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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 92.2 103.6 it is the complementary color RGB 217 162.8 151.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 92.2 103.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 92.2 103.6 shade: RGB 43 92.2 98.6, RGB 60 110.2 117.6, RGB 77 128.2 136.6, RGB 94 146.2 155.6 and RGB 111 164.2 174.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 92.2 103.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 92.2 103.6 shade: RGB 38 92.2 103.6, RGB 21 74.2 84.6, RGB 4 56.2 65.6, RGB 0 38.2 46.6 and RGB 0 20.2 27.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 92.2 103.6 shade: RGB 39 93 104, RGB 39 75 104, RGB 39 57 104, RGB 39 40 104 and RGB 55 39 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 92.2 103.6 shade: RGB 39 93 104, RGB 39 75 104, RGB 39 57 104, RGB 39 40 104 and RGB 39 39 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 92.2 103.6 shade matches the following richer shades: RGB 39 93 104, RGB 27 100 116, RGB 15 108 127 and RGB 4 115 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 92.2 103.6 shade: RGB 39 93 104, RGB 50 85 93, RGB 62 78 81, RGB 73 70 70 and RGB 85 63 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 92.2 103.6 shade: RGB 39 104 80, RGB 39 104 98, RGB 39 93 104, RGB 39 76 104 and RGB 39 58 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 92.2 103.6 shade: RGB 16 39 44, RGB 27 66 74, RGB 39 93 104, RGB 50 120 134 and RGB 61 146 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 92.2 103.6 shade: RGB 38 92.2 103.6, RGB 63 39 104 and RGB 104 89 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 92.2 103.6 shade: RGB 38 92.2 103.6, RGB 104 39 93 and RGB 93 104 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 92.2 103.6 shade: RGB 38 92.2 103.6, RGB 63 39 104, RGB 104 50 39 and RGB 80 104 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 92.2 103.6 shade: RGB 38 92.2 103.6, RGB 82 39 104, RGB 104 50 39 and RGB 60 104 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 11 / 0 / 59

HEX #265C67

RGB 38 92.2 103.6

HSL 190.43, 0.46%, 0.28%

LAB 36.16, -14.04, -11.89

 

Complementary color

CMYK 0 / 25 / 30 / 15

HEX #D9A297

RGB 217 162.8 151.4

HSL 10.43, 0.46%, 0.72%

LAB 71.64, 18.46, 13.73

 

CMYK 56 / 6 / 0 / 61

HEX #2B5C62

RGB 43 92.2 98.6

HSL 186.91, 0.39%, 0.28%

LAB 36.17, -14.55, -8.76

 

CMYK 49 / 6 / 0 / 54

HEX #3C6E75

RGB 60 110.2 117.6

HSL 187.71, 0.32%, 0.35%

LAB 43.44, -14.72, -9.37

 

CMYK 44 / 6 / 0 / 46

HEX #4D8088

RGB 77 128.2 136.6

HSL 188.46, 0.28%, 0.42%

LAB 50.53, -14.81, -9.94

 

CMYK 40 / 6 / 0 / 39

HEX #5E929B

RGB 94 146.2 155.6

HSL 189.16, 0.25%, 0.49%

LAB 57.45, -14.84, -10.46

 

CMYK 36 / 6 / 0 / 32

HEX #6FA4AE

RGB 111 164.2 174.6

HSL 189.81, 0.28%, 0.56%

LAB 64.23, -14.84, -10.97

 

CMYK 63 / 11 / 0 / 59

HEX #265C67

RGB 38 92.2 103.6

HSL 190.43, 0.46%, 0.28%

LAB 36.16, -14.04, -11.89

 

CMYK 75 / 12 / 0 / 67

HEX #154A54

RGB 21 74.2 84.6

HSL 189.81, 0.6%, 0.21%

LAB 28.73, -13.33, -11.23

 

CMYK 94 / 14 / 0 / 74

HEX #043841

RGB 4 56.2 65.6

HSL 189.16, 0.89%, 0.14%

LAB 21.06, -12.15, -10.44

 

CMYK 100 / 18 / 0 / 82

HEX #00262E

RGB 0 38.2 46.6

HSL 190.82, 1%, 0.09%

LAB 13.24, -9.45, -9.27

 

CMYK 100 / 27 / 0 / 89

HEX #00141B

RGB 0 20.2 27.6

HSL 196.09, 1%, 0.05%

LAB 5.32, -4.16, -7.28

 

CMYK 63 / 11 / 0 / 59

HEX #275D68

RGB 39 93 104

HSL 190.15, 0.45%, 0.28%

LAB 36.48, -14.16, -11.66

 

CMYK 63 / 28 / 0 / 59

HEX #274B68

RGB 39 75 104

HSL 206.77, 0.45%, 0.28%

LAB 30.55, -3.22, -20.77

 

CMYK 63 / 45 / 0 / 59

HEX #273968

RGB 39 57 104

HSL 223.38, 0.45%, 0.28%

LAB 24.82, 8.85, -29.81

 

CMYK 63 / 62 / 0 / 59

HEX #272868

RGB 39 40 104

HSL 239.08, 0.45%, 0.28%

LAB 19.84, 20.81, -37.82

 

CMYK 47 / 63 / 0 / 59

HEX #372768

RGB 55 39 104

HSL 254.77, 0.45%, 0.28%

LAB 21.07, 25.04, -35.76

 

CMYK 63 / 11 / 0 / 59

HEX #275D68

RGB 39 93 104

HSL 190.15, 0.45%, 0.28%

LAB 36.48, -14.16, -11.66

 

CMYK 63 / 28 / 0 / 59

HEX #274B68

RGB 39 75 104

HSL 206.77, 0.45%, 0.28%

LAB 30.55, -3.22, -20.77

 

CMYK 63 / 45 / 0 / 59

HEX #273968

RGB 39 57 104

HSL 223.38, 0.45%, 0.28%

LAB 24.82, 8.85, -29.81

 

CMYK 63 / 62 / 0 / 59

HEX #272868

RGB 39 40 104

HSL 239.08, 0.45%, 0.28%

LAB 19.84, 20.81, -37.82

 

CMYK 63 / 63 / 0 / 59

HEX #272768

RGB 39 39 104

HSL 240, 0.45%, 0.28%

LAB 19.56, 21.5, -38.26

 

CMYK 63 / 11 / 0 / 59

HEX #275D68

RGB 39 93 104

HSL 190.15, 0.45%, 0.28%

LAB 36.48, -14.16, -11.66

 

CMYK 77 / 14 / 0 / 55

HEX #1B6474

RGB 27 100 116

HSL 190.79, 0.62%, 0.28%

LAB 38.91, -16.11, -15.37

 

CMYK 88 / 15 / 0 / 50

HEX #0F6C7F

RGB 15 108 127

HSL 190.18, 0.79%, 0.28%

LAB 41.78, -17.91, -17.68

 

CMYK 97 / 17 / 0 / 45

HEX #04738B

RGB 4 115 139

HSL 190.67, 0.94%, 0.28%

LAB 44.45, -18.07, -20.78

 

CMYK 63 / 11 / 0 / 59

HEX #275D68

RGB 39 93 104

HSL 190.15, 0.45%, 0.28%

LAB 36.48, -14.16, -11.66

 

CMYK 46 / 9 / 0 / 64

HEX #32555D

RGB 50 85 93

HSL 191.16, 0.3%, 0.28%

LAB 33.91, -10.25, -8.62

 

CMYK 23 / 4 / 0 / 68

HEX #3E4E51

RGB 62 78 81

HSL 189.47, 0.13%, 0.28%

LAB 31.96, -5.49, -3.86

 

CMYK 0 / 4 / 4 / 71

HEX #494646

RGB 73 70 70

HSL 0, 0.02%, 0.28%

LAB 30.01, 1.26, 0.44

 

CMYK 0 / 26 / 32 / 67

HEX #553F3A

RGB 85 63 58

HSL 11.11, 0.19%, 0.28%

LAB 28.88, 8.76, 6.78

 

CMYK 63 / 0 / 23 / 59

HEX #276850

RGB 39 104 80

HSL 157.85, 0.45%, 0.28%

LAB 39.43, -27.02, 7.45

 

CMYK 63 / 0 / 6 / 59

HEX #276862

RGB 39 104 98

HSL 174.46, 0.45%, 0.28%

LAB 39.94, -22.07, -2.79

 

CMYK 63 / 11 / 0 / 59

HEX #275D68

RGB 39 93 104

HSL 190.15, 0.45%, 0.28%

LAB 36.48, -14.16, -11.66

 

CMYK 63 / 27 / 0 / 59

HEX #274C68

RGB 39 76 104

HSL 205.85, 0.45%, 0.28%

LAB 30.88, -3.86, -20.26

 

CMYK 63 / 44 / 0 / 59

HEX #273A68

RGB 39 58 104

HSL 222.46, 0.45%, 0.28%

LAB 25.13, 8.16, -29.31

 

CMYK 64 / 11 / 0 / 83

HEX #10272C

RGB 16 39 44

HSL 190.71, 0.47%, 0.12%

LAB 14.08, -7.26, -6.07

 

CMYK 64 / 11 / 0 / 71

HEX #1B424A

RGB 27 66 74

HSL 190.21, 0.47%, 0.2%

LAB 25.64, -10.98, -9.01

 

CMYK 63 / 11 / 0 / 59

HEX #275D68

RGB 39 93 104

HSL 190.15, 0.45%, 0.28%

LAB 36.48, -14.16, -11.66

 

CMYK 63 / 10 / 0 / 47

HEX #327886

RGB 50 120 134

HSL 190, 0.46%, 0.36%

LAB 46.75, -17.34, -14.21

 

CMYK 63 / 11 / 0 / 36

HEX #3D92A4

RGB 61 146 164

HSL 190.49, 0.46%, 0.44%

LAB 56.32, -19.85, -17.11

 

CMYK 63 / 11 / 0 / 59

HEX #265C67

RGB 38 92.2 103.6

HSL 190.43, 0.46%, 0.28%

LAB 36.16, -14.04, -11.89

 

CMYK 39 / 63 / 0 / 59

HEX #3F2768

RGB 63 39 104

HSL 262.15, 0.45%, 0.28%

LAB 21.97, 27.04, -34.25

 

CMYK 0 / 14 / 63 / 59

HEX #685927

RGB 104 89 39

HSL 46.15, 0.45%, 0.28%

LAB 38.26, -0.64, 30.66

 

CMYK 63 / 11 / 0 / 59

HEX #265C67

RGB 38 92.2 103.6

HSL 190.43, 0.46%, 0.28%

LAB 36.16, -14.04, -11.89

 

CMYK 0 / 63 / 11 / 59

HEX #68275D

RGB 104 39 93

HSL 310.15, 0.45%, 0.28%

LAB 27.25, 36.37, -18.33

 

CMYK 11 / 0 / 63 / 59

HEX #5D6827

RGB 93 104 39

HSL 70.15, 0.45%, 0.28%

LAB 41.8, -14.46, 34.36

 

CMYK 63 / 11 / 0 / 59

HEX #265C67

RGB 38 92.2 103.6

HSL 190.43, 0.46%, 0.28%

LAB 36.16, -14.04, -11.89

 

CMYK 39 / 63 / 0 / 59

HEX #3F2768

RGB 63 39 104

HSL 262.15, 0.45%, 0.28%

LAB 21.97, 27.04, -34.25

 

CMYK 0 / 52 / 63 / 59

HEX #683227

RGB 104 50 39

HSL 10.15, 0.45%, 0.28%

LAB 27.77, 23.07, 18.04

 

CMYK 23 / 0 / 63 / 59

HEX #506827

RGB 80 104 39

HSL 82.15, 0.45%, 0.28%

LAB 40.82, -20.23, 32.99

 

CMYK 63 / 11 / 0 / 59

HEX #265C67

RGB 38 92.2 103.6

HSL 190.43, 0.46%, 0.28%

LAB 36.16, -14.04, -11.89

 

CMYK 21 / 63 / 0 / 59

HEX #522768

RGB 82 39 104

HSL 279.69, 0.45%, 0.28%

LAB 24.46, 32.17, -30.12

 

CMYK 0 / 52 / 63 / 59

HEX #683227

RGB 104 50 39

HSL 10.15, 0.45%, 0.28%

LAB 27.77, 23.07, 18.04

 

CMYK 42 / 0 / 63 / 59

HEX #3C6827

RGB 60 104 39

HSL 100.62, 0.45%, 0.28%

LAB 39.59, -28.26, 31.27

 

Description

Color code: RGB 38 92.2 103.6 | qconv.com Color code: RGB 38 92.2 103.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 92.2 green and 103.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 92.2 103.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 11 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 11% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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