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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 110.2 212.6 it is the complementary color RGB 214 144.8 42.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 110.2 212.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 110.2 212.6 shade: RGB 46 110.2 207.6, RGB 63 128.2 226.6, RGB 80 146.2 245.6, RGB 97 164.2 255 and RGB 114 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 110.2 212.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 110.2 212.6 shade: RGB 41 110.2 212.6, RGB 24 92.2 193.6, RGB 7 74.2 174.6, RGB 0 56.2 155.6 and RGB 0 38.2 136.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 110.2 212.6 shade: RGB 41 111 214, RGB 41 64 214, RGB 64 41 214, RGB 111 41 214 and RGB 158 41 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 110.2 212.6 shade: RGB 41 111 214, RGB 41 64 214 and RGB 41 41 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 110.2 212.6 shade matches the following richer shades: RGB 41 111 214 and RGB 20 107 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 110.2 212.6 shade: RGB 41 111 214, RGB 61 115 194, RGB 82 119 173, RGB 103 123 152 and RGB 123 127 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 110.2 212.6 shade: RGB 41 206 214, RGB 41 159 214, RGB 41 113 214, RGB 41 67 214 and RGB 61 41 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 110.2 212.6 shade: RGB 28 75 145, RGB 34 93 180, RGB 41 111 214, RGB 75 134 221 and RGB 110 157 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 110.2 212.6 shade: RGB 41 110.2 212.6, RGB 177 41 214 and RGB 182 214 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 110.2 212.6 shade: RGB 41 110.2 212.6, RGB 214 41 113 and RGB 113 214 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 110.2 212.6 shade: RGB 41 110.2 212.6, RGB 177 41 214, RGB 214 142 41 and RGB 78 214 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 110.2 212.6 shade: RGB 41 110.2 212.6, RGB 214 41 200, RGB 214 142 41 and RGB 41 214 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 48 / 0 / 17

HEX #296ED4

RGB 41 110.2 212.6

HSL 215.8, 0.68%, 0.5%

LAB 47.56, 15.65, -58.72

 

Complementary color

CMYK 0 / 32 / 80 / 16

HEX #D6902A

RGB 214 144.8 42.4

HSL 35.8, 0.68%, 0.5%

LAB 65.48, 17.95, 60.74

 

CMYK 78 / 47 / 0 / 19

HEX #2E6ECF

RGB 46 110.2 207.6

HSL 216.16, 0.64%, 0.5%

LAB 47.38, 14.27, -56.15

 

CMYK 72 / 43 / 0 / 11

HEX #3F80E2

RGB 63 128.2 226.6

HSL 216.09, 0.74%, 0.57%

LAB 54.1, 12.12, -56.08

 

CMYK 67 / 40 / 0 / 4

HEX #5092F5

RGB 80 146.2 245.6

HSL 216.01, 0.9%, 0.64%

LAB 60.74, 10.37, -55.98

 

CMYK 62 / 36 / 0 / 0

HEX #61A4FF

RGB 97 164.2 255

HSL 214.48, 1%, 0.69%

LAB 66.81, 5.79, -51.44

 

CMYK 55 / 29 / 0 / 0

HEX #72B6FF

RGB 114 182.2 255

HSL 210.98, 1%, 0.72%

LAB 72.45, -1.15, -42.53

 

CMYK 81 / 48 / 0 / 17

HEX #296ED4

RGB 41 110.2 212.6

HSL 215.8, 0.68%, 0.5%

LAB 47.56, 15.65, -58.72

 

CMYK 88 / 52 / 0 / 24

HEX #185CC1

RGB 24 92.2 193.6

HSL 215.87, 0.78%, 0.43%

LAB 40.83, 18.55, -58.68

 

CMYK 96 / 58 / 0 / 32

HEX #074AAE

RGB 7 74.2 174.6

HSL 215.94, 0.92%, 0.36%

LAB 34.08, 22.1, -58.5

 

CMYK 100 / 64 / 0 / 39

HEX #00389B

RGB 0 56.2 155.6

HSL 218.33, 1%, 0.31%

LAB 27.39, 26.38, -58.01

 

CMYK 100 / 72 / 0 / 46

HEX #002688

RGB 0 38.2 136.6

HSL 223.22, 1%, 0.27%

LAB 20.8, 31.01, -57.12

 

CMYK 81 / 48 / 0 / 16

HEX #296FD6

RGB 41 111 214

HSL 215.72, 0.68%, 0.5%

LAB 47.87, 15.68, -59.01

 

CMYK 81 / 70 / 0 / 16

HEX #2940D6

RGB 41 64 214

HSL 232.02, 0.68%, 0.5%

LAB 35.97, 45.5, -78.42

 

CMYK 70 / 81 / 0 / 16

HEX #4029D6

RGB 64 41 214

HSL 247.98, 0.68%, 0.5%

LAB 32.99, 59.32, -83.32

 

CMYK 48 / 81 / 0 / 16

HEX #6F29D6

RGB 111 41 214

HSL 264.28, 0.68%, 0.5%

LAB 37.52, 64.14, -75.69

 

CMYK 26 / 81 / 0 / 16

HEX #9E29D6

RGB 158 41 214

HSL 280.58, 0.68%, 0.5%

LAB 43.81, 70.99, -65.14

 

CMYK 81 / 48 / 0 / 16

HEX #296FD6

RGB 41 111 214

HSL 215.72, 0.68%, 0.5%

LAB 47.87, 15.68, -59.01

 

CMYK 81 / 70 / 0 / 16

HEX #2940D6

RGB 41 64 214

HSL 232.02, 0.68%, 0.5%

LAB 35.97, 45.5, -78.42

 

CMYK 81 / 81 / 0 / 16

HEX #2929D6

RGB 41 41 214

HSL 240, 0.68%, 0.5%

LAB 31.61, 57.88, -85.65

 

CMYK 81 / 48 / 0 / 16

HEX #296FD6

RGB 41 111 214

HSL 215.72, 0.68%, 0.5%

LAB 47.87, 15.68, -59.01

 

CMYK 91 / 54 / 0 / 8

HEX #146BEB

RGB 20 107 235

HSL 215.72, 0.84%, 0.5%

LAB 47.83, 24.92, -70.96

 

CMYK 81 / 48 / 0 / 16

HEX #296FD6

RGB 41 111 214

HSL 215.72, 0.68%, 0.5%

LAB 47.87, 15.68, -59.01

 

CMYK 69 / 41 / 0 / 24

HEX #3D73C2

RGB 61 115 194

HSL 215.64, 0.52%, 0.5%

LAB 48.45, 8.24, -46.62

 

CMYK 53 / 31 / 0 / 32

HEX #5277AD

RGB 82 119 173

HSL 215.6, 0.36%, 0.5%

LAB 49.5, 2.76, -32.75

 

CMYK 32 / 19 / 0 / 40

HEX #677B98

RGB 103 123 152

HSL 215.51, 0.19%, 0.5%

LAB 51.06, -0.08, -18

 

CMYK 7 / 4 / 0 / 48

HEX #7B7F84

RGB 123 127 132

HSL 213.33, 0.04%, 0.5%

LAB 53.01, -0.45, -3.23

 

CMYK 81 / 4 / 0 / 16

HEX #29CED6

RGB 41 206 214

HSL 182.77, 0.68%, 0.5%

LAB 75.74, -36.64, -15.51

 

CMYK 81 / 26 / 0 / 16

HEX #299FD6

RGB 41 159 214

HSL 199.08, 0.68%, 0.5%

LAB 61.76, -12.9, -36.96

 

CMYK 81 / 47 / 0 / 16

HEX #2971D6

RGB 41 113 214

HSL 215.03, 0.68%, 0.5%

LAB 48.43, 14.41, -58.11

 

CMYK 81 / 69 / 0 / 16

HEX #2943D6

RGB 41 67 214

HSL 230.98, 0.68%, 0.5%

LAB 36.63, 43.69, -77.33

 

CMYK 71 / 81 / 0 / 16

HEX #3D29D6

RGB 61 41 214

HSL 246.94, 0.68%, 0.5%

LAB 32.77, 59.1, -83.68

 

CMYK 81 / 48 / 0 / 43

HEX #1C4B91

RGB 28 75 145

HSL 215.9, 0.68%, 0.34%

LAB 32.53, 10.89, -43.16

 

CMYK 81 / 48 / 0 / 29

HEX #225DB4

RGB 34 93 180

HSL 215.75, 0.68%, 0.42%

LAB 40.35, 13.48, -51.51

 

CMYK 81 / 48 / 0 / 16

HEX #296FD6

RGB 41 111 214

HSL 215.72, 0.68%, 0.5%

LAB 47.87, 15.68, -59.01

 

CMYK 66 / 39 / 0 / 13

HEX #4B86DD

RGB 75 134 221

HSL 215.75, 0.68%, 0.58%

LAB 55.85, 8.4, -50.12

 

CMYK 52 / 31 / 0 / 11

HEX #6E9DE3

RGB 110 157 227

HSL 215.9, 0.68%, 0.66%

LAB 64.14, 3.67, -40.27

 

CMYK 81 / 48 / 0 / 17

HEX #296ED4

RGB 41 110.2 212.6

HSL 215.8, 0.68%, 0.5%

LAB 47.56, 15.65, -58.72

 

CMYK 17 / 81 / 0 / 16

HEX #B129D6

RGB 177 41 214

HSL 287.17, 0.68%, 0.5%

LAB 46.7, 74.17, -60.33

 

CMYK 15 / 0 / 81 / 16

HEX #B6D629

RGB 182 214 41

HSL 71.1, 0.68%, 0.5%

LAB 80.85, -31.43, 73.76

 

CMYK 81 / 48 / 0 / 17

HEX #296ED4

RGB 41 110.2 212.6

HSL 215.8, 0.68%, 0.5%

LAB 47.56, 15.65, -58.72

 

CMYK 0 / 81 / 47 / 16

HEX #D62971

RGB 214 41 113

HSL 335.03, 0.68%, 0.5%

LAB 48.35, 68.65, 2.72

 

CMYK 47 / 0 / 81 / 16

HEX #71D629

RGB 113 214 41

HSL 95.03, 0.68%, 0.5%

LAB 77.14, -56.34, 69.04

 

CMYK 81 / 48 / 0 / 17

HEX #296ED4

RGB 41 110.2 212.6

HSL 215.8, 0.68%, 0.5%

LAB 47.56, 15.65, -58.72

 

CMYK 17 / 81 / 0 / 16

HEX #B129D6

RGB 177 41 214

HSL 287.17, 0.68%, 0.5%

LAB 46.7, 74.17, -60.33

 

CMYK 0 / 34 / 81 / 16

HEX #D68E29

RGB 214 142 41

HSL 35.03, 0.68%, 0.5%

LAB 64.81, 19.41, 60.64

 

CMYK 64 / 0 / 81 / 16

HEX #4ED629

RGB 78 214 41

HSL 107.17, 0.68%, 0.5%

LAB 75.99, -65.46, 67.56

 

CMYK 81 / 48 / 0 / 17

HEX #296ED4

RGB 41 110.2 212.6

HSL 215.8, 0.68%, 0.5%

LAB 47.56, 15.65, -58.72

 

CMYK 0 / 81 / 7 / 16

HEX #D629C8

RGB 214 41 200

HSL 304.86, 0.68%, 0.5%

LAB 51.9, 78.73, -43.62

 

CMYK 0 / 34 / 81 / 16

HEX #D68E29

RGB 214 142 41

HSL 35.03, 0.68%, 0.5%

LAB 64.81, 19.41, 60.64

 

CMYK 81 / 0 / 74 / 16

HEX #29D637

RGB 41 214 55

HSL 124.86, 0.68%, 0.5%

LAB 75.35, -70.64, 62.45

 

Description

Color code: RGB 41 110.2 212.6 | qconv.com Color code: RGB 41 110.2 212.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 110.2 green and 212.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 110.2 212.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 48 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 48% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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