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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 64 36 it is the complementary color RGB 211 191 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 64 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 44 64 36: RGB 49 64 31, RGB 66 82 50, RGB 83 100 69, RGB 100 118 88 and RGB 117 136 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 64 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 44 64 36: RGB 44 64 36, RGB 27 46 17, RGB 10 28 0, RGB 0 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

Complementary color

CMYK 4 / 13 / 0 / 14

HEX #D3BFDB

RGB 211 191 219

HSL 282.86, 0.28%, 0.8%

LAB 79.74, 12.1, -11.4

 

CMYK 23 / 0 / 52 / 75

HEX #31401F

RGB 49 64 31

HSL 87.27, 0.35%, 0.19%

LAB 25.01, -12.88, 18.18

 

CMYK 20 / 0 / 39 / 68

HEX #425232

RGB 66 82 50

HSL 90, 0.24%, 0.26%

LAB 32.75, -12.84, 16.79

 

CMYK 17 / 0 / 31 / 61

HEX #536445

RGB 83 100 69

HSL 92.9, 0.18%, 0.33%

LAB 40.22, -12.76, 15.52

 

CMYK 15 / 0 / 25 / 54

HEX #647658

RGB 100 118 88

HSL 96, 0.15%, 0.4%

LAB 47.46, -12.68, 14.38

 

CMYK 14 / 0 / 21 / 47

HEX #75886B

RGB 117 136 107

HSL 99.31, 0.12%, 0.48%

LAB 54.5, -12.6, 13.33

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 41 / 0 / 63 / 82

HEX #1B2E11

RGB 27 46 17

HSL 99.31, 0.46%, 0.12%

LAB 16.64, -14.43, 16.11

 

CMYK 64 / 0 / 100 / 89

HEX #0A1C00

RGB 10 28 0

HSL 98.57, 1%, 0.05%

LAB 8.08, -12.71, 11.88

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 38 / 0 / 45 / 75

HEX #284124

RGB 40 65 36

HSL 111.72, 0.29%, 0.2%

LAB 24.82, -16.5, 14.72

 

CMYK 45 / 0 / 43 / 75

HEX #244125

RGB 36 65 37

HSL 122.07, 0.29%, 0.2%

LAB 24.61, -17.86, 13.76

 

CMYK 45 / 0 / 35 / 75

HEX #24412A

RGB 36 65 42

HSL 132.41, 0.29%, 0.2%

LAB 24.71, -16.84, 10.71

 

CMYK 45 / 0 / 28 / 75

HEX #24412F

RGB 36 65 47

HSL 142.76, 0.29%, 0.2%

LAB 24.83, -15.71, 7.63

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 31 / 0 / 43 / 55

HEX #4F7341

RGB 79 115 65

HSL 103.2, 0.28%, 0.35%

LAB 44.67, -23.05, 23.65

 

CMYK 31 / 0 / 44 / 35

HEX #72A65D

RGB 114 166 93

HSL 102.74, 0.29%, 0.51%

LAB 63.04, -31.17, 32.36

 

CMYK 31 / 0 / 44 / 15

HEX #95D97A

RGB 149 217 122

HSL 102.95, 0.56%, 0.66%

LAB 80.42, -38.65, 40.04

 

CMYK 31 / 0 / 46 / 95

HEX #090D07

RGB 9 13 7

HSL 100, 0.3%, 0.04%

LAB 3.26, -1.98, 1.98

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 45 / 0 / 5 / 75

HEX #24413E

RGB 36 65 62

HSL 173.79, 0.29%, 0.2%

LAB 25.27, -11.74, -1.61

 

CMYK 0 / 45 / 14 / 75

HEX #412438

RGB 65 36 56

HSL 318.62, 0.29%, 0.2%

LAB 18.68, 17.27, -7.09

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 45 / 31 / 0 / 75

HEX #242D41

RGB 36 45 65

HSL 221.38, 0.29%, 0.2%

LAB 18.51, 2.28, -13.85

 

CMYK 0 / 45 / 31 / 75

HEX #41242D

RGB 65 36 45

HSL 341.38, 0.29%, 0.2%

LAB 18.25, 15.21, -0.02

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 45 / 0 / 5 / 75

HEX #24413E

RGB 36 65 62

HSL 173.79, 0.29%, 0.2%

LAB 25.27, -11.74, -1.61

 

CMYK 14 / 45 / 0 / 75

HEX #382441

RGB 56 36 65

HSL 281.38, 0.29%, 0.2%

LAB 17.85, 15.83, -14.72

 

CMYK 0 / 45 / 40 / 75

HEX #412427

RGB 65 36 39

HSL 353.79, 0.29%, 0.2%

LAB 18.06, 14.24, 3.92

 

CMYK 31 / 0 / 44 / 75

HEX #2C4024

RGB 44 64 36

HSL 102.86, 0.28%, 0.2%

LAB 24.73, -14.28, 14.65

 

CMYK 45 / 9 / 0 / 75

HEX #243B41

RGB 36 59 65

HSL 192.41, 0.29%, 0.2%

LAB 23.29, -7.12, -6.55

 

CMYK 14 / 45 / 0 / 75

HEX #382441

RGB 56 36 65

HSL 281.38, 0.29%, 0.2%

LAB 17.85, 15.83, -14.72

 

CMYK 0 / 35 / 45 / 75

HEX #412A24

RGB 65 42 36

HSL 12.41, 0.29%, 0.2%

LAB 19.67, 9.81, 8.25

 

Description

Color code: RGB 44 64 36 | qconv.com Color code: RGB 44 64 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 64 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 64 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 44 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 44% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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