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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 93 107 it is the complementary color RGB 251 162 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 93 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 4 93 107: RGB 9 93 102, RGB 26 111 121, RGB 43 129 140, RGB 60 147 159 and RGB 77 165 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 93 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 4 93 107: RGB 4 93 107, RGB 0 75 88, RGB 0 57 69, RGB 0 39 50 and RGB 0 21 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

Complementary color

CMYK 0 / 35 / 41 / 2

HEX #FBA294

RGB 251 162 148

HSL 8.16, 0.93%, 0.78%

LAB 75.13, 31.41, 21.02

 

CMYK 91 / 9 / 0 / 60

HEX #095D66

RGB 9 93 102

HSL 185.81, 0.84%, 0.22%

LAB 35.69, -19.1, -11.68

 

CMYK 79 / 8 / 0 / 53

HEX #1A6F79

RGB 26 111 121

HSL 186.32, 0.65%, 0.29%

LAB 42.72, -20.55, -12.62

 

CMYK 69 / 8 / 0 / 45

HEX #2B818C

RGB 43 129 140

HSL 186.8, 0.53%, 0.36%

LAB 49.63, -21.48, -13.41

 

CMYK 62 / 8 / 0 / 38

HEX #3C939F

RGB 60 147 159

HSL 187.27, 0.45%, 0.43%

LAB 56.42, -22.09, -14.1

 

CMYK 57 / 7 / 0 / 30

HEX #4DA5B2

RGB 77 165 178

HSL 187.72, 0.4%, 0.5%

LAB 63.1, -22.5, -14.72

 

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

CMYK 100 / 15 / 0 / 65

HEX #004B58

RGB 0 75 88

HSL 188.86, 1%, 0.17%

LAB 28.74, -14.99, -13.44

 

CMYK 100 / 17 / 0 / 73

HEX #003945

RGB 0 57 69

HSL 190.43, 1%, 0.14%

LAB 21.42, -11.84, -12.2

 

CMYK 100 / 22 / 0 / 80

HEX #002732

RGB 0 39 50

HSL 193.2, 1%, 0.1%

LAB 13.72, -8.48, -10.95

 

CMYK 100 / 32 / 0 / 88

HEX #00151F

RGB 0 21 31

HSL 199.35, 1%, 0.06%

LAB 5.74, -3.62, -9.28

 

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

CMYK 97 / 30 / 0 / 58

HEX #034C6C

RGB 3 76 108

HSL 198.29, 0.95%, 0.22%

LAB 30.09, -7.28, -24.1

 

CMYK 97 / 45 / 0 / 58

HEX #033B6C

RGB 3 59 108

HSL 208, 0.95%, 0.22%

LAB 24.42, 4.06, -33.09

 

CMYK 97 / 61 / 0 / 58

HEX #032A6C

RGB 3 42 108

HSL 217.71, 0.95%, 0.22%

LAB 19.05, 16.42, -41.78

 

CMYK 97 / 78 / 0 / 58

HEX #03186C

RGB 3 24 108

HSL 228, 0.95%, 0.22%

LAB 14.15, 29.31, -49.84

 

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

CMYK 96 / 13 / 0 / 38

HEX #06899E

RGB 6 137 158

HSL 188.29, 0.93%, 0.32%

LAB 52.28, -22.98, -19.9

 

CMYK 96 / 13 / 0 / 18

HEX #08B6D1

RGB 8 182 209

HSL 188.06, 0.93%, 0.43%

LAB 68.1, -28.49, -24.41

 

CMYK 100 / 20 / 0 / 98

HEX #000405

RGB 0 4 5

HSL 192, 1%, 0.01%

LAB 0.88, -0.91, -0.75

 

CMYK 96 / 13 / 0 / 78

HEX #023138

RGB 2 49 56

HSL 187.78, 0.93%, 0.11%

LAB 17.9, -11.92, -8.74

 

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

CMYK 65 / 97 / 0 / 58

HEX #26036C

RGB 38 3 108

HSL 260, 0.95%, 0.22%

LAB 12.98, 42.03, -51.69

 

CMYK 0 / 26 / 97 / 58

HEX #6C5003

RGB 108 80 3

HSL 44, 0.95%, 0.22%

LAB 35.85, 4.98, 43.32

 

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

CMYK 0 / 97 / 13 / 58

HEX #6C035E

RGB 108 3 94

HSL 308, 0.95%, 0.22%

LAB 23.87, 49.4, -24.23

 

CMYK 13 / 0 / 97 / 58

HEX #5E6C03

RGB 94 108 3

HSL 68, 0.95%, 0.22%

LAB 42.93, -18.01, 48.05

 

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

CMYK 65 / 97 / 0 / 58

HEX #26036C

RGB 38 3 108

HSL 260, 0.95%, 0.22%

LAB 12.98, 42.03, -51.69

 

CMYK 0 / 84 / 97 / 58

HEX #6C1103

RGB 108 17 3

HSL 8, 0.95%, 0.22%

LAB 22.29, 38.4, 32.09

 

CMYK 32 / 0 / 97 / 58

HEX #496C03

RGB 73 108 3

HSL 80, 0.95%, 0.22%

LAB 41.45, -27.36, 46.26

 

CMYK 96 / 13 / 0 / 58

HEX #045D6B

RGB 4 93 107

HSL 188.16, 0.93%, 0.22%

LAB 35.82, -17.67, -14.59

 

CMYK 35 / 97 / 0 / 58

HEX #46036C

RGB 70 3 108

HSL 278.29, 0.95%, 0.22%

LAB 17.69, 45.38, -43.77

 

CMYK 0 / 84 / 97 / 58

HEX #6C1103

RGB 108 17 3

HSL 8, 0.95%, 0.22%

LAB 22.29, 38.4, 32.09

 

CMYK 61 / 0 / 97 / 58

HEX #2A6C03

RGB 42 108 3

HSL 97.71, 0.95%, 0.22%

LAB 39.96, -38.47, 44.43

 

Description

Color code: RGB 4 93 107 | qconv.com Color code: RGB 4 93 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 93 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 93 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 13 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 13% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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