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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 3 149 166 it is the complementary color RGB 252 106 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 3 149 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 3 149 166 shade: RGB 8 149 161, RGB 25 167 180, RGB 42 185 199, RGB 59 203 218 and RGB 76 221 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 3 149 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 3 149 166 shade: RGB 3 149 166, RGB 0 131 147, RGB 0 113 128, RGB 0 95 109 and RGB 0 77 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 3 149 166 shade: RGB 3 148 165, RGB 3 105 165, RGB 3 61 165, RGB 3 17 165 and RGB 33 3 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 3 149 166 shade: RGB 3 148 165, RGB 3 105 165, RGB 3 61 165, RGB 3 17 165 and RGB 3 3 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 3 149 166 shade matches the following richer shades: RGB 3 148 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 3 149 166 shade: RGB 3 148 165, RGB 17 137 151, RGB 31 127 138, RGB 44 116 124 and RGB 58 105 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 3 149 166 shade: RGB 3 165 95, RGB 3 165 138, RGB 3 149 165, RGB 3 106 165 and RGB 3 63 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 3 149 166 shade: RGB 2 75 84, RGB 3 112 125, RGB 3 148 165, RGB 4 184 205 and RGB 5 221 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 3 149 166 shade: RGB 3 149 166, RGB 52 3 165 and RGB 165 116 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 3 149 166 shade: RGB 3 149 166, RGB 165 3 149 and RGB 149 165 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 3 149 166 shade: RGB 3 149 166, RGB 52 3 165, RGB 165 20 3 and RGB 116 165 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 3 149 166 shade: RGB 3 149 166, RGB 100 3 165, RGB 165 20 3 and RGB 68 165 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 10 / 0 / 35

HEX #0395A6

RGB 3 149 166

HSL 186.26, 0.96%, 0.33%

LAB 56.35, -26.52, -18.29

 

Complementary color

CMYK 0 / 58 / 65 / 1

HEX #FC6A59

RGB 252 106 89

HSL 6.26, 0.96%, 0.67%

LAB 63.11, 54.66, 37.69

 

CMYK 95 / 7 / 0 / 37

HEX #0895A1

RGB 8 149 161

HSL 184.71, 0.91%, 0.33%

LAB 56.21, -27.98, -15.65

 

CMYK 86 / 7 / 0 / 29

HEX #19A7B4

RGB 25 167 180

HSL 185.03, 0.76%, 0.4%

LAB 62.63, -29.79, -16.66

 

CMYK 79 / 7 / 0 / 22

HEX #2AB9C7

RGB 42 185 199

HSL 185.35, 0.65%, 0.47%

LAB 68.98, -31.18, -17.56

 

CMYK 73 / 7 / 0 / 15

HEX #3BCBDA

RGB 59 203 218

HSL 185.66, 0.68%, 0.54%

LAB 75.27, -32.25, -18.36

 

CMYK 68 / 7 / 0 / 7

HEX #4CDDED

RGB 76 221 237

HSL 185.96, 0.82%, 0.61%

LAB 81.49, -33.07, -19.09

 

CMYK 98 / 10 / 0 / 35

HEX #0395A6

RGB 3 149 166

HSL 186.26, 0.96%, 0.33%

LAB 56.35, -26.52, -18.29

 

CMYK 100 / 11 / 0 / 42

HEX #008393

RGB 0 131 147

HSL 186.53, 1%, 0.29%

LAB 49.9, -23.95, -17.14

 

CMYK 100 / 12 / 0 / 50

HEX #007180

RGB 0 113 128

HSL 187.03, 1%, 0.25%

LAB 43.31, -21.19, -15.95

 

CMYK 100 / 13 / 0 / 57

HEX #005F6D

RGB 0 95 109

HSL 187.71, 1%, 0.21%

LAB 36.53, -18.34, -14.74

 

CMYK 100 / 14 / 0 / 65

HEX #004D5A

RGB 0 77 90

HSL 188.67, 1%, 0.18%

LAB 29.53, -15.37, -13.52

 

CMYK 98 / 10 / 0 / 35

HEX #0394A5

RGB 3 148 165

HSL 186.3, 0.96%, 0.33%

LAB 56, -26.35, -18.25

 

CMYK 98 / 36 / 0 / 35

HEX #0369A5

RGB 3 105 165

HSL 202.22, 0.96%, 0.33%

LAB 42.52, -2.24, -39.23

 

CMYK 98 / 63 / 0 / 35

HEX #033DA5

RGB 3 61 165

HSL 218.52, 0.96%, 0.33%

LAB 29.6, 27.04, -60.09

 

CMYK 98 / 90 / 0 / 35

HEX #0311A5

RGB 3 17 165

HSL 234.81, 0.96%, 0.33%

LAB 20.58, 52.19, -75.01

 

CMYK 80 / 98 / 0 / 35

HEX #2103A5

RGB 33 3 165

HSL 251.11, 0.96%, 0.33%

LAB 20.46, 56.84, -75.18

 

CMYK 98 / 10 / 0 / 35

HEX #0394A5

RGB 3 148 165

HSL 186.3, 0.96%, 0.33%

LAB 56, -26.35, -18.25

 

CMYK 98 / 36 / 0 / 35

HEX #0369A5

RGB 3 105 165

HSL 202.22, 0.96%, 0.33%

LAB 42.52, -2.24, -39.23

 

CMYK 98 / 63 / 0 / 35

HEX #033DA5

RGB 3 61 165

HSL 218.52, 0.96%, 0.33%

LAB 29.6, 27.04, -60.09

 

CMYK 98 / 90 / 0 / 35

HEX #0311A5

RGB 3 17 165

HSL 234.81, 0.96%, 0.33%

LAB 20.58, 52.19, -75.01

 

CMYK 98 / 98 / 0 / 35

HEX #0303A5

RGB 3 3 165

HSL 240, 0.96%, 0.33%

LAB 19.23, 56.34, -77.27

 

CMYK 98 / 10 / 0 / 35

HEX #0394A5

RGB 3 148 165

HSL 186.3, 0.96%, 0.33%

LAB 56, -26.35, -18.25

 

CMYK 98 / 10 / 0 / 35

HEX #0394A5

RGB 3 148 165

HSL 186.3, 0.96%, 0.33%

LAB 56, -26.35, -18.25

 

CMYK 89 / 9 / 0 / 41

HEX #118997

RGB 17 137 151

HSL 186.27, 0.8%, 0.33%

LAB 52.11, -24.82, -16.1

 

CMYK 78 / 8 / 0 / 46

HEX #1F7F8A

RGB 31 127 138

HSL 186.17, 0.63%, 0.33%

LAB 48.64, -22.73, -13.75

 

CMYK 65 / 6 / 0 / 51

HEX #2C747C

RGB 44 116 124

HSL 186, 0.48%, 0.33%

LAB 44.92, -19.48, -11.05

 

CMYK 47 / 5 / 0 / 57

HEX #3A696E

RGB 58 105 110

HSL 185.77, 0.31%, 0.33%

LAB 41.42, -14.56, -7.81

 

CMYK 98 / 0 / 42 / 35

HEX #03A55F

RGB 3 165 95

HSL 154.07, 0.96%, 0.33%

LAB 59.67, -52.64, 26.34

 

CMYK 98 / 0 / 16 / 35

HEX #03A58A

RGB 3 165 138

HSL 170, 0.96%, 0.33%

LAB 60.57, -42.5, 3.87

 

CMYK 98 / 10 / 0 / 35

HEX #0395A5

RGB 3 149 165

HSL 185.93, 0.96%, 0.33%

LAB 56.32, -26.85, -17.77

 

CMYK 98 / 36 / 0 / 35

HEX #036AA5

RGB 3 106 165

HSL 201.85, 0.96%, 0.33%

LAB 42.83, -2.86, -38.74

 

CMYK 98 / 62 / 0 / 35

HEX #033FA5

RGB 3 63 165

HSL 217.78, 0.96%, 0.33%

LAB 30.14, 25.67, -59.21

 

CMYK 98 / 11 / 0 / 67

HEX #024B54

RGB 2 75 84

HSL 186.59, 0.95%, 0.17%

LAB 28.6, -16.32, -11.07

 

CMYK 98 / 10 / 0 / 51

HEX #03707D

RGB 3 112 125

HSL 186.39, 0.95%, 0.25%

LAB 42.9, -21.55, -14.78

 

CMYK 98 / 10 / 0 / 35

HEX #0394A5

RGB 3 148 165

HSL 186.3, 0.96%, 0.33%

LAB 56, -26.35, -18.25

 

CMYK 98 / 10 / 0 / 20

HEX #04B8CD

RGB 4 184 205

HSL 186.27, 0.96%, 0.41%

LAB 68.54, -30.89, -21.54

 

CMYK 98 / 10 / 0 / 4

HEX #05DDF6

RGB 5 221 246

HSL 186.22, 0.96%, 0.49%

LAB 80.96, -35.43, -24.75

 

CMYK 98 / 10 / 0 / 35

HEX #0395A6

RGB 3 149 166

HSL 186.26, 0.96%, 0.33%

LAB 56.35, -26.52, -18.29

 

CMYK 68 / 98 / 0 / 35

HEX #3403A5

RGB 52 3 165

HSL 258.15, 0.96%, 0.33%

LAB 21.99, 57.56, -72.6

 

CMYK 0 / 30 / 98 / 35

HEX #A57403

RGB 165 116 3

HSL 41.85, 0.96%, 0.33%

LAB 52.39, 11.16, 58.23

 

CMYK 98 / 10 / 0 / 35

HEX #0395A6

RGB 3 149 166

HSL 186.26, 0.96%, 0.33%

LAB 56.35, -26.52, -18.29

 

CMYK 0 / 98 / 10 / 35

HEX #A50395

RGB 165 3 149

HSL 305.93, 0.96%, 0.33%

LAB 38.26, 68.27, -35.58

 

CMYK 10 / 0 / 98 / 35

HEX #95A503

RGB 149 165 3

HSL 65.93, 0.96%, 0.33%

LAB 64.41, -22.57, 66.3

 

CMYK 98 / 10 / 0 / 35

HEX #0395A6

RGB 3 149 166

HSL 186.26, 0.96%, 0.33%

LAB 56.35, -26.52, -18.29

 

CMYK 68 / 98 / 0 / 35

HEX #3403A5

RGB 52 3 165

HSL 258.15, 0.96%, 0.33%

LAB 21.99, 57.56, -72.6

 

CMYK 0 / 88 / 98 / 35

HEX #A51403

RGB 165 20 3

HSL 6.3, 0.96%, 0.33%

LAB 35.02, 54.93, 47.55

 

CMYK 30 / 0 / 98 / 35

HEX #74A503

RGB 116 165 3

HSL 78.15, 0.96%, 0.33%

LAB 62.19, -36.34, 63.64

 

CMYK 98 / 10 / 0 / 35

HEX #0395A6

RGB 3 149 166

HSL 186.26, 0.96%, 0.33%

LAB 56.35, -26.52, -18.29

 

CMYK 39 / 98 / 0 / 35

HEX #6403A5

RGB 100 3 165

HSL 275.93, 0.96%, 0.33%

LAB 28.09, 61.34, -62.3

 

CMYK 0 / 88 / 98 / 35

HEX #A51403

RGB 165 20 3

HSL 6.3, 0.96%, 0.33%

LAB 35.02, 54.93, 47.55

 

CMYK 59 / 0 / 98 / 35

HEX #44A503

RGB 68 165 3

HSL 95.93, 0.96%, 0.33%

LAB 60.02, -52.43, 61

 

Description

Color code: RGB 3 149 166 | qconv.com Color code: RGB 3 149 166 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 149 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 149 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 10 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 10% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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