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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51.7 147 134 it is the complementary color RGB 203.3 108 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51.7 147 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51.7 147 134 shade: RGB 56.7 147 129, RGB 73.7 165 148, RGB 90.7 183 167, RGB 107.7 201 186 and RGB 124.7 219 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51.7 147 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51.7 147 134 shade: RGB 51.7 147 134, RGB 34.7 129 115, RGB 17.7 111 96, RGB 0.7 93 77 and RGB 0 75 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51.7 147 134 shade: RGB 52 147 134, RGB 52 147 108, RGB 52 147 83, RGB 52 147 57 and RGB 72 147 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51.7 147 134 shade: RGB 52 147 134, RGB 52 134 147, RGB 52 109 147, RGB 52 83 147 and RGB 52 57 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51.7 147 134 shade matches the following richer shades: RGB 52 147 134, RGB 36 163 146, RGB 20 179 158 and RGB 3 195 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51.7 147 134 shade: RGB 52 147 134, RGB 68 131 122, RGB 84 115 111, RGB 100 99 99 and RGB 116 83 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51.7 147 134 shade: RGB 52 147 82, RGB 52 147 107, RGB 52 147 133, RGB 52 136 147 and RGB 52 111 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51.7 147 134 shade: RGB 30 86 79, RGB 41 117 106, RGB 52 147 134, RGB 62 178 162 and RGB 86 196 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51.7 147 134 shade: RGB 51.7 147 134, RGB 56 52 147 and RGB 147 95 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51.7 147 134 shade: RGB 51.7 147 134, RGB 133 52 147 and RGB 147 133 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51.7 147 134 shade: RGB 51.7 147 134, RGB 56 52 147, RGB 147 52 66 and RGB 142 147 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51.7 147 134 shade: RGB 51.7 147 134, RGB 85 52 147, RGB 147 52 66 and RGB 114 147 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 9 / 42

HEX #339386

RGB 51.7 147 134

HSL 171.82, 0.48%, 0.39%

LAB 55.39, -30.85, -1.31

 

Complementary color

CMYK 0 / 47 / 40 / 20

HEX #CB6C79

RGB 203.3 108 121

HSL 351.82, 0.48%, 0.61%

LAB 56.92, 38.95, 9.96

 

CMYK 61 / 0 / 12 / 42

HEX #389381

RGB 56.7 147 129

HSL 168.04, 0.44%, 0.4%

LAB 55.39, -31.27, 1.58

 

CMYK 55 / 0 / 10 / 35

HEX #49A594

RGB 73.7 165 148

HSL 168.83, 0.38%, 0.47%

LAB 62.08, -31.41, 0.59

 

CMYK 50 / 0 / 9 / 28

HEX #5AB7A7

RGB 90.7 183 167

HSL 169.6, 0.39%, 0.54%

LAB 68.65, -31.43, -0.29

 

CMYK 46 / 0 / 7 / 21

HEX #6BC9BA

RGB 107.7 201 186

HSL 170.35, 0.46%, 0.61%

LAB 75.13, -31.39, -1.11

 

CMYK 43 / 0 / 6 / 14

HEX #7CDBCD

RGB 124.7 219 205

HSL 171.09, 0.57%, 0.67%

LAB 81.52, -31.31, -1.87

 

CMYK 65 / 0 / 9 / 42

HEX #339386

RGB 51.7 147 134

HSL 171.82, 0.48%, 0.39%

LAB 55.39, -30.85, -1.31

 

CMYK 73 / 0 / 11 / 49

HEX #228173

RGB 34.7 129 115

HSL 171.09, 0.58%, 0.32%

LAB 48.62, -30.34, -0.23

 

CMYK 84 / 0 / 14 / 56

HEX #116F60

RGB 17.7 111 96

HSL 170.35, 0.72%, 0.25%

LAB 41.75, -29.44, 1.03

 

CMYK 99 / 0 / 17 / 64

HEX #005D4D

RGB 0.7 93 77

HSL 169.6, 0.99%, 0.18%

LAB 34.74, -28.13, 2.48

 

CMYK 100 / 0 / 23 / 71

HEX #004B3A

RGB 0 75 58

HSL 166.4, 1%, 0.15%

LAB 27.68, -25.48, 4.36

 

CMYK 65 / 0 / 9 / 42

HEX #349386

RGB 52 147 134

HSL 171.79, 0.48%, 0.39%

LAB 55.4, -30.8, -1.3

 

CMYK 65 / 0 / 27 / 42

HEX #34936C

RGB 52 147 108

HSL 155.37, 0.48%, 0.39%

LAB 54.74, -37.41, 12.61

 

CMYK 65 / 0 / 44 / 42

HEX #349353

RGB 52 147 83

HSL 139.58, 0.48%, 0.39%

LAB 54.26, -42.55, 25.88

 

CMYK 65 / 0 / 61 / 42

HEX #349339

RGB 52 147 57

HSL 123.16, 0.48%, 0.39%

LAB 53.91, -46.48, 38.8

 

CMYK 51 / 0 / 65 / 42

HEX #489334

RGB 72 147 52

HSL 107.37, 0.48%, 0.39%

LAB 54.55, -41.75, 42.02

 

CMYK 65 / 0 / 9 / 42

HEX #349386

RGB 52 147 134

HSL 171.79, 0.48%, 0.39%

LAB 55.4, -30.8, -1.3

 

CMYK 65 / 9 / 0 / 42

HEX #348693

RGB 52 134 147

HSL 188.21, 0.48%, 0.39%

LAB 51.71, -20.41, -14.32

 

CMYK 65 / 26 / 0 / 42

HEX #346D93

RGB 52 109 147

HSL 204, 0.48%, 0.39%

LAB 43.91, -6.34, -26.31

 

CMYK 65 / 44 / 0 / 42

HEX #345393

RGB 52 83 147

HSL 220.42, 0.48%, 0.39%

LAB 36.03, 10, -38.72

 

CMYK 65 / 61 / 0 / 42

HEX #343993

RGB 52 57 147

HSL 236.84, 0.48%, 0.39%

LAB 28.81, 27.32, -50.36

 

CMYK 65 / 0 / 9 / 42

HEX #349386

RGB 52 147 134

HSL 171.79, 0.48%, 0.39%

LAB 55.4, -30.8, -1.3

 

CMYK 78 / 0 / 10 / 36

HEX #24A392

RGB 36 163 146

HSL 171.97, 0.64%, 0.39%

LAB 60.47, -37.18, -0.75

 

CMYK 89 / 0 / 12 / 30

HEX #14B39E

RGB 20 179 158

HSL 172.08, 0.8%, 0.39%

LAB 65.64, -42.22, 0.08

 

CMYK 98 / 0 / 13 / 24

HEX #03C3A9

RGB 3 195 169

HSL 171.88, 0.97%, 0.39%

LAB 70.81, -46.67, 1.57

 

CMYK 65 / 0 / 9 / 42

HEX #349386

RGB 52 147 134

HSL 171.79, 0.48%, 0.39%

LAB 55.4, -30.8, -1.3

 

CMYK 48 / 0 / 7 / 49

HEX #44837A

RGB 68 131 122

HSL 171.43, 0.32%, 0.39%

LAB 50.53, -22.63, -1.42

 

CMYK 27 / 0 / 3 / 55

HEX #54736F

RGB 84 115 111

HSL 172.26, 0.16%, 0.39%

LAB 46.03, -12.07, -1.42

 

CMYK 0 / 1 / 1 / 61

HEX #646363

RGB 100 99 99

HSL 0, 0.01%, 0.39%

LAB 42.05, 0.39, 0.13

 

CMYK 0 / 28 / 25 / 55

HEX #745357

RGB 116 83 87

HSL 352.73, 0.17%, 0.39%

LAB 38.88, 14.41, 3.11

 

CMYK 65 / 0 / 44 / 42

HEX #349352

RGB 52 147 82

HSL 138.95, 0.48%, 0.39%

LAB 54.25, -42.73, 26.4

 

CMYK 65 / 0 / 27 / 42

HEX #34936B

RGB 52 147 107

HSL 154.74, 0.48%, 0.39%

LAB 54.72, -37.64, 13.15

 

CMYK 65 / 0 / 10 / 42

HEX #349385

RGB 52 147 133

HSL 171.16, 0.48%, 0.39%

LAB 55.37, -31.08, -0.77

 

CMYK 65 / 7 / 0 / 42

HEX #348893

RGB 52 136 147

HSL 186.95, 0.48%, 0.39%

LAB 52.34, -21.46, -13.37

 

CMYK 65 / 24 / 0 / 42

HEX #346F93

RGB 52 111 147

HSL 202.74, 0.48%, 0.39%

LAB 44.53, -7.52, -25.34

 

CMYK 65 / 0 / 8 / 66

HEX #1E564F

RGB 30 86 79

HSL 172.5, 0.48%, 0.23%

LAB 32.91, -20.11, -1.37

 

CMYK 65 / 0 / 9 / 54

HEX #29756A

RGB 41 117 106

HSL 171.32, 0.48%, 0.31%

LAB 44.57, -25.99, -0.81

 

CMYK 65 / 0 / 9 / 42

HEX #349386

RGB 52 147 134

HSL 171.79, 0.48%, 0.39%

LAB 55.4, -30.8, -1.3

 

CMYK 65 / 0 / 9 / 30

HEX #3EB2A2

RGB 62 178 162

HSL 171.72, 0.48%, 0.47%

LAB 66.12, -36.05, -1.35

 

CMYK 56 / 0 / 8 / 23

HEX #56C4B5

RGB 86 196 181

HSL 171.82, 0.48%, 0.55%

LAB 72.76, -35.03, -1.97

 

CMYK 65 / 0 / 9 / 42

HEX #339386

RGB 51.7 147 134

HSL 171.82, 0.48%, 0.39%

LAB 55.39, -30.85, -1.31

 

CMYK 62 / 65 / 0 / 42

HEX #383493

RGB 56 52 147

HSL 242.53, 0.48%, 0.39%

LAB 27.85, 31.23, -51.9

 

CMYK 0 / 35 / 65 / 42

HEX #935F34

RGB 147 95 52

HSL 27.16, 0.48%, 0.39%

LAB 45.13, 16.8, 32.88

 

CMYK 65 / 0 / 9 / 42

HEX #339386

RGB 51.7 147 134

HSL 171.82, 0.48%, 0.39%

LAB 55.39, -30.85, -1.31

 

CMYK 10 / 65 / 0 / 42

HEX #853493

RGB 133 52 147

HSL 291.16, 0.48%, 0.39%

LAB 37.02, 48.5, -36.66

 

CMYK 0 / 10 / 65 / 42

HEX #938534

RGB 147 133 52

HSL 51.16, 0.48%, 0.39%

LAB 55.3, -4.88, 44.28

 

CMYK 65 / 0 / 9 / 42

HEX #339386

RGB 51.7 147 134

HSL 171.82, 0.48%, 0.39%

LAB 55.39, -30.85, -1.31

 

CMYK 62 / 65 / 0 / 42

HEX #383493

RGB 56 52 147

HSL 242.53, 0.48%, 0.39%

LAB 27.85, 31.23, -51.9

 

CMYK 0 / 65 / 55 / 42

HEX #933442

RGB 147 52 66

HSL 351.16, 0.48%, 0.39%

LAB 36.08, 41.08, 13.06

 

CMYK 3 / 0 / 65 / 42

HEX #8E9334

RGB 142 147 52

HSL 63.16, 0.48%, 0.39%

LAB 58.85, -14.67, 47.94

 

CMYK 65 / 0 / 9 / 42

HEX #339386

RGB 51.7 147 134

HSL 171.82, 0.48%, 0.39%

LAB 55.39, -30.85, -1.31

 

CMYK 42 / 65 / 0 / 42

HEX #553493

RGB 85 52 147

HSL 260.84, 0.48%, 0.39%

LAB 30.63, 36.95, -47.27

 

CMYK 0 / 65 / 55 / 42

HEX #933442

RGB 147 52 66

HSL 351.16, 0.48%, 0.39%

LAB 36.08, 41.08, 13.06

 

CMYK 22 / 0 / 65 / 42

HEX #729334

RGB 114 147 52

HSL 80.84, 0.48%, 0.39%

LAB 56.77, -26.59, 45.1

 

Description

Color code: RGB 51.7 147 134 | qconv.com Color code: RGB 51.7 147 134 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51.7 red, 147 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51.7 147 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 9 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 9% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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