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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51.3 54.4 31 it is the complementary color RGB 203.7 200.6 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51.3 54.4 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51.3 54.4 31 shade: RGB 56.3 54.4 26, RGB 73.3 72.4 45, RGB 90.3 90.4 64, RGB 107.3 108.4 83 and RGB 124.3 126.4 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51.3 54.4 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51.3 54.4 31 shade: RGB 51.3 54.4 31, RGB 34.3 36.4 12, RGB 17.3 18.4 0, RGB 0.3 0.4 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51.3 54.4 31 shade: RGB 52 55 32, RGB 55 52 32, RGB 55 46 32, RGB 55 39 32 and RGB 55 33 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51.3 54.4 31 shade: RGB 52 55 32, RGB 46 55 32, RGB 39 55 32, RGB 33 55 32 and RGB 32 55 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51.3 54.4 31 shade matches the following richer shades: RGB 52 55 32, RGB 57 62 25, RGB 62 69 18, RGB 67 76 11 and RGB 73 83 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51.3 54.4 31 shade: RGB 52 55 32, RGB 47 48 39, RGB 42 41 46, RGB 36 34 53 and RGB 31 27 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51.3 54.4 31 shade: RGB 55 45 32, RGB 55 52 32, RGB 52 55 32, RGB 46 55 32 and RGB 40 55 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51.3 54.4 31 shade: RGB 3 3 2, RGB 27 29 17, RGB 52 55 32, RGB 77 81 47 and RGB 101 107 62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51.3 54.4 31 shade: RGB 51.3 54.4 31, RGB 32 55 39 and RGB 48 32 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51.3 54.4 31 shade: RGB 51.3 54.4 31, RGB 32 52 55 and RGB 55 32 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51.3 54.4 31 shade: RGB 51.3 54.4 31, RGB 32 55 39, RGB 34 32 55 and RGB 55 32 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51.3 54.4 31 shade: RGB 51.3 54.4 31, RGB 32 55 46, RGB 34 32 55 and RGB 55 32 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 43 / 79

HEX #33361F

RGB 51.3 54.4 31

HSL 67.95, 0.27%, 0.17%

LAB 21.89, -5.93, 14.27

 

Complementary color

CMYK 9 / 10 / 0 / 12

HEX #CBC8E0

RGB 203.7 200.6 224

HSL 247.95, 0.27%, 0.83%

LAB 81.71, 5.52, -11.21

 

CMYK 0 / 3 / 54 / 78

HEX #38361A

RGB 56.3 54.4 26

HSL 56.24, 0.37%, 0.16%

LAB 22.3, -4.11, 18.04

 

CMYK 0 / 1 / 39 / 71

HEX #49482D

RGB 73.3 72.4 45

HSL 58.09, 0.24%, 0.23%

LAB 30.17, -4.58, 16.59

 

CMYK 0 / 0 / 29 / 65

HEX #5A5A40

RGB 90.3 90.4 64

HSL 60.23, 0.17%, 0.3%

LAB 37.73, -4.89, 15.28

 

CMYK 1 / 0 / 23 / 57

HEX #6B6C53

RGB 107.3 108.4 83

HSL 62.6, 0.13%, 0.38%

LAB 45.05, -5.1, 14.11

 

CMYK 2 / 0 / 19 / 50

HEX #7C7E66

RGB 124.3 126.4 102

HSL 65.16, 0.11%, 0.45%

LAB 52.16, -5.27, 13.04

 

CMYK 6 / 0 / 43 / 79

HEX #33361F

RGB 51.3 54.4 31

HSL 67.95, 0.27%, 0.17%

LAB 21.89, -5.93, 14.27

 

CMYK 6 / 0 / 67 / 86

HEX #22240C

RGB 34.3 36.4 12

HSL 65.16, 0.5%, 0.09%

LAB 13.58, -5.54, 14.9

 

CMYK 6 / 0 / 100 / 93

HEX #111200

RGB 17.3 18.4 0

HSL 63.59, 1%, 0.04%

LAB 5.13, -3.28, 7.62

 

CMYK 25 / 0 / 100 / 100

HEX #000000

RGB 0.3 0.4 0

HSL 75, 1%, 0%

LAB 0.1, -0.08, 0.14

 

CMYK 5 / 0 / 42 / 78

HEX #343720

RGB 52 55 32

HSL 67.83, 0.26%, 0.17%

LAB 22.18, -5.82, 14.01

 

CMYK 0 / 5 / 42 / 78

HEX #373420

RGB 55 52 32

HSL 52.17, 0.26%, 0.17%

LAB 21.48, -2.41, 13.15

 

CMYK 0 / 16 / 42 / 78

HEX #372E20

RGB 55 46 32

HSL 36.52, 0.26%, 0.17%

LAB 19.52, 1.57, 10.55

 

CMYK 0 / 29 / 42 / 78

HEX #372720

RGB 55 39 32

HSL 18.26, 0.26%, 0.17%

LAB 17.31, 6.34, 7.55

 

CMYK 0 / 40 / 42 / 78

HEX #372120

RGB 55 33 32

HSL 2.61, 0.26%, 0.17%

LAB 15.51, 10.47, 5.06

 

CMYK 5 / 0 / 42 / 78

HEX #343720

RGB 52 55 32

HSL 67.83, 0.26%, 0.17%

LAB 22.18, -5.82, 14.01

 

CMYK 16 / 0 / 42 / 78

HEX #2E3720

RGB 46 55 32

HSL 83.48, 0.26%, 0.17%

LAB 21.64, -8.69, 13.2

 

CMYK 29 / 0 / 42 / 78

HEX #273720

RGB 39 55 32

HSL 101.74, 0.26%, 0.17%

LAB 21.09, -11.88, 12.37

 

CMYK 40 / 0 / 42 / 78

HEX #213720

RGB 33 55 32

HSL 117.39, 0.26%, 0.17%

LAB 20.67, -14.42, 11.74

 

CMYK 42 / 0 / 33 / 78

HEX #203725

RGB 32 55 37

HSL 133.04, 0.26%, 0.17%

LAB 20.72, -13.76, 8.5

 

CMYK 5 / 0 / 42 / 78

HEX #343720

RGB 52 55 32

HSL 67.83, 0.26%, 0.17%

LAB 22.18, -5.82, 14.01

 

CMYK 8 / 0 / 60 / 76

HEX #393E19

RGB 57 62 25

HSL 68.11, 0.43%, 0.17%

LAB 24.91, -8.63, 21.77

 

CMYK 10 / 0 / 74 / 73

HEX #3E4512

RGB 62 69 18

HSL 68.24, 0.59%, 0.17%

LAB 27.64, -10.99, 28.64

 

CMYK 12 / 0 / 86 / 70

HEX #434C0B

RGB 67 76 11

HSL 68.31, 0.75%, 0.17%

LAB 30.37, -13.02, 34.37

 

CMYK 12 / 0 / 95 / 67

HEX #495304

RGB 73 83 4

HSL 67.59, 0.91%, 0.17%

LAB 33.16, -14.34, 39.34

 

CMYK 5 / 0 / 42 / 78

HEX #343720

RGB 52 55 32

HSL 67.83, 0.26%, 0.17%

LAB 22.18, -5.82, 14.01

 

CMYK 2 / 0 / 19 / 81

HEX #2F3027

RGB 47 48 39

HSL 66.67, 0.1%, 0.17%

LAB 19.49, -2.42, 5.63

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 32 / 36 / 0 / 79

HEX #242235

RGB 36 34 53

HSL 246.32, 0.22%, 0.17%

LAB 14.27, 6.24, -12.06

 

CMYK 48 / 55 / 0 / 76

HEX #1F1B3C

RGB 31 27 60

HSL 247.27, 0.38%, 0.17%

LAB 11.97, 12.05, -20.68

 

CMYK 0 / 18 / 42 / 78

HEX #372D20

RGB 55 45 32

HSL 33.91, 0.26%, 0.17%

LAB 19.2, 2.25, 10.12

 

CMYK 0 / 5 / 42 / 78

HEX #373420

RGB 55 52 32

HSL 52.17, 0.26%, 0.17%

LAB 21.48, -2.41, 13.15

 

CMYK 5 / 0 / 42 / 78

HEX #343720

RGB 52 55 32

HSL 67.83, 0.26%, 0.17%

LAB 22.18, -5.82, 14.01

 

CMYK 16 / 0 / 42 / 78

HEX #2E3720

RGB 46 55 32

HSL 83.48, 0.26%, 0.17%

LAB 21.64, -8.69, 13.2

 

CMYK 27 / 0 / 42 / 78

HEX #283720

RGB 40 55 32

HSL 99.13, 0.26%, 0.17%

LAB 21.16, -11.44, 12.48

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 7 / 0 / 41 / 89

HEX #1B1D11

RGB 27 29 17

HSL 70, 0.26%, 0.09%

LAB 10.2, -3.64, 7.57

 

CMYK 5 / 0 / 42 / 78

HEX #343720

RGB 52 55 32

HSL 67.83, 0.26%, 0.17%

LAB 22.18, -5.82, 14.01

 

CMYK 5 / 0 / 42 / 68

HEX #4D512F

RGB 77 81 47

HSL 67.06, 0.27%, 0.25%

LAB 33.28, -7.78, 19.46

 

CMYK 6 / 0 / 42 / 58

HEX #656B3E

RGB 101 107 62

HSL 68, 0.27%, 0.33%

LAB 43.7, -10.06, 24.43

 

CMYK 6 / 0 / 43 / 79

HEX #33361F

RGB 51.3 54.4 31

HSL 67.95, 0.27%, 0.17%

LAB 21.89, -5.93, 14.27

 

CMYK 42 / 0 / 29 / 78

HEX #203727

RGB 32 55 39

HSL 138.26, 0.26%, 0.17%

LAB 20.77, -13.3, 7.24

 

CMYK 13 / 42 / 0 / 78

HEX #302037

RGB 48 32 55

HSL 281.74, 0.26%, 0.17%

LAB 15.15, 12.91, -11.99

 

CMYK 6 / 0 / 43 / 79

HEX #33361F

RGB 51.3 54.4 31

HSL 67.95, 0.27%, 0.17%

LAB 21.89, -5.93, 14.27

 

CMYK 42 / 5 / 0 / 78

HEX #203437

RGB 32 52 55

HSL 187.83, 0.26%, 0.17%

LAB 20.2, -7.07, -4.45

 

CMYK 0 / 42 / 5 / 78

HEX #372034

RGB 55 32 52

HSL 307.83, 0.26%, 0.17%

LAB 15.97, 14.99, -8.53

 

CMYK 6 / 0 / 43 / 79

HEX #33361F

RGB 51.3 54.4 31

HSL 67.95, 0.27%, 0.17%

LAB 21.89, -5.93, 14.27

 

CMYK 42 / 0 / 29 / 78

HEX #203727

RGB 32 55 39

HSL 138.26, 0.26%, 0.17%

LAB 20.77, -13.3, 7.24

 

CMYK 38 / 42 / 0 / 78

HEX #222037

RGB 34 32 55

HSL 245.22, 0.26%, 0.17%

LAB 13.53, 7.62, -14.65

 

CMYK 0 / 42 / 13 / 78

HEX #372030

RGB 55 32 48

HSL 318.26, 0.26%, 0.17%

LAB 15.79, 14.11, -5.96

 

CMYK 6 / 0 / 43 / 79

HEX #33361F

RGB 51.3 54.4 31

HSL 67.95, 0.27%, 0.17%

LAB 21.89, -5.93, 14.27

 

CMYK 42 / 0 / 16 / 78

HEX #20372E

RGB 32 55 46

HSL 156.52, 0.26%, 0.17%

LAB 20.97, -11.54, 2.8

 

CMYK 38 / 42 / 0 / 78

HEX #222037

RGB 34 32 55

HSL 245.22, 0.26%, 0.17%

LAB 13.53, 7.62, -14.65

 

CMYK 0 / 42 / 25 / 78

HEX #372029

RGB 55 32 41

HSL 336.52, 0.26%, 0.17%

LAB 15.52, 12.7, -1.38

 

Description

Color code: RGB 51.3 54.4 31 | qconv.com Color code: RGB 51.3 54.4 31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51.3 red, 54.4 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51.3 54.4 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 43 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 43% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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