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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 143 164 it is the complementary color RGB 204 112 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 143 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 51 143 164: RGB 56 143 159, RGB 73 161 178, RGB 90 179 197, RGB 107 197 216 and RGB 124 215 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 143 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 51 143 164: RGB 51 143 164, RGB 34 125 145, RGB 17 107 126, RGB 0 89 107 and RGB 0 71 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

Complementary color

CMYK 0 / 45 / 55 / 20

HEX #CC705B

RGB 204 112 91

HSL 11.15, 0.53%, 0.58%

LAB 57.25, 34.2, 27.71

 

CMYK 65 / 10 / 0 / 38

HEX #388F9F

RGB 56 143 159

HSL 189.32, 0.48%, 0.42%

LAB 55.06, -20.71, -16.17

 

CMYK 59 / 10 / 0 / 30

HEX #49A1B2

RGB 73 161 178

HSL 189.71, 0.42%, 0.49%

LAB 61.76, -21.22, -16.76

 

CMYK 54 / 9 / 0 / 23

HEX #5AB3C5

RGB 90 179 197

HSL 190.09, 0.48%, 0.56%

LAB 68.35, -21.57, -17.29

 

CMYK 50 / 9 / 0 / 15

HEX #6BC5D8

RGB 107 197 216

HSL 190.46, 0.58%, 0.63%

LAB 74.84, -21.82, -17.8

 

CMYK 47 / 9 / 0 / 8

HEX #7CD7EB

RGB 124 215 235

HSL 190.81, 0.74%, 0.7%

LAB 81.23, -22, -18.28

 

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

CMYK 77 / 14 / 0 / 43

HEX #227D91

RGB 34 125 145

HSL 190.81, 0.62%, 0.35%

LAB 48.33, -18.96, -18.35

 

CMYK 87 / 15 / 0 / 51

HEX #116B7E

RGB 17 107 126

HSL 190.46, 0.76%, 0.28%

LAB 41.44, -17.56, -17.6

 

CMYK 100 / 17 / 0 / 58

HEX #00596B

RGB 0 89 107

HSL 190.09, 1%, 0.21%

LAB 34.41, -15.72, -16.76

 

CMYK 100 / 19 / 0 / 65

HEX #004758

RGB 0 71 88

HSL 191.59, 1%, 0.17%

LAB 27.33, -12.63, -15.61

 

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

CMYK 69 / 24 / 0 / 36

HEX #327CA3

RGB 50 124 163

HSL 200.71, 0.53%, 0.42%

LAB 49.18, -9.93, -27.54

 

CMYK 69 / 36 / 0 / 36

HEX #3269A3

RGB 50 105 163

HSL 210.8, 0.53%, 0.42%

LAB 43.4, 1.44, -36.6

 

CMYK 69 / 47 / 0 / 36

HEX #3256A3

RGB 50 86 163

HSL 220.88, 0.53%, 0.42%

LAB 37.8, 13.61, -45.51

 

CMYK 69 / 59 / 0 / 36

HEX #3243A3

RGB 50 67 163

HSL 230.97, 0.53%, 0.42%

LAB 32.56, 26.2, -53.98

 

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

CMYK 69 / 13 / 0 / 16

HEX #43BBD7

RGB 67 187 215

HSL 191.35, 0.65%, 0.55%

LAB 70.62, -24.27, -23.78

 

CMYK 73 / 9 / 0 / 96

HEX #030A0B

RGB 3 10 11

HSL 187.5, 0.57%, 0.03%

LAB 2.35, -1.69, -1.03

 

CMYK 69 / 13 / 0 / 76

HEX #13363E

RGB 19 54 62

HSL 191.16, 0.53%, 0.16%

LAB 20.54, -9.64, -8.77

 

CMYK 69 / 12 / 0 / 56

HEX #236371

RGB 35 99 113

HSL 190.77, 0.53%, 0.29%

LAB 38.68, -15.33, -13.87

 

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

CMYK 43 / 69 / 0 / 36

HEX #5D32A3

RGB 93 50 163

HSL 262.83, 0.53%, 0.42%

LAB 32.38, 44.16, -54.12

 

CMYK 0 / 15 / 69 / 36

HEX #A38B32

RGB 163 139 50

HSL 47.26, 0.53%, 0.42%

LAB 58.49, -1.1, 49.02

 

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

CMYK 0 / 69 / 12 / 36

HEX #A3328F

RGB 163 50 143

HSL 310.62, 0.53%, 0.42%

LAB 41.3, 56.27, -27.16

 

CMYK 12 / 0 / 69 / 36

HEX #8FA332

RGB 143 163 50

HSL 70.62, 0.53%, 0.42%

LAB 63.56, -22.57, 53.66

 

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

CMYK 43 / 69 / 0 / 36

HEX #5D32A3

RGB 93 50 163

HSL 262.83, 0.53%, 0.42%

LAB 32.38, 44.16, -54.12

 

CMYK 0 / 56 / 69 / 36

HEX #A34732

RGB 163 71 50

HSL 11.15, 0.53%, 0.42%

LAB 42.04, 36.62, 30.97

 

CMYK 26 / 0 / 69 / 36

HEX #78A332

RGB 120 163 50

HSL 82.83, 0.53%, 0.42%

LAB 62.01, -32, 51.58

 

CMYK 69 / 13 / 0 / 36

HEX #338FA4

RGB 51 143 164

HSL 191.15, 0.53%, 0.42%

LAB 55.1, -19.94, -18.99

 

CMYK 22 / 69 / 0 / 36

HEX #7F32A3

RGB 127 50 163

HSL 280.88, 0.53%, 0.42%

LAB 36.81, 51.3, -46.73

 

CMYK 0 / 56 / 69 / 36

HEX #A34732

RGB 163 71 50

HSL 11.15, 0.53%, 0.42%

LAB 42.04, 36.62, 30.97

 

CMYK 47 / 0 / 69 / 36

HEX #56A332

RGB 86 163 50

HSL 100.88, 0.53%, 0.42%

LAB 60.25, -44.16, 49.2

 

Description

Color code: RGB 51 143 164 | qconv.com Color code: RGB 51 143 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 143 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 143 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 13 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 13% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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