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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 169 224 it is the complementary color RGB 217 86 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 169 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 38 169 224: RGB 43 169 219, RGB 60 187 238, RGB 77 205 255, RGB 94 223 255 and RGB 111 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 169 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 38 169 224: RGB 38 169 224, RGB 21 151 205, RGB 4 133 186, RGB 0 115 167 and RGB 0 97 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

Complementary color

CMYK 0 / 60 / 86 / 15

HEX #D9561F

RGB 217 86 31

HSL 17.74, 0.75%, 0.49%

LAB 53.5, 48.96, 54.75

 

CMYK 80 / 23 / 0 / 14

HEX #2BA9DB

RGB 43 169 219

HSL 197.05, 0.71%, 0.51%

LAB 64.97, -16.41, -34.73

 

CMYK 75 / 21 / 0 / 7

HEX #3CBBEE

RGB 60 187 238

HSL 197.19, 0.84%, 0.58%

LAB 71.33, -17.83, -35.21

 

CMYK 70 / 20 / 0 / 0

HEX #4DCDFF

RGB 77 205 255

HSL 196.85, 1%, 0.65%

LAB 77.56, -19.59, -34.69

 

CMYK 63 / 13 / 0 / 0

HEX #5EDFFF

RGB 94 223 255

HSL 191.93, 1%, 0.68%

LAB 83.11, -26.14, -26.12

 

CMYK 56 / 5 / 0 / 0

HEX #6FF1FF

RGB 111 241 255

HSL 185.83, 1%, 0.72%

LAB 88.69, -31.93, -17.62

 

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

CMYK 90 / 26 / 0 / 20

HEX #1597CD

RGB 21 151 205

HSL 197.61, 0.81%, 0.44%

LAB 58.7, -13.14, -36.74

 

CMYK 98 / 28 / 0 / 27

HEX #0485BA

RGB 4 133 186

HSL 197.47, 0.96%, 0.37%

LAB 52.23, -10.72, -36.12

 

CMYK 100 / 31 / 0 / 35

HEX #0073A7

RGB 0 115 167

HSL 198.68, 1%, 0.33%

LAB 45.7, -7.66, -35.37

 

CMYK 100 / 34 / 0 / 42

HEX #006194

RGB 0 97 148

HSL 200.68, 1%, 0.29%

LAB 39.05, -4.27, -34.61

 

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

CMYK 84 / 38 / 0 / 13

HEX #248BDF

RGB 36 139 223

HSL 206.95, 0.75%, 0.51%

LAB 56.26, 1.39, -50.67

 

CMYK 84 / 52 / 0 / 13

HEX #246CDF

RGB 36 108 223

HSL 216.9, 0.75%, 0.51%

LAB 47.53, 20.6, -64.67

 

CMYK 84 / 66 / 0 / 13

HEX #244CDF

RGB 36 76 223

HSL 227.17, 0.75%, 0.51%

LAB 39.36, 41.03, -78.01

 

CMYK 84 / 80 / 0 / 13

HEX #242DDF

RGB 36 45 223

HSL 237.11, 0.75%, 0.51%

LAB 33.09, 58.51, -88.37

 

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

CMYK 85 / 25 / 0 / 92

HEX #030F14

RGB 3 15 20

HSL 197.65, 0.74%, 0.05%

LAB 3.72, -2.31, -3.94

 

CMYK 83 / 24 / 0 / 72

HEX #0C3647

RGB 12 54 71

HSL 197.29, 0.71%, 0.16%

LAB 20.72, -7.46, -14.6

 

CMYK 83 / 25 / 0 / 52

HEX #155C7A

RGB 21 92 122

HSL 197.82, 0.71%, 0.28%

LAB 36.4, -10, -22.94

 

CMYK 83 / 24 / 0 / 32

HEX #1D83AD

RGB 29 131 173

HSL 197.5, 0.71%, 0.4%

LAB 51.28, -12.97, -30.11

 

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

CMYK 43 / 84 / 0 / 13

HEX #7E24DF

RGB 126 36 223

HSL 268.88, 0.75%, 0.51%

LAB 39.62, 69.8, -77.33

 

CMYK 0 / 10 / 84 / 13

HEX #DFC924

RGB 223 201 36

HSL 52.94, 0.75%, 0.51%

LAB 80.51, -8.01, 75.97

 

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

CMYK 0 / 84 / 24 / 13

HEX #DF24AA

RGB 223 36 170

HSL 317.01, 0.75%, 0.51%

LAB 51.67, 77.69, -26.38

 

CMYK 24 / 0 / 84 / 13

HEX #AADF24

RGB 170 223 36

HSL 77.01, 0.75%, 0.51%

LAB 82.62, -40.4, 76.19

 

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

CMYK 43 / 84 / 0 / 13

HEX #7E24DF

RGB 126 36 223

HSL 268.88, 0.75%, 0.51%

LAB 39.62, 69.8, -77.33

 

CMYK 0 / 60 / 84 / 13

HEX #DF5924

RGB 223 89 36

HSL 17.01, 0.75%, 0.51%

LAB 55.03, 49.88, 54.4

 

CMYK 40 / 0 / 84 / 13

HEX #85DF24

RGB 133 223 36

HSL 88.88, 0.75%, 0.51%

LAB 80.68, -53.68, 73.75

 

CMYK 83 / 25 / 0 / 12

HEX #26A9E0

RGB 38 169 224

HSL 197.74, 0.75%, 0.51%

LAB 65.1, -15.12, -37.29

 

CMYK 18 / 84 / 0 / 13

HEX #B724DF

RGB 183 36 223

HSL 287.17, 0.75%, 0.51%

LAB 47.82, 78.01, -63.6

 

CMYK 0 / 60 / 84 / 13

HEX #DF5924

RGB 223 89 36

HSL 17.01, 0.75%, 0.51%

LAB 55.03, 49.88, 54.4

 

CMYK 66 / 0 / 84 / 13

HEX #4CDF24

RGB 76 223 36

HSL 107.17, 0.75%, 0.51%

LAB 78.72, -69.02, 71.26

 

Description

Color code: RGB 38 169 224 | qconv.com Color code: RGB 38 169 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 169 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 169 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 25 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 25% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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