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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 150 204 it is the complementary color RGB 214 105 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 150 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 41 150 204: RGB 46 150 199, RGB 63 168 218, RGB 80 186 237, RGB 97 204 255 and RGB 114 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 150 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 41 150 204: RGB 41 150 204, RGB 24 132 185, RGB 7 114 166, RGB 0 96 147 and RGB 0 78 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

Complementary color

CMYK 0 / 51 / 76 / 16

HEX #D66933

RGB 214 105 51

HSL 19.88, 0.67%, 0.52%

LAB 56.72, 39.31, 48.74

 

CMYK 77 / 25 / 0 / 22

HEX #2E96C7

RGB 46 150 199

HSL 199.22, 0.62%, 0.48%

LAB 58.52, -12.65, -33.61

 

CMYK 71 / 23 / 0 / 15

HEX #3FA8DA

RGB 63 168 218

HSL 199.35, 0.68%, 0.55%

LAB 65.06, -13.93, -34

 

CMYK 66 / 22 / 0 / 7

HEX #50BAED

RGB 80 186 237

HSL 199.49, 0.81%, 0.62%

LAB 71.51, -14.93, -34.35

 

CMYK 62 / 20 / 0 / 0

HEX #61CCFF

RGB 97 204 255

HSL 199.37, 1%, 0.69%

LAB 77.84, -16.04, -34.2

 

CMYK 55 / 13 / 0 / 0

HEX #72DEFF

RGB 114 222 255

HSL 194.04, 1%, 0.72%

LAB 83.46, -22.13, -25.53

 

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

CMYK 87 / 29 / 0 / 27

HEX #1884B9

RGB 24 132 185

HSL 199.75, 0.77%, 0.41%

LAB 52.06, -9.55, -35.79

 

CMYK 96 / 31 / 0 / 35

HEX #0772A6

RGB 7 114 166

HSL 199.62, 0.92%, 0.34%

LAB 45.4, -7.14, -35.26

 

CMYK 100 / 35 / 0 / 42

HEX #006093

RGB 0 96 147

HSL 200.82, 1%, 0.29%

LAB 38.68, -4.05, -34.6

 

CMYK 100 / 39 / 0 / 50

HEX #004E80

RGB 0 78 128

HSL 203.44, 1%, 0.25%

LAB 31.82, -0.41, -33.87

 

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

CMYK 80 / 39 / 0 / 20

HEX #287DCC

RGB 40 125 204

HSL 208.9, 0.67%, 0.48%

LAB 51.24, 3.07, -47.92

 

CMYK 80 / 52 / 0 / 20

HEX #2861CC

RGB 40 97 204

HSL 219.15, 0.67%, 0.48%

LAB 43.3, 20.75, -60.68

 

CMYK 80 / 66 / 0 / 20

HEX #2846CC

RGB 40 70 204

HSL 229.02, 0.67%, 0.48%

LAB 36.35, 38.19, -72.02

 

CMYK 80 / 79 / 0 / 20

HEX #282BCC

RGB 40 43 204

HSL 238.9, 0.67%, 0.48%

LAB 30.73, 53.77, -81.29

 

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 80 / 25 / 0 / 80

HEX #0A2633

RGB 10 38 51

HSL 199.02, 0.67%, 0.12%

LAB 13.77, -5.28, -11.56

 

CMYK 79 / 26 / 0 / 60

HEX #154B66

RGB 21 75 102

HSL 200, 0.66%, 0.24%

LAB 29.79, -7.27, -20.74

 

CMYK 80 / 26 / 0 / 40

HEX #1F7199

RGB 31 113 153

HSL 199.67, 0.66%, 0.36%

LAB 44.8, -9.73, -28.52

 

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

CMYK 39 / 80 / 0 / 20

HEX #7D28CC

RGB 125 40 204

HSL 271.1, 0.67%, 0.48%

LAB 38.26, 64.07, -68.61

 

CMYK 0 / 7 / 80 / 20

HEX #CCBE28

RGB 204 190 40

HSL 54.88, 0.67%, 0.48%

LAB 75.96, -10.46, 70.4

 

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

CMYK 0 / 80 / 25 / 20

HEX #CC2898

RGB 204 40 152

HSL 319.02, 0.67%, 0.48%

LAB 47.78, 70.47, -21.98

 

CMYK 25 / 0 / 80 / 20

HEX #98CC28

RGB 152 204 40

HSL 79.02, 0.67%, 0.48%

LAB 76.08, -38.76, 69.06

 

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

CMYK 39 / 80 / 0 / 20

HEX #7D28CC

RGB 125 40 204

HSL 271.1, 0.67%, 0.48%

LAB 38.26, 64.07, -68.61

 

CMYK 0 / 55 / 80 / 20

HEX #CC5C28

RGB 204 92 40

HSL 19.02, 0.67%, 0.48%

LAB 52.56, 41.53, 49.27

 

CMYK 42 / 0 / 80 / 20

HEX #77CC28

RGB 119 204 40

HSL 91.1, 0.67%, 0.48%

LAB 74.36, -50.62, 66.86

 

CMYK 80 / 26 / 0 / 20

HEX #2996CC

RGB 41 150 204

HSL 199.88, 0.67%, 0.48%

LAB 58.64, -11.43, -36.24

 

CMYK 15 / 80 / 0 / 20

HEX #AE28CC

RGB 174 40 204

HSL 289.02, 0.67%, 0.48%

LAB 45.46, 72.12, -56.58

 

CMYK 0 / 55 / 80 / 20

HEX #CC5C28

RGB 204 92 40

HSL 19.02, 0.67%, 0.48%

LAB 52.56, 41.53, 49.27

 

CMYK 66 / 0 / 80 / 20

HEX #46CC28

RGB 70 204 40

HSL 109.02, 0.67%, 0.48%

LAB 72.65, -63.92, 64.67

 

Description

Color code: RGB 41 150 204 | qconv.com Color code: RGB 41 150 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 150 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 150 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 26 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 26% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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