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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 37 206 it is the complementary color RGB 216 218 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 37 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 37 206: RGB 44 37 201, RGB 61 55 220, RGB 78 73 239, RGB 95 91 255 and RGB 112 109 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 37 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 37 206: RGB 39 37 206, RGB 22 19 187, RGB 5 1 168, RGB 0 0 149 and RGB 0 0 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

Complementary color

CMYK 1 / 0 / 78 / 15

HEX #D8DA31

RGB 216 218 49

HSL 60.71, 0.7%, 0.52%

LAB 84.46, -19.06, 75.75

 

CMYK 78 / 82 / 0 / 21

HEX #2C25C9

RGB 44 37 201

HSL 242.56, 0.69%, 0.47%

LAB 29.6, 55.95, -81.41

 

CMYK 72 / 75 / 0 / 14

HEX #3D37DC

RGB 61 55 220

HSL 242.18, 0.7%, 0.54%

LAB 35.78, 54.11, -82.16

 

CMYK 67 / 69 / 0 / 6

HEX #4E49EF

RGB 78 73 239

HSL 241.81, 0.84%, 0.61%

LAB 42.18, 52, -82.38

 

CMYK 63 / 64 / 0 / 0

HEX #5F5BFF

RGB 95 91 255

HSL 241.46, 1%, 0.68%

LAB 48.43, 48.97, -81.04

 

CMYK 56 / 57 / 0 / 0

HEX #706DFF

RGB 112 109 255

HSL 241.23, 1%, 0.71%

LAB 53.6, 41.18, -72.56

 

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

CMYK 88 / 90 / 0 / 27

HEX #1613BB

RGB 22 19 187

HSL 241.07, 0.82%, 0.4%

LAB 24.4, 58.18, -81.85

 

CMYK 97 / 99 / 0 / 34

HEX #0501A8

RGB 5 1 168

HSL 241.44, 0.99%, 0.33%

LAB 19.56, 57.7, -78.54

 

CMYK 100 / 100 / 0 / 42

HEX #000095

RGB 0 0 149

HSL 240, 1%, 0.29%

LAB 16.35, 53.05, -72.25

 

CMYK 100 / 100 / 0 / 49

HEX #000082

RGB 0 0 130

HSL 240, 1%, 0.25%

LAB 13.3, 48.04, -65.43

 

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

CMYK 69 / 83 / 0 / 18

HEX #4124D0

RGB 65 36 208

HSL 250.12, 0.7%, 0.48%

LAB 31.67, 59.81, -82.02

 

CMYK 55 / 83 / 0 / 18

HEX #5D24D0

RGB 93 36 208

HSL 259.88, 0.7%, 0.48%

LAB 34.28, 62.37, -77.62

 

CMYK 41 / 83 / 0 / 18

HEX #7A24D0

RGB 122 36 208

HSL 270, 0.7%, 0.48%

LAB 37.76, 65.89, -71.77

 

CMYK 28 / 83 / 0 / 18

HEX #9624D0

RGB 150 36 208

HSL 279.77, 0.7%, 0.48%

LAB 41.69, 69.96, -65.19

 

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 81 / 81 / 0 / 79

HEX #0A0A35

RGB 10 10 53

HSL 240, 0.68%, 0.12%

LAB 4.87, 14.91, -27.16

 

CMYK 81 / 82 / 0 / 59

HEX #141368

RGB 20 19 104

HSL 240.71, 0.69%, 0.24%

LAB 13.31, 32.01, -48.56

 

CMYK 81 / 82 / 0 / 39

HEX #1D1C9B

RGB 29 28 155

HSL 240.47, 0.69%, 0.36%

LAB 21.79, 45.06, -66.86

 

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

CMYK 0 / 83 / 17 / 18

HEX #D024AD

RGB 208 36 173

HSL 312.21, 0.7%, 0.48%

LAB 49.12, 74.91, -32.33

 

CMYK 50 / 0 / 83 / 18

HEX #69D024

RGB 105 208 36

HSL 95.93, 0.7%, 0.48%

LAB 74.98, -56.7, 68.25

 

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

CMYK 0 / 83 / 83 / 18

HEX #D02424

RGB 208 36 36

HSL 0, 0.7%, 0.48%

LAB 45.36, 64.06, 44.69

 

CMYK 83 / 0 / 83 / 18

HEX #24D024

RGB 36 208 36

HSL 120, 0.7%, 0.48%

LAB 73.29, -70.62, 66.1

 

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

CMYK 0 / 83 / 17 / 18

HEX #D024AD

RGB 208 36 173

HSL 312.21, 0.7%, 0.48%

LAB 49.12, 74.91, -32.33

 

CMYK 0 / 0 / 83 / 18

HEX #D0D024

RGB 208 208 36

HSL 60, 0.7%, 0.48%

LAB 81.1, -17.92, 75.95

 

CMYK 83 / 0 / 66 / 18

HEX #24D046

RGB 36 208 70

HSL 131.86, 0.7%, 0.48%

LAB 73.5, -68.05, 54.89

 

CMYK 81 / 82 / 0 / 19

HEX #2725CE

RGB 39 37 206

HSL 240.71, 0.7%, 0.48%

LAB 29.94, 57.2, -83.78

 

CMYK 0 / 83 / 41 / 18

HEX #D0247A

RGB 208 36 122

HSL 330, 0.7%, 0.48%

LAB 47.08, 69.15, -4.8

 

CMYK 0 / 0 / 83 / 18

HEX #D0D024

RGB 208 208 36

HSL 60, 0.7%, 0.48%

LAB 81.1, -17.92, 75.95

 

CMYK 83 / 0 / 41 / 18

HEX #24D07A

RGB 36 208 122

HSL 150, 0.7%, 0.48%

LAB 74.12, -60.6, 31.22

 

Description

Color code: RGB 39 37 206 | qconv.com Color code: RGB 39 37 206 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 37 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 37 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 82 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 82% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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