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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 59 69 it is the complementary color RGB 205 196 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 59 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 50 59 69: RGB 55 59 64, RGB 72 77 83, RGB 89 95 102, RGB 106 113 121 and RGB 123 131 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 59 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 50 59 69: RGB 50 59 69, RGB 33 41 50, RGB 16 23 31, RGB 0 5 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

Complementary color

CMYK 0 / 4 / 9 / 20

HEX #CDC4BA

RGB 205 196 186

HSL 31.58, 0.16%, 0.77%

LAB 79.62, 1.41, 6.13

 

CMYK 14 / 8 / 0 / 75

HEX #373B40

RGB 55 59 64

HSL 213.33, 0.08%, 0.23%

LAB 24.67, -0.46, -3.67

 

CMYK 13 / 7 / 0 / 67

HEX #484D53

RGB 72 77 83

HSL 212.73, 0.07%, 0.3%

LAB 32.5, -0.61, -4.24

 

CMYK 13 / 7 / 0 / 60

HEX #595F66

RGB 89 95 102

HSL 212.31, 0.07%, 0.37%

LAB 40.03, -0.75, -4.79

 

CMYK 12 / 7 / 0 / 53

HEX #6A7179

RGB 106 113 121

HSL 212, 0.07%, 0.45%

LAB 47.31, -0.88, -5.33

 

CMYK 12 / 6 / 0 / 45

HEX #7B838C

RGB 123 131 140

HSL 211.76, 0.07%, 0.52%

LAB 54.38, -1.01, -5.86

 

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

CMYK 34 / 18 / 0 / 80

HEX #212932

RGB 33 41 50

HSL 211.76, 0.2%, 0.16%

LAB 16.2, -0.86, -6.99

 

CMYK 48 / 26 / 0 / 88

HEX #10171F

RGB 16 23 31

HSL 212, 0.32%, 0.09%

LAB 7.42, -0.56, -6.63

 

CMYK 100 / 58 / 0 / 95

HEX #00050C

RGB 0 5 12

HSL 215, 1%, 0.02%

LAB 1.22, -0.32, -3.15

 

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

CMYK 28 / 19 / 0 / 73

HEX #313744

RGB 49 55 68

HSL 221.05, 0.16%, 0.23%

LAB 23.01, 0.95, -8.89

 

CMYK 28 / 24 / 0 / 73

HEX #313444

RGB 49 52 68

HSL 230.53, 0.16%, 0.23%

LAB 22.04, 2.98, -10.37

 

CMYK 28 / 28 / 0 / 73

HEX #313144

RGB 49 49 68

HSL 240, 0.16%, 0.23%

LAB 21.08, 5.04, -11.83

 

CMYK 24 / 28 / 0 / 73

HEX #343144

RGB 52 49 68

HSL 249.47, 0.16%, 0.23%

LAB 21.37, 6.17, -11.36

 

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

CMYK 28 / 14 / 0 / 53

HEX #576778

RGB 87 103 120

HSL 210.91, 0.16%, 0.41%

LAB 42.89, -1.81, -11.5

 

CMYK 27 / 15 / 0 / 33

HEX #7C92AB

RGB 124 146 171

HSL 211.91, 0.22%, 0.58%

LAB 59.69, -1.93, -15.69

 

CMYK 27 / 14 / 0 / 13

HEX #A1BEDE

RGB 161 190 222

HSL 211.48, 0.48%, 0.75%

LAB 75.87, -2.59, -19.21

 

CMYK 28 / 17 / 0 / 93

HEX #0D0F12

RGB 13 15 18

HSL 216, 0.16%, 0.06%

LAB 4.25, -0.06, -1.82

 

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

CMYK 9 / 28 / 0 / 73

HEX #3E3144

RGB 62 49 68

HSL 281.05, 0.16%, 0.23%

LAB 22.44, 10.08, -9.64

 

CMYK 4 / 0 / 28 / 73

HEX #414431

RGB 65 68 49

HSL 69.47, 0.16%, 0.23%

LAB 28.06, -5.08, 11.12

 

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

CMYK 0 / 28 / 15 / 73

HEX #44313A

RGB 68 49 58

HSL 331.58, 0.16%, 0.23%

LAB 22.76, 10.34, -2.31

 

CMYK 15 / 0 / 28 / 73

HEX #3A4431

RGB 58 68 49

HSL 91.58, 0.16%, 0.23%

LAB 27.45, -8.21, 10.19

 

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

CMYK 9 / 28 / 0 / 73

HEX #3E3144

RGB 62 49 68

HSL 281.05, 0.16%, 0.23%

LAB 22.44, 10.08, -9.64

 

CMYK 0 / 15 / 28 / 73

HEX #443A31

RGB 68 58 49

HSL 28.42, 0.16%, 0.23%

LAB 25.19, 2.69, 7.21

 

CMYK 21 / 0 / 28 / 73

HEX #364431

RGB 54 68 49

HSL 104.21, 0.16%, 0.23%

LAB 27.13, -9.94, 9.7

 

CMYK 28 / 14 / 0 / 73

HEX #323B45

RGB 50 59 69

HSL 211.58, 0.16%, 0.23%

LAB 24.44, -1.05, -7.39

 

CMYK 0 / 28 / 1 / 73

HEX #443143

RGB 68 49 67

HSL 303.16, 0.16%, 0.23%

LAB 23.1, 12.27, -7.89

 

CMYK 0 / 15 / 28 / 73

HEX #443A31

RGB 68 58 49

HSL 28.42, 0.16%, 0.23%

LAB 25.19, 2.69, 7.21

 

CMYK 28 / 0 / 28 / 73

HEX #314431

RGB 49 68 49

HSL 120, 0.16%, 0.23%

LAB 26.76, -12.03, 9.13

 

Description

Color code: RGB 50 59 69 | qconv.com Color code: RGB 50 59 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 59 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 59 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 14 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 14% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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