7 20.6 76

HSL 275.85, 0.57%, 0.19%

LAB 14.51, 27.74, -27.62

 

CMYK 0 / 30 / 72 / 70

HEX #4C3515

RGB 76 53 21

HSL 34.91, 0.57%, 0.19%

LAB 24.12, 6.46, 23.73

 

CMYK 72 / 0 / 30 / 70

HEX #154C35

RGB 21 76 53

HSL 154.91, 0.57%, 0.19%

LAB 28.34, -24.21, 8.55

 

CMYK 29 / 73 / 0 / 70

HEX #35144C

RGB 53.7 20.6 76

HSL 275.85, 0.57%, 0.19%

LAB 14.51, 27.74, -27.62

 

CMYK 0 / 72 / 57 / 70

HEX #4C1521

RGB 76 21 33

HSL 346.91, 0.57%, 0.19%

LAB 16.42, 26.98, 6.16

 

CMYK 42 / 0 / 72 / 70

HEX #2C4C15

RGB 44 76 21

HSL 94.91, 0.57%, 0.19%

LAB 28.79, -22.74, 28.01

 

CMYK 72 / 0 / 16 / 70

HEX #154C40

RGB 21 76 64

HSL 166.91, 0.57%, 0.19%

LAB 28.64, -21.15, 1.93

 

CMYK 29 / 73 / 0 / 70

HEX #35144C

RGB 53.7 20.6 76

HSL 275.85, 0.57%, 0.19%

LAB 14.51, 27.74, -27.62

 

CMYK 0 / 67 / 72 / 70

HEX #4C1915

RGB 76 25 21

HSL 4.36, 0.57%, 0.19%

LAB 16.92, 23.86, 15.33

 

CMYK 42 / 0 / 72 / 70

HEX #2C4C15

RGB 44 76 21

HSL 94.91, 0.57%, 0.19%

LAB 28.79, -22.74, 28.01

 

CMYK 72 / 7 / 0 / 70

HEX #15474C

RGB 21 71 76

HSL 185.45, 0.57%, 0.19%

LAB 27.26, -14.51, -7.88

 

Description

Color code: RGB 53.7 20.6 76 | qconv.com Color code: RGB 53.7 20.6 76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53.7 red, 20.6 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53.7 20.6 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 73 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 73% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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