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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44.7 164.6 250 it is the complementary color RGB 210.3 90.4 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44.7 164.6 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44.7 164.6 250 shade: RGB 49.7 164.6 245, RGB 66.7 182.6 255, RGB 83.7 200.6 255, RGB 100.7 218.6 255 and RGB 117.7 236.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44.7 164.6 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44.7 164.6 250 shade: RGB 44.7 164.6 250, RGB 27.7 146.6 231, RGB 10.7 128.6 212, RGB 0 110.6 193 and RGB 0 92.6 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44.7 164.6 250 shade: RGB 46 165 250, RGB 46 110 250, RGB 46 55 250, RGB 92 46 250 and RGB 147 46 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44.7 164.6 250 shade: RGB 46 165 250, RGB 46 110 250, RGB 46 55 250 and RGB 46 46 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44.7 164.6 250 shade matches the following richer shades: RGB 46 165 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44.7 164.6 250 shade: RGB 46 165 250, RGB 63 162 232, RGB 81 159 215, RGB 98 156 198 and RGB 115 153 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44.7 164.6 250 shade: RGB 46 250 223, RGB 46 223 250, RGB 46 168 250, RGB 46 114 250 and RGB 46 60 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44.7 164.6 250 shade: RGB 5 124 208, RGB 6 148 248, RGB 46 165 250, RGB 86 182 251 and RGB 127 200 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44.7 164.6 250 shade: RGB 44.7 164.6 250, RGB 168 46 250 and RGB 250 250 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44.7 164.6 250 shade: RGB 44.7 164.6 250, RGB 250 46 168 and RGB 168 250 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44.7 164.6 250 shade: RGB 44.7 164.6 250, RGB 168 46 250, RGB 250 128 46 and RGB 128 250 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44.7 164.6 250 shade: RGB 44.7 164.6 250, RGB 229 46 250, RGB 250 128 46 and RGB 67 250 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 34 / 0 / 2

HEX #2CA4FA

RGB 44.7 164.6 250

HSL 204.96, 0.95%, 0.58%

LAB 65.14, -2.95, -51.47

 

Complementary color

CMYK 0 / 57 / 98 / 18

HEX #D25A05

RGB 210.3 90.4 5

HSL 24.96, 0.95%, 0.42%

LAB 53.1, 44.03, 61.38

 

CMYK 80 / 33 / 0 / 4

HEX #31A4F5

RGB 49.7 164.6 245

HSL 204.7, 0.91%, 0.58%

LAB 64.99, -4.29, -48.97

 

CMYK 74 / 28 / 0 / 0

HEX #42B6FF

RGB 66.7 182.6 255

HSL 203.07, 1%, 0.63%

LAB 70.94, -9.03, -45

 

CMYK 67 / 21 / 0 / 0

HEX #53C8FF

RGB 83.7 200.6 255

HSL 199.05, 1%, 0.66%

LAB 76.48, -16.37, -36.34

 

CMYK 61 / 14 / 0 / 0

HEX #64DAFF

RGB 100.7 218.6 255

HSL 194.15, 1%, 0.7%

LAB 82.07, -22.85, -27.7

 

CMYK 54 / 7 / 0 / 0

HEX #75ECFF

RGB 117.7 236.6 255

HSL 188.04, 1%, 0.73%

LAB 87.67, -28.58, -19.13

 

CMYK 82 / 34 / 0 / 2

HEX #2CA4FA

RGB 44.7 164.6 250

HSL 204.96, 0.95%, 0.58%

LAB 65.14, -2.95, -51.47

 

CMYK 88 / 37 / 0 / 9

HEX #1B92E7

RGB 27.7 146.6 231

HSL 204.91, 0.81%, 0.51%

LAB 58.75, -0.69, -51.17

 

CMYK 95 / 39 / 0 / 17

HEX #0A80D4

RGB 10.7 128.6 212

HSL 204.86, 0.9%, 0.44%

LAB 52.31, 2.05, -50.79

 

CMYK 100 / 43 / 0 / 24

HEX #006EC1

RGB 0 110.6 193

HSL 205.62, 1%, 0.38%

LAB 45.81, 5.35, -50.32

 

CMYK 100 / 47 / 0 / 32

HEX #005CAE

RGB 0 92.6 174

HSL 208.07, 1%, 0.34%

LAB 39.27, 9.22, -49.75

 

CMYK 82 / 34 / 0 / 2

HEX #2EA5FA

RGB 46 165 250

HSL 205, 0.95%, 0.58%

LAB 65.27, -3.07, -51.25

 

CMYK 82 / 56 / 0 / 2

HEX #2E6EFA

RGB 46 110 250

HSL 221.18, 0.95%, 0.58%

LAB 50.26, 30.25, -75.37

 

CMYK 82 / 78 / 0 / 2

HEX #2E37FA

RGB 46 55 250

HSL 237.35, 0.95%, 0.58%

LAB 38.23, 62.41, -95.15

 

CMYK 63 / 82 / 0 / 2

HEX #5C2EFA

RGB 92 46 250

HSL 253.53, 0.95%, 0.58%

LAB 39.8, 69.45, -92.46

 

CMYK 41 / 82 / 0 / 2

HEX #932EFA

RGB 147 46 250

HSL 269.71, 0.95%, 0.58%

LAB 45.72, 75.42, -82.5

 

CMYK 82 / 34 / 0 / 2

HEX #2EA5FA

RGB 46 165 250

HSL 205, 0.95%, 0.58%

LAB 65.27, -3.07, -51.25

 

CMYK 82 / 56 / 0 / 2

HEX #2E6EFA

RGB 46 110 250

HSL 221.18, 0.95%, 0.58%

LAB 50.26, 30.25, -75.37

 

CMYK 82 / 78 / 0 / 2

HEX #2E37FA

RGB 46 55 250

HSL 237.35, 0.95%, 0.58%

LAB 38.23, 62.41, -95.15

 

CMYK 82 / 82 / 0 / 2

HEX #2E2EFA

RGB 46 46 250

HSL 240, 0.95%, 0.58%

LAB 36.81, 66.54, -97.5

 

CMYK 82 / 34 / 0 / 2

HEX #2EA5FA

RGB 46 165 250

HSL 205, 0.95%, 0.58%

LAB 65.27, -3.07, -51.25

 

CMYK 82 / 34 / 0 / 2

HEX #2EA5FA

RGB 46 165 250

HSL 205, 0.95%, 0.58%

LAB 65.27, -3.07, -51.25

 

CMYK 73 / 30 / 0 / 9

HEX #3FA2E8

RGB 63 162 232

HSL 204.85, 0.79%, 0.58%

LAB 63.94, -5.89, -43.48

 

CMYK 62 / 26 / 0 / 16

HEX #519FD7

RGB 81 159 215

HSL 205.07, 0.63%, 0.58%

LAB 62.89, -7.11, -35.68

 

CMYK 51 / 21 / 0 / 22

HEX #629CC6

RGB 98 156 198

HSL 205.2, 0.47%, 0.58%

LAB 62.04, -7.22, -27.45

 

CMYK 36 / 15 / 0 / 29

HEX #7399B4

RGB 115 153 180

HSL 204.92, 0.3%, 0.58%

LAB 61.41, -6.22, -18.22

 

CMYK 82 / 0 / 11 / 2

HEX #2EFADF

RGB 46 250 223

HSL 172.06, 0.95%, 0.58%

LAB 89.05, -52.91, -0.53

 

CMYK 82 / 11 / 0 / 2

HEX #2EDFFA

RGB 46 223 250

HSL 187.94, 0.95%, 0.58%

LAB 81.98, -33.29, -25.29

 

CMYK 82 / 33 / 0 / 2

HEX #2EA8FA

RGB 46 168 250

HSL 204.12, 0.95%, 0.58%

LAB 66.13, -4.77, -49.9

 

CMYK 82 / 54 / 0 / 2

HEX #2E72FA

RGB 46 114 250

HSL 220, 0.95%, 0.58%

LAB 51.29, 27.74, -73.7

 

CMYK 82 / 76 / 0 / 2

HEX #2E3CFA

RGB 46 60 250

HSL 235.88, 0.95%, 0.58%

LAB 39.1, 59.9, -93.71

 

CMYK 98 / 40 / 0 / 18

HEX #057CD0

RGB 5 124 208

HSL 204.83, 0.95%, 0.42%

LAB 50.69, 3.12, -51.11

 

CMYK 98 / 40 / 0 / 3

HEX #0694F8

RGB 6 148 248

HSL 204.79, 0.95%, 0.5%

LAB 59.88, 4.04, -58.76

 

CMYK 82 / 34 / 0 / 2

HEX #2EA5FA

RGB 46 165 250

HSL 205, 0.95%, 0.58%

LAB 65.27, -3.07, -51.25

 

CMYK 66 / 27 / 0 / 2

HEX #56B6FB

RGB 86 182 251

HSL 205.09, 0.95%, 0.66%

LAB 71.15, -7.35, -42.49

 

CMYK 50 / 21 / 0 / 1

HEX #7FC8FC

RGB 127 200 252

HSL 204.96, 0.95%, 0.74%

LAB 77.79, -8.92, -32.59

 

CMYK 82 / 34 / 0 / 2

HEX #2CA4FA

RGB 44.7 164.6 250

HSL 204.96, 0.95%, 0.58%

LAB 65.14, -2.95, -51.47

 

CMYK 33 / 82 / 0 / 2

HEX #A82EFA

RGB 168 46 250

HSL 275.88, 0.95%, 0.58%

LAB 48.49, 78.29, -77.86

 

CMYK 0 / 0 / 82 / 2

HEX #FAFA2E

RGB 250 250 46

HSL 60, 0.95%, 0.58%

LAB 95.54, -20.57, 87.12

 

CMYK 82 / 34 / 0 / 2

HEX #2CA4FA

RGB 44.7 164.6 250

HSL 204.96, 0.95%, 0.58%

LAB 65.14, -2.95, -51.47

 

CMYK 0 / 82 / 33 / 2

HEX #FA2EA8

RGB 250 46 168

HSL 324.12, 0.95%, 0.58%

LAB 57.18, 81.28, -16.34

 

CMYK 33 / 0 / 82 / 2

HEX #A8FA2E

RGB 168 250 46

HSL 84.12, 0.95%, 0.58%

LAB 90.27, -52.23, 80.52

 

CMYK 82 / 34 / 0 / 2

HEX #2CA4FA

RGB 44.7 164.6 250

HSL 204.96, 0.95%, 0.58%

LAB 65.14, -2.95, -51.47

 

CMYK 33 / 82 / 0 / 2

HEX #A82EFA

RGB 168 46 250

HSL 275.88, 0.95%, 0.58%

LAB 48.49, 78.29, -77.86

 

CMYK 0 / 49 / 82 / 2

HEX #FA802E

RGB 250 128 46

HSL 24.12, 0.95%, 0.58%

LAB 66.49, 41.61, 62.05

 

CMYK 49 / 0 / 82 / 2

HEX #80FA2E

RGB 128 250 46

HSL 95.88, 0.95%, 0.58%

LAB 88.52, -64.97, 78.29

 

CMYK 82 / 34 / 0 / 2

HEX #2CA4FA

RGB 44.7 164.6 250

HSL 204.96, 0.95%, 0.58%

LAB 65.14, -2.95, -51.47

 

CMYK 8 / 82 / 0 / 2

HEX #E52EFA

RGB 229 46 250

HSL 293.82, 0.95%, 0.58%

LAB 57.57, 87.96, -62.71

 

CMYK 0 / 49 / 82 / 2

HEX #FA802E

RGB 250 128 46

HSL 24.12, 0.95%, 0.58%

LAB 66.49, 41.61, 62.05

 

CMYK 73 / 0 / 82 / 2

HEX #43FA2E

RGB 67 250 46

HSL 113.82, 0.95%, 0.58%

LAB 86.88, -78.39, 76.19

 

Description

Color code: RGB 44.7 164.6 250 | qconv.com Color code: RGB 44.7 164.6 250 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44.7 red, 164.6 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44.7 164.6 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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