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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 36 185 it is the complementary color RGB 216 219 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 36 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 36 185: RGB 44 36 180, RGB 61 54 199, RGB 78 72 218, RGB 95 90 237 and RGB 112 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 36 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 36 185: RGB 39 36 185, RGB 22 18 166, RGB 5 0 147, RGB 0 0 128 and RGB 0 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

Complementary color

CMYK 1 / 0 / 68 / 14

HEX #D8DB46

RGB 216 219 70

HSL 61.21, 0.67%, 0.57%

LAB 84.85, -18.64, 69.24

 

CMYK 76 / 80 / 0 / 29

HEX #2C24B4

RGB 44 36 180

HSL 243.33, 0.67%, 0.42%

LAB 27, 49.98, -73.33

 

CMYK 69 / 73 / 0 / 22

HEX #3D36C7

RGB 61 54 199

HSL 242.9, 0.57%, 0.5%

LAB 33.47, 48, -73.82

 

CMYK 64 / 67 / 0 / 15

HEX #4E48DA

RGB 78 72 218

HSL 242.47, 0.66%, 0.57%

LAB 40.11, 45.89, -73.85

 

CMYK 60 / 62 / 0 / 7

HEX #5F5AED

RGB 95 90 237

HSL 242.04, 0.8%, 0.64%

LAB 46.79, 43.89, -73.66

 

CMYK 56 / 58 / 0 / 0

HEX #706CFF

RGB 112 108 255

HSL 241.63, 1%, 0.71%

LAB 53.37, 41.77, -72.93

 

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

CMYK 87 / 89 / 0 / 35

HEX #1612A6

RGB 22 18 166

HSL 241.62, 0.8%, 0.36%

LAB 21.42, 52.51, -74.21

 

CMYK 97 / 100 / 0 / 42

HEX #050093

RGB 5 0 147

HSL 242.04, 1%, 0.29%

LAB 16.2, 52.58, -71.27

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

CMYK 66 / 80 / 0 / 28

HEX #3F24B7

RGB 63 36 183

HSL 251.02, 0.67%, 0.43%

LAB 28.74, 52.49, -72.18

 

CMYK 52 / 80 / 0 / 28

HEX #5724B7

RGB 87 36 183

HSL 260.82, 0.67%, 0.43%

LAB 31.13, 55.18, -68.16

 

CMYK 39 / 80 / 0 / 28

HEX #7024B7

RGB 112 36 183

HSL 271.02, 0.67%, 0.43%

LAB 34.24, 58.71, -62.93

 

CMYK 26 / 80 / 0 / 28

HEX #8824B7

RGB 136 36 183

HSL 280.82, 0.67%, 0.43%

LAB 37.69, 62.62, -57.17

 

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

CMYK 79 / 81 / 0 / 7

HEX #322EEC

RGB 50 46 236

HSL 241.26, 0.83%, 0.55%

LAB 35.38, 62.63, -91.98

 

CMYK 78 / 81 / 0 / 87

HEX #070620

RGB 7 6 32

HSL 242.31, 0.68%, 0.07%

LAB 2.53, 6.05, -14.9

 

CMYK 80 / 81 / 0 / 67

HEX #111053

RGB 17 16 83

HSL 240.9, 0.68%, 0.19%

LAB 9.91, 25.85, -40.11

 

CMYK 79 / 81 / 0 / 47

HEX #1C1A86

RGB 28 26 134

HSL 241.11, 0.68%, 0.31%

LAB 18.83, 39.09, -58.72

 

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

CMYK 0 / 80 / 17 / 28

HEX #B72497

RGB 183 36 151

HSL 313.06, 0.67%, 0.43%

LAB 43.6, 66.61, -28.16

 

CMYK 50 / 0 / 80 / 28

HEX #5CB724

RGB 92 183 36

HSL 97.14, 0.67%, 0.43%

LAB 66.73, -51.14, 60.54

 

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

CMYK 0 / 79 / 80 / 28

HEX #B72624

RGB 183 38 36

HSL 0.82, 0.67%, 0.43%

LAB 40.54, 56.33, 38.3

 

CMYK 80 / 0 / 79 / 28

HEX #24B726

RGB 36 183 38

HSL 120.82, 0.67%, 0.43%

LAB 65.26, -63.09, 58.05

 

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

CMYK 0 / 80 / 17 / 28

HEX #B72497

RGB 183 36 151

HSL 313.06, 0.67%, 0.43%

LAB 43.6, 66.61, -28.16

 

CMYK 2 / 0 / 80 / 28

HEX #B4B724

RGB 180 183 36

HSL 61.22, 0.67%, 0.43%

LAB 72.03, -17.41, 67.3

 

CMYK 80 / 0 / 63 / 28

HEX #24B744

RGB 36 183 68

HSL 133.06, 0.67%, 0.43%

LAB 65.48, -60.39, 46.85

 

CMYK 79 / 81 / 0 / 27

HEX #2724B9

RGB 39 36 185

HSL 241.21, 0.67%, 0.43%

LAB 27.29, 51.22, -75.83

 

CMYK 0 / 80 / 42 / 28

HEX #B7246B

RGB 183 36 107

HSL 331.02, 0.67%, 0.43%

LAB 41.83, 61.46, -3.81

 

CMYK 2 / 0 / 80 / 28

HEX #B4B724

RGB 180 183 36

HSL 61.22, 0.67%, 0.43%

LAB 72.03, -17.41, 67.3

 

CMYK 80 / 0 / 39 / 28

HEX #24B770

RGB 36 183 112

HSL 151.02, 0.67%, 0.43%

LAB 66.07, -53.47, 25.8

 

Description

Color code: RGB 39 36 185 | qconv.com Color code: RGB 39 36 185 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 36 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 36 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 81 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 81% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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