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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 52 57 it is the complementary color RGB 204 203 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 52 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 51 52 57: RGB 56 52 52, RGB 73 70 71, RGB 90 88 90, RGB 107 106 109 and RGB 124 124 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 52 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 51 52 57: RGB 51 52 57, RGB 34 34 38, RGB 17 16 19, RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

Complementary color

CMYK 0 / 0 / 3 / 20

HEX #CCCBC6

RGB 204 203 198

HSL 50, 0.06%, 0.79%

LAB 81.63, -0.55, 2.6

 

CMYK 0 / 7 / 7 / 78

HEX #383434

RGB 56 52 52

HSL 0, 0.04%, 0.21%

LAB 22.11, 1.76, 0.63

 

CMYK 0 / 4 / 3 / 71

HEX #494647

RGB 73 70 71

HSL 340, 0.02%, 0.28%

LAB 30.04, 1.47, -0.16

 

CMYK 0 / 2 / 0 / 65

HEX #5A585A

RGB 90 88 90

HSL 300, 0.01%, 0.35%

LAB 37.65, 1.23, -0.88

 

CMYK 2 / 3 / 0 / 57

HEX #6B6A6D

RGB 107 106 109

HSL 260, 0.01%, 0.42%

LAB 44.99, 1.01, -1.55

 

CMYK 3 / 3 / 0 / 50

HEX #7C7C80

RGB 124 124 128

HSL 240, 0.02%, 0.49%

LAB 52.13, 0.81, -2.18

NCS® S5502-R50B

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

CMYK 11 / 11 / 0 / 85

HEX #222226

RGB 34 34 38

HSL 240, 0.06%, 0.14%

LAB 13.38, 1.03, -2.68

 

CMYK 11 / 16 / 0 / 93

HEX #111013

RGB 17 16 19

HSL 260, 0.09%, 0.07%

LAB 4.85, 0.98, -1.53

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

CMYK 11 / 11 / 0 / 78

HEX #323238

RGB 50 50 56

HSL 240, 0.06%, 0.21%

LAB 21, 1.46, -3.79

 

CMYK 9 / 11 / 0 / 78

HEX #333238

RGB 51 50 56

HSL 250, 0.06%, 0.21%

LAB 21.1, 1.88, -3.63

 

CMYK 7 / 11 / 0 / 78

HEX #343238

RGB 52 50 56

HSL 260, 0.06%, 0.21%

LAB 21.2, 2.3, -3.47

 

CMYK 5 / 11 / 0 / 78

HEX #353238

RGB 53 50 56

HSL 270, 0.06%, 0.21%

LAB 21.3, 2.73, -3.31

 

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

CMYK 10 / 8 / 0 / 58

HEX #61636C

RGB 97 99 108

HSL 229.09, 0.05%, 0.4%

LAB 42.07, 1.2, -5.35

 

CMYK 11 / 9 / 0 / 38

HEX #8E919F

RGB 142 145 159

HSL 229.41, 0.08%, 0.59%

LAB 60.34, 1.8, -7.75

 

CMYK 10 / 9 / 0 / 18

HEX #BCC0D2

RGB 188 192 210

HSL 229.09, 0.2%, 0.78%

LAB 77.9, 2.14, -9.48

 

CMYK 17 / 17 / 0 / 98

HEX #050506

RGB 5 5 6

HSL 240, 0.09%, 0.02%

LAB 1.39, 0.14, -0.38

 

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

CMYK 0 / 11 / 0 / 78

HEX #383238

RGB 56 50 56

HSL 300, 0.06%, 0.21%

LAB 21.61, 4.01, -2.82

 

CMYK 5 / 0 / 11 / 78

HEX #353832

RGB 53 56 50

HSL 90, 0.06%, 0.21%

LAB 23.05, -2.65, 3.31

 

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

CMYK 0 / 11 / 9 / 78

HEX #383233

RGB 56 50 51

HSL 350, 0.06%, 0.21%

LAB 21.44, 2.89, 0.33

 

CMYK 9 / 0 / 11 / 78

HEX #333832

RGB 51 56 50

HSL 110, 0.06%, 0.21%

LAB 22.87, -3.52, 3.02

 

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

CMYK 0 / 11 / 0 / 78

HEX #383238

RGB 56 50 56

HSL 300, 0.06%, 0.21%

LAB 21.61, 4.01, -2.82

 

CMYK 0 / 2 / 11 / 78

HEX #383732

RGB 56 55 50

HSL 50, 0.06%, 0.21%

LAB 23.01, -0.66, 3.29

 

CMYK 11 / 0 / 11 / 78

HEX #323832

RGB 50 56 50

HSL 120, 0.06%, 0.21%

LAB 22.78, -3.96, 2.88

 

CMYK 11 / 9 / 0 / 78

HEX #333439

RGB 51 52 57

HSL 230, 0.06%, 0.21%

LAB 21.78, 0.78, -3.29

 

CMYK 0 / 11 / 4 / 78

HEX #383236

RGB 56 50 54

HSL 320, 0.06%, 0.21%

LAB 21.54, 3.55, -1.56

 

CMYK 0 / 2 / 11 / 78

HEX #383732

RGB 56 55 50

HSL 50, 0.06%, 0.21%

LAB 23.01, -0.66, 3.29

 

CMYK 11 / 0 / 7 / 78

HEX #323834

RGB 50 56 52

HSL 140, 0.06%, 0.21%

LAB 22.84, -3.5, 1.63

 

Description

Color code: RGB 51 52 57 | qconv.com Color code: RGB 51 52 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 52 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 52 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 9 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 9% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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