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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 37 161 it is the complementary color RGB 216 218 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 37 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 37 161: RGB 44 37 156, RGB 61 55 175, RGB 78 73 194, RGB 95 91 213 and RGB 112 109 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 37 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 37 161: RGB 39 37 161, RGB 22 19 142, RGB 5 1 123, RGB 0 0 104 and RGB 0 0 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

Complementary color

CMYK 1 / 0 / 57 / 15

HEX #D8DA5E

RGB 216 218 94

HSL 60.97, 0.63%, 0.61%

LAB 84.77, -16.65, 59.44

 

CMYK 72 / 76 / 0 / 39

HEX #2C259C

RGB 44 37 156

HSL 243.53, 0.62%, 0.38%

LAB 24.51, 41.75, -62.95

 

CMYK 65 / 69 / 0 / 31

HEX #3D37AF

RGB 61 55 175

HSL 243, 0.52%, 0.45%

LAB 31.39, 39.59, -63.05

 

CMYK 60 / 62 / 0 / 24

HEX #4E49C2

RGB 78 73 194

HSL 242.48, 0.5%, 0.52%

LAB 38.34, 37.54, -62.86

 

CMYK 55 / 57 / 0 / 16

HEX #5F5BD5

RGB 95 91 213

HSL 241.97, 0.59%, 0.6%

LAB 45.25, 35.71, -62.56

 

CMYK 52 / 53 / 0 / 9

HEX #706DE8

RGB 112 109 232

HSL 241.46, 0.73%, 0.67%

LAB 52.07, 34.12, -62.23

 

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

CMYK 85 / 87 / 0 / 44

HEX #16138E

RGB 22 19 142

HSL 241.46, 0.76%, 0.32%

LAB 18.32, 44.84, -64.6

 

CMYK 96 / 99 / 0 / 52

HEX #05017B

RGB 5 1 123

HSL 241.97, 0.98%, 0.24%

LAB 12.51, 45.8, -62.29

 

CMYK 100 / 100 / 0 / 59

HEX #000068

RGB 0 0 104

HSL 240, 1%, 0.2%

LAB 8.99, 40.97, -55.8

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

CMYK 65 / 78 / 0 / 36

HEX #3924A2

RGB 57 36 162

HSL 250, 0.64%, 0.39%

LAB 25.98, 45.58, -64.14

 

CMYK 52 / 78 / 0 / 36

HEX #4E24A2

RGB 78 36 162

HSL 260, 0.64%, 0.39%

LAB 28.09, 48.3, -60.6

 

CMYK 39 / 78 / 0 / 36

HEX #6324A2

RGB 99 36 162

HSL 270, 0.64%, 0.39%

LAB 30.7, 51.62, -56.22

 

CMYK 26 / 78 / 0 / 36

HEX #7824A2

RGB 120 36 162

HSL 280, 0.64%, 0.39%

LAB 33.7, 55.38, -51.21

 

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

CMYK 76 / 77 / 0 / 17

HEX #3331D4

RGB 51 49 212

HSL 240.74, 0.65%, 0.51%

LAB 33.25, 53.93, -81.75

 

CMYK 75 / 75 / 0 / 97

HEX #020208

RGB 2 2 8

HSL 240, 0.6%, 0.02%

LAB 0.67, 0.83, -2.27

 

CMYK 76 / 76 / 0 / 77

HEX #0E0E3B

RGB 14 14 59

HSL 240, 0.62%, 0.14%

LAB 6.53, 16.91, -28.82

 

CMYK 75 / 77 / 0 / 57

HEX #1B196E

RGB 27 25 110

HSL 241.41, 0.63%, 0.26%

LAB 15.77, 31.2, -48.42

 

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

CMYK 0 / 78 / 15 / 36

HEX #A22489

RGB 162 36 137

HSL 311.9, 0.64%, 0.39%

LAB 39.15, 59.89, -26.86

 

CMYK 47 / 0 / 78 / 36

HEX #56A224

RGB 86 162 36

HSL 96.19, 0.64%, 0.39%

LAB 59.84, -44.76, 53.97

 

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

CMYK 0 / 78 / 78 / 36

HEX #A22424

RGB 162 36 36

HSL 0, 0.64%, 0.39%

LAB 36.12, 50.56, 32.38

 

CMYK 78 / 0 / 78 / 36

HEX #24A224

RGB 36 162 36

HSL 120, 0.64%, 0.39%

LAB 58.36, -56.68, 52.03

 

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

CMYK 0 / 78 / 15 / 36

HEX #A22489

RGB 162 36 137

HSL 311.9, 0.64%, 0.39%

LAB 39.15, 59.89, -26.86

 

CMYK 0 / 0 / 78 / 36

HEX #A2A224

RGB 162 162 36

HSL 60, 0.64%, 0.39%

LAB 64.68, -14.53, 60.23

 

CMYK 78 / 0 / 62 / 36

HEX #24A23D

RGB 36 162 61

HSL 131.9, 0.64%, 0.39%

LAB 58.56, -54.27, 42.15

 

CMYK 76 / 77 / 0 / 37

HEX #2725A1

RGB 39 37 161

HSL 240.97, 0.63%, 0.39%

LAB 24.73, 42.95, -65.65

 

CMYK 0 / 78 / 39 / 36

HEX #A22463

RGB 162 36 99

HSL 330, 0.64%, 0.39%

LAB 37.56, 55.11, -5.54

 

CMYK 0 / 0 / 78 / 36

HEX #A2A224

RGB 162 162 36

HSL 60, 0.64%, 0.39%

LAB 64.68, -14.53, 60.23

 

CMYK 78 / 0 / 39 / 36

HEX #24A263

RGB 36 162 99

HSL 150, 0.64%, 0.39%

LAB 59.08, -48.13, 23.47

 

Description

Color code: RGB 39 37 161 | qconv.com Color code: RGB 39 37 161 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 37 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 37 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 77 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 77% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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