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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 46 98 it is the complementary color RGB 251 209 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 46 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 4 46 98: RGB 9 46 93, RGB 26 64 112, RGB 43 82 131, RGB 60 100 150 and RGB 77 118 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 46 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 4 46 98: RGB 4 46 98, RGB 0 28 79, RGB 0 10 60, RGB 0 0 41 and RGB 0 0 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

Complementary color

CMYK 0 / 17 / 37 / 2

HEX #FBD19D

RGB 251 209 157

HSL 33.19, 0.92%, 0.8%

LAB 86.28, 7.8, 31.32

 

CMYK 90 / 51 / 0 / 64

HEX #092E5D

RGB 9 46 93

HSL 213.57, 0.82%, 0.2%

LAB 19.23, 7.28, -31.65

 

CMYK 77 / 43 / 0 / 56

HEX #1A4070

RGB 26 64 112

HSL 213.49, 0.62%, 0.27%

LAB 26.89, 4.73, -31.65

 

CMYK 67 / 37 / 0 / 49

HEX #2B5283

RGB 43 82 131

HSL 213.41, 0.51%, 0.34%

LAB 34.37, 3.02, -31.62

 

CMYK 60 / 33 / 0 / 41

HEX #3C6496

RGB 60 100 150

HSL 213.33, 0.43%, 0.41%

LAB 41.65, 1.81, -31.6

 

CMYK 54 / 30 / 0 / 34

HEX #4D76A9

RGB 77 118 169

HSL 213.26, 0.37%, 0.48%

LAB 48.76, 0.91, -31.6

 

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

CMYK 100 / 65 / 0 / 69

HEX #001C4F

RGB 0 28 79

HSL 218.73, 1%, 0.15%

LAB 11.92, 13.56, -34.09

 

CMYK 100 / 83 / 0 / 76

HEX #000A3C

RGB 0 10 60

HSL 230, 1%, 0.12%

LAB 4.91, 16.6, -32.22

 

CMYK 100 / 100 / 0 / 84

HEX #000029

RGB 0 0 41

HSL 240, 1%, 0.08%

LAB 1.45, 10.16, -23.62

 

CMYK 100 / 100 / 0 / 91

HEX #000016

RGB 0 0 22

HSL 240, 1%, 0.04%

LAB 0.52, 3.68, -10.01

 

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

CMYK 96 / 69 / 0 / 62

HEX #041E61

RGB 4 30 97

HSL 223.23, 0.92%, 0.2%

LAB 14.5, 20.57, -42.01

 

CMYK 96 / 85 / 0 / 62

HEX #040F61

RGB 4 15 97

HSL 232.9, 0.92%, 0.2%

LAB 10.78, 30.82, -48.15

 

CMYK 92 / 96 / 0 / 62

HEX #080461

RGB 8 4 97

HSL 242.58, 0.92%, 0.2%

LAB 9, 36.87, -51.1

 

CMYK 75 / 96 / 0 / 62

HEX #180461

RGB 24 4 97

HSL 252.9, 0.92%, 0.2%

LAB 10.14, 37.56, -49.18

 

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

CMYK 96 / 53 / 0 / 42

HEX #064695

RGB 6 70 149

HSL 213.15, 0.92%, 0.3%

LAB 30.85, 14.31, -48.34

 

CMYK 96 / 53 / 0 / 22

HEX #085EC8

RGB 8 94 200

HSL 213.13, 0.92%, 0.41%

LAB 41.57, 19.17, -61.2

 

CMYK 96 / 53 / 0 / 2

HEX #0A76FB

RGB 10 118 251

HSL 213.11, 0.97%, 0.51%

LAB 51.82, 23.76, -73.41

 

CMYK 96 / 53 / 0 / 82

HEX #02162F

RGB 2 22 47

HSL 213.33, 0.92%, 0.1%

LAB 7.15, 2.96, -19.1

 

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

CMYK 24 / 96 / 0 / 62

HEX #4A0461

RGB 74 4 97

HSL 285.16, 0.92%, 0.2%

LAB 17.49, 43.32, -36.83

 

CMYK 14 / 0 / 96 / 62

HEX #536104

RGB 83 97 4

HSL 69.03, 0.92%, 0.2%

LAB 38.55, -17.24, 43.99

 

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

CMYK 0 / 96 / 53 / 62

HEX #61042E

RGB 97 4 46

HSL 332.9, 0.92%, 0.2%

LAB 19.33, 40.71, 1.59

 

CMYK 53 / 0 / 96 / 62

HEX #2E6104

RGB 46 97 4

HSL 92.9, 0.92%, 0.2%

LAB 36.25, -32.73, 41.17

 

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

CMYK 24 / 96 / 0 / 62

HEX #4A0461

RGB 74 4 97

HSL 285.16, 0.92%, 0.2%

LAB 17.49, 43.32, -36.83

 

CMYK 0 / 43 / 96 / 62

HEX #613704

RGB 97 55 4

HSL 32.9, 0.92%, 0.2%

LAB 27.52, 14.93, 35.99

 

CMYK 72 / 0 / 96 / 62

HEX #1B6104

RGB 27 97 4

HSL 105.16, 0.92%, 0.2%

LAB 35.58, -38.17, 40.34

 

CMYK 96 / 53 / 0 / 62

HEX #042E62

RGB 4 46 98

HSL 213.19, 0.92%, 0.2%

LAB 19.48, 9.05, -34.55

 

CMYK 0 / 96 / 4 / 62

HEX #61045D

RGB 97 4 93

HSL 302.58, 0.92%, 0.2%

LAB 21.65, 46.8, -27.24

 

CMYK 0 / 43 / 96 / 62

HEX #613704

RGB 97 55 4

HSL 32.9, 0.92%, 0.2%

LAB 27.52, 14.93, 35.99

 

CMYK 96 / 0 / 92 / 62

HEX #046108

RGB 4 97 8

HSL 122.58, 0.92%, 0.2%

LAB 35.19, -41.53, 38.68

 

Description

Color code: RGB 4 46 98 | qconv.com Color code: RGB 4 46 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 46 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 46 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 53 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 53% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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