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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50.1 126.8 225 it is the complementary color RGB 204.9 128.2 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50.1 126.8 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50.1 126.8 225 shade: RGB 55.1 126.8 220, RGB 72.1 144.8 239, RGB 89.1 162.8 255, RGB 106.1 180.8 255 and RGB 123.1 198.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50.1 126.8 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50.1 126.8 225 shade: RGB 50.1 126.8 225, RGB 33.1 108.8 206, RGB 16.1 90.8 187, RGB 0 72.8 168 and RGB 0 54.8 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50.1 126.8 225 shade: RGB 50 127 224, RGB 50 80 224, RGB 68 50 224, RGB 115 50 224 and RGB 162 50 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50.1 126.8 225 shade: RGB 50 127 224, RGB 50 80 224 and RGB 50 50 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50.1 126.8 225 shade matches the following richer shades: RGB 50 127 224 and RGB 31 124 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50.1 126.8 225 shade: RGB 50 127 224, RGB 69 129 205, RGB 88 131 186, RGB 107 134 167 and RGB 126 136 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50.1 126.8 225 shade: RGB 50 221 224, RGB 50 175 224, RGB 50 129 224, RGB 50 82 224 and RGB 65 50 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50.1 126.8 225 shade: RGB 25 87 167, RGB 30 106 203, RGB 50 127 224, RGB 86 149 229 and RGB 122 172 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50.1 126.8 225 shade: RGB 50.1 126.8 225, RGB 181 50 224 and RGB 198 224 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50.1 126.8 225 shade: RGB 50.1 126.8 225, RGB 224 50 129 and RGB 129 224 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50.1 126.8 225 shade: RGB 50.1 126.8 225, RGB 181 50 224, RGB 224 146 50 and RGB 94 224 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50.1 126.8 225 shade: RGB 50.1 126.8 225, RGB 224 50 215, RGB 224 146 50 and RGB 50 224 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 44 / 0 / 12

HEX #327EE1

RGB 50.1 126.8 225

HSL 213.69, 0.74%, 0.54%

LAB 53.22, 10.84, -56.62

 

Complementary color

CMYK 0 / 37 / 85 / 20

HEX #CC801E

RGB 204.9 128.2 30

HSL 33.69, 0.74%, 0.46%

LAB 60.38, 22.65, 60.11

 

CMYK 75 / 42 / 0 / 14

HEX #377EDC

RGB 55.1 126.8 220

HSL 213.91, 0.7%, 0.54%

LAB 53.07, 9.58, -54.04

 

CMYK 70 / 39 / 0 / 6

HEX #4890EF

RGB 72.1 144.8 239

HSL 213.86, 0.84%, 0.61%

LAB 59.71, 7.75, -54

 

CMYK 65 / 36 / 0 / 0

HEX #59A2FF

RGB 89.1 162.8 255

HSL 213.35, 1%, 0.67%

LAB 66.11, 5.26, -52.57

 

CMYK 58 / 29 / 0 / 0

HEX #6AB4FF

RGB 106.1 180.8 255

HSL 209.9, 1%, 0.71%

LAB 71.73, -1.93, -43.68

 

CMYK 52 / 22 / 0 / 0

HEX #7BC6FF

RGB 123.1 198.8 255

HSL 205.56, 1%, 0.74%

LAB 77.4, -8.28, -34.81

 

CMYK 78 / 44 / 0 / 12

HEX #327EE1

RGB 50.1 126.8 225

HSL 213.69, 0.74%, 0.54%

LAB 53.22, 10.84, -56.62

 

CMYK 84 / 47 / 0 / 19

HEX #216CCE

RGB 33.1 108.8 206

HSL 213.73, 0.72%, 0.47%

LAB 46.55, 13.32, -56.59

 

CMYK 91 / 51 / 0 / 27

HEX #105ABB

RGB 16.1 90.8 187

HSL 213.77, 0.84%, 0.4%

LAB 39.83, 16.38, -56.47

 

CMYK 100 / 57 / 0 / 34

HEX #0048A8

RGB 0 72.8 168

HSL 214, 1%, 0.33%

LAB 33.06, 20.05, -56.23

 

CMYK 100 / 63 / 0 / 42

HEX #003695

RGB 0 54.8 149

HSL 217.93, 1%, 0.29%

LAB 26.4, 24.62, -55.6

 

CMYK 78 / 43 / 0 / 12

HEX #327FE0

RGB 50 127 224

HSL 213.45, 0.74%, 0.54%

LAB 53.21, 10.34, -56.07

 

CMYK 78 / 64 / 0 / 12

HEX #3250E0

RGB 50 80 224

HSL 229.66, 0.74%, 0.54%

LAB 40.89, 39.97, -76.05

 

CMYK 70 / 78 / 0 / 12

HEX #4432E0

RGB 68 50 224

HSL 246.21, 0.74%, 0.54%

LAB 35.78, 58.43, -84.44

 

CMYK 49 / 78 / 0 / 12

HEX #7332E0

RGB 115 50 224

HSL 262.41, 0.74%, 0.54%

LAB 40.09, 63.65, -77.17

 

CMYK 28 / 78 / 0 / 12

HEX #A232E0

RGB 162 50 224

HSL 278.62, 0.74%, 0.54%

LAB 46.1, 70.83, -67.11

 

CMYK 78 / 43 / 0 / 12

HEX #327FE0

RGB 50 127 224

HSL 213.45, 0.74%, 0.54%

LAB 53.21, 10.34, -56.07

 

CMYK 78 / 64 / 0 / 12

HEX #3250E0

RGB 50 80 224

HSL 229.66, 0.74%, 0.54%

LAB 40.89, 39.97, -76.05

 

CMYK 78 / 78 / 0 / 12

HEX #3232E0

RGB 50 50 224

HSL 240, 0.74%, 0.54%

LAB 34.68, 57.1, -86.28

 

CMYK 78 / 43 / 0 / 12

HEX #327FE0

RGB 50 127 224

HSL 213.45, 0.74%, 0.54%

LAB 53.21, 10.34, -56.07

 

CMYK 87 / 49 / 0 / 5

HEX #1F7CF3

RGB 31 124 243

HSL 213.68, 0.9%, 0.54%

LAB 53.14, 17.78, -66.81

 

CMYK 78 / 43 / 0 / 12

HEX #327FE0

RGB 50 127 224

HSL 213.45, 0.74%, 0.54%

LAB 53.21, 10.34, -56.07

 

CMYK 66 / 37 / 0 / 20

HEX #4581CD

RGB 69 129 205

HSL 213.53, 0.58%, 0.54%

LAB 53.36, 4.87, -45.08

 

CMYK 53 / 30 / 0 / 27

HEX #5883BA

RGB 88 131 186

HSL 213.67, 0.42%, 0.54%

LAB 53.87, 1.12, -33.39

 

CMYK 36 / 20 / 0 / 35

HEX #6B86A7

RGB 107 134 167

HSL 213, 0.25%, 0.54%

LAB 55.04, -1.24, -20.59

 

CMYK 15 / 8 / 0 / 42

HEX #7E8894

RGB 126 136 148

HSL 212.73, 0.09%, 0.54%

LAB 56.27, -1.05, -7.65

 

CMYK 78 / 1 / 0 / 12

HEX #32DDE0

RGB 50 221 224

HSL 181.03, 0.74%, 0.54%

LAB 80.61, -39.79, -13.54

 

CMYK 78 / 22 / 0 / 12

HEX #32AFE0

RGB 50 175 224

HSL 196.9, 0.74%, 0.54%

LAB 67.07, -17.23, -34.21

 

CMYK 78 / 42 / 0 / 12

HEX #3281E0

RGB 50 129 224

HSL 212.76, 0.74%, 0.54%

LAB 53.77, 9.11, -55.17

 

CMYK 78 / 63 / 0 / 12

HEX #3252E0

RGB 50 82 224

HSL 228.97, 0.74%, 0.54%

LAB 41.37, 38.73, -75.27

 

CMYK 71 / 78 / 0 / 12

HEX #4132E0

RGB 65 50 224

HSL 245.17, 0.74%, 0.54%

LAB 35.57, 58.18, -84.79

 

CMYK 85 / 48 / 0 / 35

HEX #1957A7

RGB 25 87 167

HSL 213.8, 0.74%, 0.38%

LAB 37.5, 11.43, -48.42

 

CMYK 85 / 48 / 0 / 20

HEX #1E6ACB

RGB 30 106 203

HSL 213.64, 0.74%, 0.46%

LAB 45.49, 13.7, -56.58

 

CMYK 78 / 43 / 0 / 12

HEX #327FE0

RGB 50 127 224

HSL 213.45, 0.74%, 0.54%

LAB 53.21, 10.34, -56.07

 

CMYK 62 / 35 / 0 / 10

HEX #5695E5

RGB 86 149 229

HSL 213.57, 0.73%, 0.62%

LAB 60.9, 4.1, -46.56

 

CMYK 48 / 27 / 0 / 8

HEX #7AACEB

RGB 122 172 235

HSL 213.45, 0.74%, 0.7%

LAB 69.21, 0.31, -36.7

 

CMYK 78 / 44 / 0 / 12

HEX #327EE1

RGB 50.1 126.8 225

HSL 213.69, 0.74%, 0.54%

LAB 53.22, 10.84, -56.62

 

CMYK 19 / 78 / 0 / 12

HEX #B532E0

RGB 181 50 224

HSL 285.17, 0.74%, 0.54%

LAB 48.87, 74.12, -62.5

 

CMYK 12 / 0 / 78 / 12

HEX #C6E032

RGB 198 224 50

HSL 68.97, 0.74%, 0.54%

LAB 84.77, -29.31, 75.23

 

CMYK 78 / 44 / 0 / 12

HEX #327EE1

RGB 50.1 126.8 225

HSL 213.69, 0.74%, 0.54%

LAB 53.22, 10.84, -56.62

 

CMYK 0 / 78 / 42 / 12

HEX #E03281

RGB 224 50 129

HSL 332.76, 0.74%, 0.54%

LAB 51.51, 70.24, -2.17

 

CMYK 42 / 0 / 78 / 12

HEX #81E032

RGB 129 224 50

HSL 92.76, 0.74%, 0.54%

LAB 80.85, -54.76, 70.2

 

CMYK 78 / 44 / 0 / 12

HEX #327EE1

RGB 50.1 126.8 225

HSL 213.69, 0.74%, 0.54%

LAB 53.22, 10.84, -56.62

 

CMYK 19 / 78 / 0 / 12

HEX #B532E0

RGB 181 50 224

HSL 285.17, 0.74%, 0.54%

LAB 48.87, 74.12, -62.5

 

CMYK 0 / 35 / 78 / 12

HEX #E09232

RGB 224 146 50

HSL 33.1, 0.74%, 0.54%

LAB 67, 21.84, 59.7

 

CMYK 58 / 0 / 78 / 12

HEX #5EE032

RGB 94 224 50

HSL 104.83, 0.74%, 0.54%

LAB 79.57, -64.65, 68.53

 

CMYK 78 / 44 / 0 / 12

HEX #327EE1

RGB 50.1 126.8 225

HSL 213.69, 0.74%, 0.54%

LAB 53.22, 10.84, -56.62

 

CMYK 0 / 78 / 4 / 12

HEX #E032D7

RGB 224 50 215

HSL 303.1, 0.74%, 0.54%

LAB 55.11, 80.72, -47.01

 

CMYK 0 / 35 / 78 / 12

HEX #E09232

RGB 224 146 50

HSL 33.1, 0.74%, 0.54%

LAB 67, 21.84, 59.7

 

CMYK 78 / 0 / 74 / 12

HEX #32E03B

RGB 50 224 59

HSL 123.1, 0.74%, 0.54%

LAB 78.64, -72.25, 64.43

 

Description

Color code: RGB 50.1 126.8 225 | qconv.com Color code: RGB 50.1 126.8 225 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50.1 red, 126.8 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50.1 126.8 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 44 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 44% 0% 12% C M Y K

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