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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 120 240 it is the complementary color RGB 215 135 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 120 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 40 120 240: RGB 45 120 235, RGB 62 138 254, RGB 79 156 255, RGB 96 174 255 and RGB 113 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 120 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 40 120 240: RGB 40 120 240, RGB 23 102 221, RGB 6 84 202, RGB 0 66 183 and RGB 0 48 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

Complementary color

CMYK 0 / 37 / 93 / 16

HEX #D7870F

RGB 215 135 15

HSL 36, 0.87%, 0.45%

LAB 63.19, 23.02, 66.6

 

CMYK 81 / 49 / 0 / 8

HEX #2D78EB

RGB 45 120 235

HSL 216.32, 0.83%, 0.55%

LAB 51.82, 18.3, -64.47

 

CMYK 76 / 46 / 0 / 0

HEX #3E8AFE

RGB 62 138 254

HSL 216.25, 0.99%, 0.62%

LAB 58.37, 15.89, -64.43

 

CMYK 69 / 39 / 0 / 0

HEX #4F9CFF

RGB 79 156 255

HSL 213.75, 1%, 0.65%

LAB 63.88, 7.67, -56.13

 

CMYK 62 / 32 / 0 / 0

HEX #60AEFF

RGB 96 174 255

HSL 210.57, 1%, 0.69%

LAB 69.45, 0.04, -47.28

 

CMYK 56 / 25 / 0 / 0

HEX #71C0FF

RGB 113 192 255

HSL 206.62, 1%, 0.72%

LAB 75.1, -6.72, -38.41

 

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

CMYK 90 / 54 / 0 / 13

HEX #1766DD

RGB 23 102 221

HSL 216.06, 0.81%, 0.48%

LAB 45.5, 22.85, -66.84

 

CMYK 97 / 58 / 0 / 21

HEX #0654CA

RGB 6 84 202

HSL 216.12, 0.94%, 0.41%

LAB 38.97, 26.51, -66.59

 

CMYK 100 / 64 / 0 / 28

HEX #0042B7

RGB 0 66 183

HSL 218.36, 1%, 0.36%

LAB 32.51, 30.77, -66.05

 

CMYK 100 / 71 / 0 / 36

HEX #0030A4

RGB 0 48 164

HSL 222.44, 1%, 0.32%

LAB 26.14, 35.25, -65.18

 

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

CMYK 83 / 64 / 0 / 6

HEX #2857F0

RGB 40 87 240

HSL 225.9, 0.87%, 0.55%

LAB 43.59, 40.58, -80.68

 

CMYK 83 / 78 / 0 / 6

HEX #2835F0

RGB 40 53 240

HSL 236.1, 0.87%, 0.55%

LAB 36.53, 60.03, -92.33

 

CMYK 75 / 83 / 0 / 6

HEX #3C28F0

RGB 60 40 240

HSL 246, 0.87%, 0.55%

LAB 35.54, 66.84, -93.96

 

CMYK 61 / 83 / 0 / 6

HEX #5D28F0

RGB 93 40 240

HSL 255.9, 0.87%, 0.55%

LAB 38.09, 69.15, -89.66

 

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

CMYK 83 / 50 / 0 / 86

HEX #061224

RGB 6 18 36

HSL 216, 0.71%, 0.08%

LAB 5.41, 1.67, -13.59

 

CMYK 83 / 49 / 0 / 66

HEX #0F2C57

RGB 15 44 87

HSL 215.83, 0.71%, 0.2%

LAB 18.33, 6.8, -29.11

 

CMYK 83 / 50 / 0 / 46

HEX #17458A

RGB 23 69 138

HSL 216, 0.71%, 0.32%

LAB 30.09, 11.6, -42.81

 

CMYK 83 / 50 / 0 / 26

HEX #205FBD

RGB 32 95 189

HSL 215.92, 0.71%, 0.43%

LAB 41.48, 15.51, -54.95

 

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

CMYK 17 / 83 / 0 / 6

HEX #C828F0

RGB 200 40 240

HSL 288, 0.87%, 0.55%

LAB 51.94, 82.82, -66.44

 

CMYK 17 / 0 / 83 / 6

HEX #C8F028

RGB 200 240 40

HSL 72, 0.87%, 0.55%

LAB 89.28, -36.21, 81.74

 

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

CMYK 0 / 83 / 50 / 6

HEX #F02878

RGB 240 40 120

HSL 336, 0.87%, 0.55%

LAB 53.38, 75.89, 6.34

 

CMYK 50 / 0 / 83 / 6

HEX #78F028

RGB 120 240 40

HSL 96, 0.87%, 0.55%

LAB 85.23, -63.89, 76.65

 

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

CMYK 17 / 83 / 0 / 6

HEX #C828F0

RGB 200 40 240

HSL 288, 0.87%, 0.55%

LAB 51.94, 82.82, -66.44

 

CMYK 0 / 33 / 83 / 6

HEX #F0A028

RGB 240 160 40

HSL 36, 0.87%, 0.55%

LAB 72.11, 20.84, 68.53

 

CMYK 67 / 0 / 83 / 6

HEX #50F028

RGB 80 240 40

HSL 108, 0.87%, 0.55%

LAB 84.06, -73.41, 75.16

 

CMYK 83 / 50 / 0 / 6

HEX #2878F0

RGB 40 120 240

HSL 216, 0.87%, 0.55%

LAB 52.03, 19.76, -66.93

 

CMYK 0 / 83 / 8 / 6

HEX #F028DC

RGB 240 40 220

HSL 306, 0.87%, 0.55%

LAB 57.28, 86.72, -46.24

 

CMYK 0 / 33 / 83 / 6

HEX #F0A028

RGB 240 160 40

HSL 36, 0.87%, 0.55%

LAB 72.11, 20.84, 68.53

 

CMYK 83 / 0 / 75 / 6

HEX #28F03C

RGB 40 240 60

HSL 126, 0.87%, 0.55%

LAB 83.49, -77.96, 68.89

 

Description

Color code: RGB 40 120 240 | qconv.com Color code: RGB 40 120 240 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 120 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 120 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 50 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 50% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to CMYK

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to CMYK

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NCS® to HKS®

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NCS® to PANTONE®

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