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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 200 255 it is the complementary color RGB 215 55 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 200 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 40 200 255: RGB 45 200 250, RGB 62 218 255, RGB 79 236 255, RGB 96 254 255 and RGB 113 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 200 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 40 200 255: RGB 40 200 255, RGB 23 182 236, RGB 6 164 217, RGB 0 146 198 and RGB 0 128 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

Complementary color

CMYK 0 / 74 / 100 / 16

HEX #D73700

RGB 215 55 0

HSL 15.35, 1%, 0.42%

LAB 48.49, 60.16, 60.55

 

CMYK 82 / 20 / 0 / 2

HEX #2DC8FA

RGB 45 200 250

HSL 194.63, 0.95%, 0.58%

LAB 75.31, -22.05, -35.54

 

CMYK 76 / 15 / 0 / 0

HEX #3EDAFF

RGB 62 218 255

HSL 191.5, 1%, 0.62%

LAB 80.95, -27.89, -29.49

 

CMYK 69 / 7 / 0 / 0

HEX #4FECFF

RGB 79 236 255

HSL 186.48, 1%, 0.65%

LAB 86.44, -34.54, -21.1

 

CMYK 62 / 0 / 0 / 0

HEX #60FEFF

RGB 96 254 255

HSL 180.38, 1%, 0.69%

LAB 91.95, -40.43, -12.78

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

CMYK 90 / 23 / 0 / 7

HEX #17B6EC

RGB 23 182 236

HSL 195.21, 0.85%, 0.51%

LAB 69.25, -18.83, -37.4

 

CMYK 97 / 24 / 0 / 15

HEX #06A4D9

RGB 6 164 217

HSL 195.07, 0.95%, 0.44%

LAB 63.01, -16.51, -36.7

 

CMYK 100 / 26 / 0 / 22

HEX #0092C6

RGB 0 146 198

HSL 195.76, 1%, 0.39%

LAB 56.72, -13.72, -35.91

 

CMYK 100 / 28 / 0 / 30

HEX #0080B3

RGB 0 128 179

HSL 197.09, 1%, 0.35%

LAB 50.33, -10.64, -35.08

 

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

CMYK 84 / 35 / 0 / 0

HEX #28A5FF

RGB 40 165 255

HSL 205.12, 1%, 0.58%

LAB 65.42, -1.75, -53.75

 

CMYK 84 / 49 / 0 / 0

HEX #2882FF

RGB 40 130 255

HSL 214.88, 1%, 0.58%

LAB 55.72, 19.16, -69.28

 

CMYK 84 / 63 / 0 / 0

HEX #285EFF

RGB 40 94 255

HSL 224.93, 1%, 0.58%

LAB 46.55, 41.65, -84.22

 

CMYK 84 / 77 / 0 / 0

HEX #283AFF

RGB 40 58 255

HSL 234.98, 1%, 0.58%

LAB 39.07, 62.2, -96.57

 

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

CMYK 84 / 22 / 0 / 80

HEX #082833

RGB 8 40 51

HSL 195.35, 0.73%, 0.12%

LAB 14.45, -7.04, -10.51

 

CMYK 84 / 22 / 0 / 60

HEX #105066

RGB 16 80 102

HSL 195.35, 0.73%, 0.23%

LAB 31.36, -10.98, -18.3

 

CMYK 84 / 22 / 0 / 40

HEX #187899

RGB 24 120 153

HSL 195.35, 0.73%, 0.35%

LAB 46.88, -14.45, -25.3

 

CMYK 84 / 22 / 0 / 20

HEX #20A0CC

RGB 32 160 204

HSL 195.35, 0.73%, 0.46%

LAB 61.49, -17.69, -31.82

 

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

CMYK 46 / 84 / 0 / 0

HEX #8928FF

RGB 137 40 255

HSL 267.07, 1%, 0.58%

LAB 44.31, 77.12, -87.65

 

CMYK 0 / 13 / 84 / 0

HEX #FFDE28

RGB 255 222 40

HSL 50.79, 1%, 0.58%

LAB 88.76, -4.92, 83.02

 

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

CMYK 0 / 84 / 21 / 0

HEX #FF28C9

RGB 255 40 201

HSL 315.07, 1%, 0.58%

LAB 58.97, 87.21, -32.59

 

CMYK 21 / 0 / 84 / 0

HEX #C9FF28

RGB 201 255 40

HSL 75.07, 1%, 0.58%

LAB 93.49, -42.47, 85.33

 

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

CMYK 46 / 84 / 0 / 0

HEX #8928FF

RGB 137 40 255

HSL 267.07, 1%, 0.58%

LAB 44.31, 77.12, -87.65

 

CMYK 0 / 63 / 84 / 0

HEX #FF5E28

RGB 255 94 40

HSL 15.07, 1%, 0.58%

LAB 61.15, 58.96, 60.08

 

CMYK 38 / 0 / 84 / 0

HEX #9EFF28

RGB 158 255 40

HSL 87.07, 1%, 0.58%

LAB 91.21, -57.82, 82.48

 

CMYK 84 / 22 / 0 / 0

HEX #28C8FF

RGB 40 200 255

HSL 195.35, 1%, 0.58%

LAB 75.44, -20.76, -38.03

 

CMYK 21 / 84 / 0 / 0

HEX #C928FF

RGB 201 40 255

HSL 284.93, 1%, 0.58%

LAB 53.12, 85.6, -72.89

 

CMYK 0 / 63 / 84 / 0

HEX #FF5E28

RGB 255 94 40

HSL 15.07, 1%, 0.58%

LAB 61.15, 58.96, 60.08

 

CMYK 63 / 0 / 84 / 0

HEX #5EFF28

RGB 94 255 40

HSL 104.93, 1%, 0.58%

LAB 88.95, -75.31, 79.63

 

Description

Color code: RGB 40 200 255 | qconv.com Color code: RGB 40 200 255 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 200 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 200 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 22 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 22% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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