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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 38 31 it is the complementary color RGB 206 217 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 38 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 49 38 31: RGB 54 38 26, RGB 71 56 45, RGB 88 74 64, RGB 105 92 83 and RGB 122 110 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 38 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 49 38 31: RGB 49 38 31, RGB 32 20 12, RGB 15 2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

Complementary color

CMYK 8 / 3 / 0 / 12

HEX #CED9E0

RGB 206 217 224

HSL 203.33, 0.23%, 0.84%

LAB 86.07, -2.35, -4.72

 

CMYK 0 / 30 / 52 / 79

HEX #36261A

RGB 54 38 26

HSL 25.71, 0.35%, 0.16%

LAB 16.72, 5.65, 10.9

 

CMYK 0 / 21 / 37 / 72

HEX #47382D

RGB 71 56 45

HSL 25.38, 0.22%, 0.23%

LAB 24.82, 4.75, 9.39

 

CMYK 0 / 16 / 27 / 65

HEX #584A40

RGB 88 74 64

HSL 25, 0.16%, 0.3%

LAB 32.57, 4.12, 8.16

 

CMYK 0 / 12 / 21 / 59

HEX #695C53

RGB 105 92 83

HSL 24.55, 0.12%, 0.37%

LAB 40.05, 3.63, 7.1

 

CMYK 0 / 10 / 16 / 52

HEX #7A6E66

RGB 122 110 102

HSL 24, 0.09%, 0.44%

LAB 47.3, 3.24, 6.16

 

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

CMYK 0 / 38 / 63 / 87

HEX #20140C

RGB 32 20 12

HSL 24, 0.45%, 0.09%

LAB 7.53, 4.82, 6.4

 

CMYK 0 / 87 / 100 / 94

HEX #0F0200

RGB 15 2 0

HSL 8, 1%, 0.03%

LAB 1.31, 3.31, 2.02

 

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

CMYK 0 / 18 / 38 / 80

HEX #32291F

RGB 50 41 31

HSL 31.58, 0.23%, 0.16%

LAB 17.29, 2.3, 8.12

 

CMYK 0 / 12 / 38 / 80

HEX #322C1F

RGB 50 44 31

HSL 41.05, 0.23%, 0.16%

LAB 18.27, 0.25, 9.45

 

CMYK 0 / 6 / 38 / 80

HEX #322F1F

RGB 50 47 31

HSL 50.53, 0.23%, 0.16%

LAB 19.27, -1.76, 10.79

 

CMYK 2 / 0 / 38 / 80

HEX #31321F

RGB 49 50 31

HSL 63.16, 0.23%, 0.16%

LAB 20.18, -4.23, 11.98

 

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

CMYK 0 / 22 / 37 / 61

HEX #644E3F

RGB 100 78 63

HSL 24.32, 0.23%, 0.32%

LAB 35.04, 6.87, 12.4

 

CMYK 0 / 23 / 36 / 41

HEX #977560

RGB 151 117 96

HSL 22.91, 0.22%, 0.48%

LAB 52, 10.28, 16.7

 

CMYK 0 / 22 / 37 / 21

HEX #CA9D80

RGB 202 157 128

HSL 23.51, 0.41%, 0.65%

LAB 68.19, 12.78, 21.59

 

CMYK 0 / 23 / 37 / 1

HEX #FDC4A0

RGB 253 196 160

HSL 23.23, 0.96%, 0.81%

LAB 83.39, 15.68, 25.9

 

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

CMYK 22 / 0 / 38 / 80

HEX #27321F

RGB 39 50 31

HSL 94.74, 0.23%, 0.16%

LAB 19.27, -9.01, 10.62

 

CMYK 38 / 38 / 0 / 80

HEX #1F1F32

RGB 31 31 50

HSL 240, 0.23%, 0.16%

LAB 12.62, 5.61, -12.52

 

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

CMYK 38 / 0 / 24 / 80

HEX #1F3226

RGB 31 50 38

HSL 142.11, 0.23%, 0.16%

LAB 18.85, -10.93, 5.22

 

CMYK 24 / 38 / 0 / 80

HEX #261F32

RGB 38 31 50

HSL 262.11, 0.23%, 0.16%

LAB 13.37, 8.29, -11.3

 

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

CMYK 22 / 0 / 38 / 80

HEX #27321F

RGB 39 50 31

HSL 94.74, 0.23%, 0.16%

LAB 19.27, -9.01, 10.62

 

CMYK 38 / 16 / 0 / 80

HEX #1F2A32

RGB 31 42 50

HSL 205.26, 0.23%, 0.16%

LAB 16.39, -2.31, -6.72

 

CMYK 16 / 38 / 0 / 80

HEX #2A1F32

RGB 42 31 50

HSL 274.74, 0.23%, 0.16%

LAB 13.84, 9.88, -10.52

 

CMYK 0 / 22 / 37 / 81

HEX #31261F

RGB 49 38 31

HSL 23.33, 0.23%, 0.16%

LAB 16.2, 3.87, 6.6

 

CMYK 34 / 0 / 38 / 80

HEX #21321F

RGB 33 50 31

HSL 113.68, 0.23%, 0.16%

LAB 18.81, -11.68, 9.92

 

CMYK 38 / 16 / 0 / 80

HEX #1F2A32

RGB 31 42 50

HSL 205.26, 0.23%, 0.16%

LAB 16.39, -2.31, -6.72

 

CMYK 6 / 38 / 0 / 80

HEX #2F1F32

RGB 47 31 50

HSL 290.53, 0.23%, 0.16%

LAB 14.48, 11.92, -9.48

 

Description

Color code: RGB 49 38 31 | qconv.com Color code: RGB 49 38 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 38 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 38 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 37 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 37% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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