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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 48 139 it is the complementary color RGB 216 207 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 48 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 48 139: RGB 44 48 134, RGB 61 66 153, RGB 78 84 172, RGB 95 102 191 and RGB 112 120 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 48 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 48 139: RGB 39 48 139, RGB 22 30 120, RGB 5 12 101, RGB 0 0 82 and RGB 0 0 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

Complementary color

CMYK 0 / 4 / 46 / 15

HEX #D8CF74

RGB 216 207 116

HSL 54.6, 0.56%, 0.65%

LAB 82.1, -9.29, 46.08

 

CMYK 67 / 64 / 0 / 47

HEX #2C3086

RGB 44 48 134

HSL 237.33, 0.51%, 0.35%

LAB 24.86, 27.28, -48.77

 

CMYK 60 / 57 / 0 / 40

HEX #3D4299

RGB 61 66 153

HSL 236.74, 0.43%, 0.42%

LAB 32.23, 25.14, -48.44

 

CMYK 55 / 51 / 0 / 33

HEX #4E54AC

RGB 78 84 172

HSL 236.17, 0.38%, 0.49%

LAB 39.48, 23.41, -48.08

 

CMYK 50 / 47 / 0 / 25

HEX #5F66BF

RGB 95 102 191

HSL 235.63, 0.43%, 0.56%

LAB 46.57, 21.99, -47.76

 

CMYK 47 / 43 / 0 / 18

HEX #7078D2

RGB 112 120 210

HSL 235.1, 0.52%, 0.63%

LAB 53.53, 20.81, -47.5

 

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

CMYK 82 / 75 / 0 / 53

HEX #161E78

RGB 22 30 120

HSL 235.1, 0.69%, 0.28%

LAB 17.71, 31.24, -51.68

 

CMYK 95 / 88 / 0 / 60

HEX #050C65

RGB 5 12 101

HSL 235.63, 0.91%, 0.21%

LAB 10.81, 33.98, -50.76

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

CMYK 68 / 72 / 0 / 45

HEX #2D278B

RGB 45 39 139

HSL 243.6, 0.56%, 0.35%

LAB 23.25, 34.96, -54.53

 

CMYK 55 / 72 / 0 / 45

HEX #3E278B

RGB 62 39 139

HSL 253.8, 0.56%, 0.35%

LAB 24.76, 37.53, -51.98

 

CMYK 43 / 72 / 0 / 45

HEX #4F278B

RGB 79 39 139

HSL 264, 0.56%, 0.35%

LAB 26.67, 40.63, -48.79

 

CMYK 32 / 72 / 0 / 45

HEX #5F278B

RGB 95 39 139

HSL 273.6, 0.56%, 0.35%

LAB 28.77, 43.9, -45.29

 

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

CMYK 72 / 65 / 0 / 25

HEX #3542BE

RGB 53 66 190

HSL 234.31, 0.56%, 0.48%

LAB 34.74, 36.97, -66.46

 

CMYK 72 / 66 / 0 / 5

HEX #4453F1

RGB 68 83 241

HSL 234.8, 0.86%, 0.61%

LAB 43.9, 45.79, -80.71

 

CMYK 73 / 65 / 0 / 85

HEX #0A0D25

RGB 10 13 37

HSL 233.33, 0.57%, 0.09%

LAB 4.39, 5.78, -15.91

 

CMYK 72 / 66 / 0 / 65

HEX #191E58

RGB 25 30 88

HSL 235.24, 0.56%, 0.22%

LAB 14.62, 19.17, -35.75

 

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

CMYK 0 / 72 / 7 / 45

HEX #8B2781

RGB 139 39 129

HSL 306, 0.56%, 0.35%

LAB 35.05, 52.14, -28.63

 

CMYK 36 / 0 / 72 / 45

HEX #598B27

RGB 89 139 39

HSL 90, 0.56%, 0.35%

LAB 52.66, -33.67, 45.82

 

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

CMYK 0 / 72 / 65 / 45

HEX #8B2731

RGB 139 39 49

HSL 354, 0.56%, 0.35%

LAB 32.17, 42.69, 18.51

 

CMYK 65 / 0 / 72 / 45

HEX #318B27

RGB 49 139 39

HSL 114, 0.56%, 0.35%

LAB 51, -46.11, 43.58

 

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

CMYK 0 / 72 / 7 / 45

HEX #8B2781

RGB 139 39 129

HSL 306, 0.56%, 0.35%

LAB 35.05, 52.14, -28.63

 

CMYK 0 / 7 / 72 / 45

HEX #8B8127

RGB 139 129 39

HSL 54, 0.56%, 0.35%

LAB 53.32, -7.12, 47.68

 

CMYK 72 / 0 / 65 / 45

HEX #278B31

RGB 39 139 49

HSL 126, 0.56%, 0.35%

LAB 50.83, -47.19, 38.96

 

CMYK 72 / 65 / 0 / 45

HEX #27308B

RGB 39 48 139

HSL 234.6, 0.56%, 0.35%

LAB 24.98, 28.39, -51.7

 

CMYK 0 / 72 / 29 / 45

HEX #8B2763

RGB 139 39 99

HSL 324, 0.56%, 0.35%

LAB 33.65, 47.67, -11.86

 

CMYK 0 / 7 / 72 / 45

HEX #8B8127

RGB 139 129 39

HSL 54, 0.56%, 0.35%

LAB 53.32, -7.12, 47.68

 

CMYK 72 / 0 / 43 / 45

HEX #278B4F

RGB 39 139 79

HSL 144, 0.56%, 0.35%

LAB 51.22, -42.59, 24.04

 

Description

Color code: RGB 39 48 139 | qconv.com Color code: RGB 39 48 139 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 48 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 48 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 65 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 65% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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