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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46.3 144.4 71 it is the complementary color RGB 208.7 110.6 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46.3 144.4 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46.3 144.4 71 shade: RGB 51.3 144.4 66, RGB 68.3 162.4 85, RGB 85.3 180.4 104, RGB 102.3 198.4 123 and RGB 119.3 216.4 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46.3 144.4 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46.3 144.4 71 shade: RGB 46.3 144.4 71, RGB 29.3 126.4 52, RGB 12.3 108.4 33, RGB 0 90.4 14 and RGB 0 72.4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46.3 144.4 71 shade: RGB 46 142 70, RGB 48 142 46, RGB 74 142 46, RGB 100 142 46 and RGB 126 142 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46.3 144.4 71 shade: RGB 46 142 70, RGB 46 142 96, RGB 46 142 122, RGB 46 137 142 and RGB 46 111 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46.3 144.4 71 shade matches the following richer shades: RGB 46 142 70, RGB 31 158 63, RGB 16 173 55 and RGB 0 188 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46.3 144.4 71 shade: RGB 46 142 70, RGB 61 127 78, RGB 77 112 86, RGB 92 97 93 and RGB 107 81 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46.3 144.4 71 shade: RGB 73 142 46, RGB 48 142 46, RGB 46 142 70, RGB 46 142 96 and RGB 46 142 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46.3 144.4 71 shade: RGB 26 80 40, RGB 36 111 55, RGB 46 142 70, RGB 56 174 86 and RGB 75 196 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46.3 144.4 71 shade: RGB 46.3 144.4 71, RGB 46 99 142 and RGB 142 46 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46.3 144.4 71 shade: RGB 46.3 144.4 71, RGB 70 46 142 and RGB 142 70 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46.3 144.4 71 shade: RGB 46.3 144.4 71, RGB 46 99 142, RGB 142 46 118 and RGB 142 90 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46.3 144.4 71 shade: RGB 46.3 144.4 71, RGB 46 70 142, RGB 142 46 118 and RGB 142 118 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 51 / 43

HEX #2E9047

RGB 46.3 144.4 71

HSL 135.11, 0.51%, 0.37%

LAB 53.07, -44.73, 30.73

 

Complementary color

CMYK 0 / 47 / 12 / 18

HEX #D06EB8

RGB 208.7 110.6 184

HSL 315.11, 0.51%, 0.63%

LAB 60.12, 48.16, -21.68

 

CMYK 64 / 0 / 54 / 43

HEX #339042

RGB 51.3 144.4 66

HSL 129.47, 0.48%, 0.38%

LAB 53.14, -44.44, 33.43

 

CMYK 58 / 0 / 48 / 36

HEX #44A255

RGB 68.3 162.4 85

HSL 130.65, 0.41%, 0.45%

LAB 59.78, -44.72, 31.97

 

CMYK 53 / 0 / 42 / 29

HEX #55B468

RGB 85.3 180.4 104

HSL 131.8, 0.39%, 0.52%

LAB 66.33, -44.76, 30.57

 

CMYK 48 / 0 / 38 / 22

HEX #66C67B

RGB 102.3 198.4 123

HSL 132.92, 0.46%, 0.59%

LAB 72.79, -44.66, 29.25

 

CMYK 45 / 0 / 34 / 15

HEX #77D88E

RGB 119.3 216.4 142

HSL 134.03, 0.56%, 0.66%

LAB 79.16, -44.48, 28.01

 

CMYK 68 / 0 / 51 / 43

HEX #2E9047

RGB 46.3 144.4 71

HSL 135.11, 0.51%, 0.37%

LAB 53.07, -44.73, 30.73

 

CMYK 77 / 0 / 59 / 50

HEX #1D7E34

RGB 29.3 126.4 52

HSL 134.03, 0.62%, 0.31%

LAB 46.36, -43.92, 32.3

 

CMYK 89 / 0 / 70 / 57

HEX #0C6C21

RGB 12.3 108.4 33

HSL 132.92, 0.8%, 0.24%

LAB 39.58, -42.32, 33.76

 

CMYK 100 / 0 / 85 / 65

HEX #005A0E

RGB 0 90.4 14

HSL 129.29, 1%, 0.18%

LAB 32.73, -39.52, 34.54

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72.4 0

HSL 120, 1%, 0.14%

LAB 25.82, -34.75, 33.35

 

CMYK 68 / 0 / 51 / 44

HEX #2E8E46

RGB 46 142 70

HSL 135, 0.51%, 0.37%

LAB 52.25, -44.02, 30.24

 

CMYK 66 / 0 / 68 / 44

HEX #308E2E

RGB 48 142 46

HSL 118.75, 0.51%, 0.37%

LAB 52.03, -46.76, 41.71

 

CMYK 48 / 0 / 68 / 44

HEX #4A8E2E

RGB 74 142 46

HSL 102.5, 0.51%, 0.37%

LAB 52.95, -39.64, 42.97

 

CMYK 30 / 0 / 68 / 44

HEX #648E2E

RGB 100 142 46

HSL 86.25, 0.51%, 0.37%

LAB 54.29, -30.28, 44.81

 

CMYK 11 / 0 / 68 / 44

HEX #7E8E2E

RGB 126 142 46

HSL 70, 0.51%, 0.37%

LAB 56.07, -19.46, 47.21

 

CMYK 68 / 0 / 51 / 44

HEX #2E8E46

RGB 46 142 70

HSL 135, 0.51%, 0.37%

LAB 52.25, -44.02, 30.24

 

CMYK 68 / 0 / 32 / 44

HEX #2E8E60

RGB 46 142 96

HSL 151.25, 0.51%, 0.37%

LAB 52.7, -39.09, 16.56

 

CMYK 68 / 0 / 14 / 44

HEX #2E8E7A

RGB 46 142 122

HSL 167.5, 0.51%, 0.37%

LAB 53.31, -32.74, 2.54

 

CMYK 68 / 4 / 0 / 44

HEX #2E898E

RGB 46 137 142

HSL 183.13, 0.51%, 0.37%

LAB 52.31, -24.53, -10.52

 

CMYK 68 / 22 / 0 / 44

HEX #2E6F8E

RGB 46 111 142

HSL 199.38, 0.51%, 0.37%

LAB 44.09, -10.34, -23.05

 

CMYK 68 / 0 / 51 / 44

HEX #2E8E46

RGB 46 142 70

HSL 135, 0.51%, 0.37%

LAB 52.25, -44.02, 30.24

 

CMYK 80 / 0 / 60 / 38

HEX #1F9E3F

RGB 31 158 63

HSL 135.12, 0.67%, 0.37%

LAB 57.18, -53.33, 39.61

 

CMYK 91 / 0 / 68 / 32

HEX #10AD37

RGB 16 173 55

HSL 134.9, 0.83%, 0.37%

LAB 61.89, -60.54, 48.41

 

CMYK 100 / 0 / 74 / 26

HEX #00BC30

RGB 0 188 48

HSL 135.32, 1%, 0.37%

LAB 66.66, -66.43, 56.03

 

CMYK 68 / 0 / 51 / 44

HEX #2E8E46

RGB 46 142 70

HSL 135, 0.51%, 0.37%

LAB 52.25, -44.02, 30.24

 

CMYK 52 / 0 / 39 / 50

HEX #3D7F4E

RGB 61 127 78

HSL 135.45, 0.35%, 0.37%

LAB 47.91, -32.62, 20.37

 

CMYK 31 / 0 / 23 / 56

HEX #4D7056

RGB 77 112 86

HSL 135.43, 0.19%, 0.37%

LAB 44, -18.44, 10.53

 

CMYK 5 / 0 / 4 / 62

HEX #5C615D

RGB 92 97 93

HSL 132, 0.03%, 0.37%

LAB 40.6, -2.8, 1.6

 

CMYK 0 / 24 / 6 / 58

HEX #6B5165

RGB 107 81 101

HSL 313.85, 0.14%, 0.37%

LAB 37.75, 14.56, -7.38

 

CMYK 49 / 0 / 68 / 44

HEX #498E2E

RGB 73 142 46

HSL 103.13, 0.51%, 0.37%

LAB 52.91, -39.96, 42.91

 

CMYK 66 / 0 / 68 / 44

HEX #308E2E

RGB 48 142 46

HSL 118.75, 0.51%, 0.37%

LAB 52.03, -46.76, 41.71

 

CMYK 68 / 0 / 51 / 44

HEX #2E8E46

RGB 46 142 70

HSL 135, 0.51%, 0.37%

LAB 52.25, -44.02, 30.24

 

CMYK 68 / 0 / 32 / 44

HEX #2E8E60

RGB 46 142 96

HSL 151.25, 0.51%, 0.37%

LAB 52.7, -39.09, 16.56

 

CMYK 68 / 0 / 14 / 44

HEX #2E8E7A

RGB 46 142 122

HSL 167.5, 0.51%, 0.37%

LAB 53.31, -32.74, 2.54

 

CMYK 68 / 0 / 50 / 69

HEX #1A5028

RGB 26 80 40

HSL 135.56, 0.51%, 0.21%

LAB 29.69, -27.82, 18.41

 

CMYK 68 / 0 / 50 / 56

HEX #246F37

RGB 36 111 55

HSL 135.2, 0.51%, 0.29%

LAB 41.25, -36.16, 24.5

 

CMYK 68 / 0 / 51 / 44

HEX #2E8E46

RGB 46 142 70

HSL 135, 0.51%, 0.37%

LAB 52.25, -44.02, 30.24

 

CMYK 68 / 0 / 51 / 32

HEX #38AE56

RGB 56 174 86

HSL 135.25, 0.51%, 0.45%

LAB 63.16, -51.74, 35.62

 

CMYK 62 / 0 / 46 / 23

HEX #4BC469

RGB 75 196 105

HSL 134.88, 0.51%, 0.53%

LAB 70.87, -53.26, 35.81

 

CMYK 68 / 0 / 51 / 43

HEX #2E9047

RGB 46.3 144.4 71

HSL 135.11, 0.51%, 0.37%

LAB 53.07, -44.73, 30.73

 

CMYK 68 / 30 / 0 / 44

HEX #2E638E

RGB 46 99 142

HSL 206.88, 0.51%, 0.37%

LAB 40.34, -3.16, -28.9

 

CMYK 0 / 68 / 57 / 44

HEX #8E2E3D

RGB 142 46 61

HSL 350.63, 0.51%, 0.37%

LAB 34.07, 41.63, 13.38

 

CMYK 68 / 0 / 51 / 43

HEX #2E9047

RGB 46.3 144.4 71

HSL 135.11, 0.51%, 0.37%

LAB 53.07, -44.73, 30.73

 

CMYK 51 / 68 / 0 / 44

HEX #462E8E

RGB 70 46 142

HSL 255, 0.51%, 0.37%

LAB 27.32, 35.85, -49.63

 

CMYK 0 / 51 / 68 / 44

HEX #8E462E

RGB 142 70 46

HSL 15, 0.51%, 0.37%

LAB 38.43, 28.45, 28.2

 

CMYK 68 / 0 / 51 / 43

HEX #2E9047

RGB 46.3 144.4 71

HSL 135.11, 0.51%, 0.37%

LAB 53.07, -44.73, 30.73

 

CMYK 68 / 30 / 0 / 44

HEX #2E638E

RGB 46 99 142

HSL 206.88, 0.51%, 0.37%

LAB 40.34, -3.16, -28.9

 

CMYK 0 / 68 / 17 / 44

HEX #8E2E76

RGB 142 46 118

HSL 315, 0.51%, 0.37%

LAB 36.01, 48.42, -20.23

 

CMYK 0 / 37 / 68 / 44

HEX #8E5A2E

RGB 142 90 46

HSL 27.5, 0.51%, 0.37%

LAB 43.15, 17.05, 33.68

 

CMYK 68 / 0 / 51 / 43

HEX #2E9047

RGB 46.3 144.4 71

HSL 135.11, 0.51%, 0.37%

LAB 53.07, -44.73, 30.73

 

CMYK 68 / 51 / 0 / 44

HEX #2E468E

RGB 46 70 142

HSL 225, 0.51%, 0.37%

LAB 31.61, 15.71, -42.77

 

CMYK 0 / 68 / 17 / 44

HEX #8E2E76

RGB 142 46 118

HSL 315, 0.51%, 0.37%

LAB 36.01, 48.42, -20.23

 

CMYK 0 / 17 / 68 / 44

HEX #8E762E

RGB 142 118 46

HSL 45, 0.51%, 0.37%

LAB 50.58, 0.84, 41.86

 

Description

Color code: RGB 46.3 144.4 71 | qconv.com Color code: RGB 46.3 144.4 71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46.3 red, 144.4 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46.3 144.4 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 51 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 51% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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