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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 123 25 it is the complementary color RGB 209 132 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 123 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 46 123 25: RGB 51 123 20, RGB 68 141 39, RGB 85 159 58, RGB 102 177 77 and RGB 119 195 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 123 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 46 123 25: RGB 46 123 25, RGB 29 105 6, RGB 12 87 0, RGB 0 69 0 and RGB 0 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

Complementary color

CMYK 9 / 43 / 0 / 10

HEX #D184E6

RGB 209 132 230

HSL 287.14, 0.66%, 0.71%

LAB 66.34, 45.52, -37.89

 

CMYK 59 / 0 / 84 / 52

HEX #337B14

RGB 51 123 20

HSL 101.94, 0.72%, 0.28%

LAB 45.52, -40.95, 45.07

 

CMYK 52 / 0 / 72 / 45

HEX #448D27

RGB 68 141 39

HSL 102.94, 0.57%, 0.35%

LAB 52.31, -41.73, 45.15

 

CMYK 47 / 0 / 64 / 38

HEX #559F3A

RGB 85 159 58

HSL 103.96, 0.47%, 0.43%

LAB 59, -42.09, 44.42

 

CMYK 42 / 0 / 56 / 31

HEX #66B14D

RGB 102 177 77

HSL 105, 0.39%, 0.5%

LAB 65.6, -42.22, 43.35

 

CMYK 39 / 0 / 51 / 24

HEX #77C360

RGB 119 195 96

HSL 106.06, 0.45%, 0.57%

LAB 72.09, -42.2, 42.16

 

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

CMYK 72 / 0 / 94 / 59

HEX #1D6906

RGB 29 105 6

HSL 106.06, 0.89%, 0.22%

LAB 38.51, -40.51, 42.29

 

CMYK 86 / 0 / 100 / 66

HEX #0C5700

RGB 12 87 0

HSL 111.72, 1%, 0.17%

LAB 31.57, -37.74, 38.22

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

CMYK 75 / 0 / 80 / 52

HEX #1E7A19

RGB 30 122 25

HSL 116.91, 0.66%, 0.29%

LAB 44.61, -45.18, 42.34

 

CMYK 80 / 0 / 70 / 52

HEX #197A24

RGB 25 122 36

HSL 126.8, 0.66%, 0.29%

LAB 44.59, -45.03, 37.9

 

CMYK 80 / 0 / 57 / 52

HEX #197A34

RGB 25 122 52

HSL 136.7, 0.66%, 0.29%

LAB 44.76, -42.97, 30.38

 

CMYK 80 / 0 / 43 / 52

HEX #197A45

RGB 25 122 69

HSL 147.22, 0.66%, 0.29%

LAB 45.02, -39.99, 21.46

 

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

CMYK 63 / 0 / 80 / 32

HEX #41AE23

RGB 65 174 35

HSL 107.05, 0.67%, 0.41%

LAB 62.94, -55.17, 56.97

 

CMYK 63 / 0 / 80 / 12

HEX #54E12E

RGB 84 225 46

HSL 107.26, 0.75%, 0.53%

LAB 79.58, -67.51, 69.59

 

CMYK 62 / 0 / 81 / 92

HEX #081504

RGB 8 21 4

HSL 105.88, 0.68%, 0.05%

LAB 5.39, -7.25, 6.3

 

CMYK 63 / 0 / 79 / 72

HEX #1B480F

RGB 27 72 15

HSL 107.37, 0.66%, 0.17%

LAB 26.45, -27.56, 28.11

 

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

CMYK 80 / 0 / 1 / 52

HEX #197A79

RGB 25 122 121

HSL 179.38, 0.66%, 0.29%

LAB 46.32, -26.36, -7.2

 

CMYK 0 / 80 / 30 / 52

HEX #7A1955

RGB 122 25 85

HSL 322.89, 0.66%, 0.29%

LAB 28.08, 46.13, -11.52

 

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

CMYK 80 / 62 / 0 / 52

HEX #192E7A

RGB 25 46 122

HSL 227.01, 0.66%, 0.29%

LAB 22.18, 21.4, -45.62

 

CMYK 0 / 80 / 62 / 52

HEX #7A192E

RGB 122 25 46

HSL 347.01, 0.66%, 0.29%

LAB 26.82, 42.2, 12.83

 

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

CMYK 80 / 0 / 1 / 52

HEX #197A79

RGB 25 122 121

HSL 179.38, 0.66%, 0.29%

LAB 46.32, -26.36, -7.2

 

CMYK 17 / 80 / 0 / 52

HEX #65197A

RGB 101 25 122

HSL 287.01, 0.66%, 0.29%

LAB 26.35, 47.24, -38.48

 

CMYK 0 / 80 / 79 / 52

HEX #7A191A

RGB 122 25 26

HSL 359.38, 0.66%, 0.29%

LAB 26.47, 41.06, 25.56

 

CMYK 63 / 0 / 80 / 52

HEX #2E7B19

RGB 46 123 25

HSL 107.14, 0.66%, 0.29%

LAB 45.38, -42, 43.24

 

CMYK 80 / 22 / 0 / 52

HEX #195F7A

RGB 25 95 122

HSL 196.7, 0.66%, 0.29%

LAB 37.47, -11.32, -21.27

 

CMYK 17 / 80 / 0 / 52

HEX #65197A

RGB 101 25 122

HSL 287.01, 0.66%, 0.29%

LAB 26.35, 47.24, -38.48

 

CMYK 0 / 57 / 80 / 52

HEX #7A3419

RGB 122 52 25

HSL 16.7, 0.66%, 0.29%

LAB 31.03, 28.76, 31.01

 

Description

Color code: RGB 46 123 25 | qconv.com Color code: RGB 46 123 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 123 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 123 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 80 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 80% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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