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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 92.2 163.6 it is the complementary color RGB 218 162.8 91.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 92.2 163.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 92.2 163.6 shade: RGB 42 92.2 158.6, RGB 59 110.2 177.6, RGB 76 128.2 196.6, RGB 93 146.2 215.6 and RGB 110 164.2 234.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 92.2 163.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 92.2 163.6 shade: RGB 37 92.2 163.6, RGB 20 74.2 144.6, RGB 3 56.2 125.6, RGB 0 38.2 106.6 and RGB 0 20.2 87.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 92.2 163.6 shade: RGB 37 91 162, RGB 37 58 162, RGB 50 37 162, RGB 84 37 162 and RGB 117 37 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 92.2 163.6 shade: RGB 37 91 162, RGB 37 58 162 and RGB 37 37 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 92.2 163.6 shade matches the following richer shades: RGB 37 91 162, RGB 21 89 178 and RGB 5 87 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 92.2 163.6 shade: RGB 37 91 162, RGB 53 93 146, RGB 69 96 130, RGB 85 98 114 and RGB 101 100 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 92.2 163.6 shade: RGB 37 160 162, RGB 37 127 162, RGB 37 93 162, RGB 37 60 162 and RGB 47 37 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 92.2 163.6 shade: RGB 22 53 95, RGB 29 72 128, RGB 37 91 162, RGB 44 110 196 and RGB 69 131 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 92.2 163.6 shade: RGB 37 92.2 163.6, RGB 131 37 162 and RGB 143 162 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 92.2 163.6 shade: RGB 37 92.2 163.6, RGB 162 37 93 and RGB 93 162 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 92.2 163.6 shade: RGB 37 92.2 163.6, RGB 131 37 162, RGB 162 106 37 and RGB 68 162 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 92.2 163.6 shade: RGB 37 92.2 163.6, RGB 162 37 156, RGB 162 106 37 and RGB 37 162 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 44 / 0 / 36

HEX #255CA3

RGB 37 92.2 163.6

HSL 213.84, 0.63%, 0.39%

LAB 39.15, 7.93, -43.73

 

Complementary color

CMYK 0 / 25 / 58 / 15

HEX #DAA25B

RGB 218 162.8 91.4

HSL 33.84, 0.63%, 0.61%

LAB 70.73, 12.62, 44.56

 

CMYK 74 / 42 / 0 / 38

HEX #2A5C9E

RGB 42 92.2 158.6

HSL 214.17, 0.58%, 0.39%

LAB 39.02, 6.67, -40.95

 

CMYK 67 / 38 / 0 / 30

HEX #3B6EB1

RGB 59 110.2 177.6

HSL 214.1, 0.5%, 0.46%

LAB 46.07, 5.01, -40.9

 

CMYK 61 / 35 / 0 / 23

HEX #4C80C4

RGB 76 128.2 196.6

HSL 214.03, 0.51%, 0.53%

LAB 52.99, 3.72, -40.86

 

CMYK 57 / 32 / 0 / 15

HEX #5D92D7

RGB 93 146.2 215.6

HSL 213.96, 0.61%, 0.61%

LAB 59.78, 2.71, -40.83

 

CMYK 53 / 30 / 0 / 8

HEX #6EA4EA

RGB 110 164.2 234.6

HSL 213.9, 0.75%, 0.68%

LAB 66.45, 1.88, -40.83

 

CMYK 77 / 44 / 0 / 36

HEX #255CA3

RGB 37 92.2 163.6

HSL 213.84, 0.63%, 0.39%

LAB 39.15, 7.93, -43.73

 

CMYK 86 / 49 / 0 / 43

HEX #144A90

RGB 20 74.2 144.6

HSL 213.9, 0.76%, 0.32%

LAB 32.04, 10.48, -43.72

 

CMYK 98 / 55 / 0 / 51

HEX #03387D

RGB 3 56.2 125.6

HSL 213.96, 0.95%, 0.25%

LAB 24.84, 13.81, -43.6

 

CMYK 100 / 64 / 0 / 58

HEX #00266A

RGB 0 38.2 106.6

HSL 218.5, 1%, 0.21%

LAB 17.7, 18.38, -43.07

 

CMYK 100 / 77 / 0 / 66

HEX #001457

RGB 0 20.2 87.6

HSL 226.16, 1%, 0.17%

LAB 10.6, 23.37, -42.14

 

CMYK 77 / 44 / 0 / 36

HEX #255BA2

RGB 37 91 162

HSL 214.08, 0.63%, 0.39%

LAB 38.7, 8.09, -43.51

 

CMYK 77 / 64 / 0 / 36

HEX #253AA2

RGB 37 58 162

HSL 229.92, 0.63%, 0.39%

LAB 29.48, 30.13, -58.43

 

CMYK 69 / 77 / 0 / 36

HEX #3225A2

RGB 50 37 162

HSL 246.24, 0.63%, 0.39%

LAB 25.59, 44.3, -64.8

 

CMYK 48 / 77 / 0 / 36

HEX #5425A2

RGB 84 37 162

HSL 262.56, 0.63%, 0.39%

LAB 28.94, 48.74, -59.16

 

CMYK 28 / 77 / 0 / 36

HEX #7525A2

RGB 117 37 162

HSL 278.4, 0.63%, 0.39%

LAB 33.38, 54.44, -51.74

 

CMYK 77 / 44 / 0 / 36

HEX #255BA2

RGB 37 91 162

HSL 214.08, 0.63%, 0.39%

LAB 38.7, 8.09, -43.51

 

CMYK 77 / 64 / 0 / 36

HEX #253AA2

RGB 37 58 162

HSL 229.92, 0.63%, 0.39%

LAB 29.48, 30.13, -58.43

 

CMYK 77 / 77 / 0 / 36

HEX #2525A2

RGB 37 37 162

HSL 240, 0.63%, 0.39%

LAB 24.72, 43.12, -66.27

 

CMYK 77 / 44 / 0 / 36

HEX #255BA2

RGB 37 91 162

HSL 214.08, 0.63%, 0.39%

LAB 38.7, 8.09, -43.51

 

CMYK 88 / 50 / 0 / 30

HEX #1559B2

RGB 21 89 178

HSL 214.01, 0.79%, 0.39%

LAB 38.76, 14.23, -52.92

 

CMYK 97 / 55 / 0 / 24

HEX #0557C2

RGB 5 87 194

HSL 213.97, 0.95%, 0.39%

LAB 39.15, 21.29, -61.67

 

CMYK 77 / 44 / 0 / 36

HEX #255BA2

RGB 37 91 162

HSL 214.08, 0.63%, 0.39%

LAB 38.7, 8.09, -43.51

 

CMYK 64 / 36 / 0 / 43

HEX #355D92

RGB 53 93 146

HSL 214.19, 0.47%, 0.39%

LAB 39, 3.37, -33.39

 

CMYK 47 / 26 / 0 / 49

HEX #456082

RGB 69 96 130

HSL 213.44, 0.31%, 0.39%

LAB 39.99, -0.15, -22.11

 

CMYK 25 / 14 / 0 / 55

HEX #556272

RGB 85 98 114

HSL 213.1, 0.15%, 0.39%

LAB 41.03, -1.03, -10.68

 

CMYK 0 / 1 / 3 / 60

HEX #656462

RGB 101 100 98

HSL 40, 0.02%, 0.39%

LAB 42.4, -0.01, 1.26

 

CMYK 77 / 1 / 0 / 36

HEX #25A0A2

RGB 37 160 162

HSL 180.96, 0.63%, 0.39%

LAB 60.02, -30.99, -10.44

 

CMYK 77 / 22 / 0 / 36

HEX #257FA2

RGB 37 127 162

HSL 196.8, 0.63%, 0.39%

LAB 49.71, -13.81, -26.15

 

CMYK 77 / 43 / 0 / 36

HEX #255DA2

RGB 37 93 162

HSL 213.12, 0.63%, 0.39%

LAB 39.29, 6.79, -42.55

 

CMYK 77 / 63 / 0 / 36

HEX #253CA2

RGB 37 60 162

HSL 228.96, 0.63%, 0.39%

LAB 29.99, 28.8, -57.59

 

CMYK 71 / 77 / 0 / 36

HEX #2F25A2

RGB 47 37 162

HSL 244.8, 0.63%, 0.39%

LAB 25.37, 44, -65.18

 

CMYK 77 / 44 / 0 / 63

HEX #16355F

RGB 22 53 95

HSL 214.52, 0.62%, 0.23%

LAB 22.1, 4.77, -28.35

 

CMYK 77 / 44 / 0 / 50

HEX #1D4880

RGB 29 72 128

HSL 213.94, 0.63%, 0.31%

LAB 30.53, 6.19, -35.9

 

CMYK 77 / 44 / 0 / 36

HEX #255BA2

RGB 37 91 162

HSL 214.08, 0.63%, 0.39%

LAB 38.7, 8.09, -43.51

 

CMYK 78 / 44 / 0 / 23

HEX #2C6EC4

RGB 44 110 196

HSL 213.95, 0.63%, 0.47%

LAB 46.54, 9.79, -50.84

 

CMYK 68 / 38 / 0 / 16

HEX #4583D5

RGB 69 131 213

HSL 214.17, 0.63%, 0.55%

LAB 54.35, 6.46, -48.03

 

CMYK 77 / 44 / 0 / 36

HEX #255CA3

RGB 37 92.2 163.6

HSL 213.84, 0.63%, 0.39%

LAB 39.15, 7.93, -43.73

 

CMYK 19 / 77 / 0 / 36

HEX #8325A2

RGB 131 37 162

HSL 285.12, 0.63%, 0.39%

LAB 35.51, 57.13, -48.19

 

CMYK 12 / 0 / 77 / 36

HEX #8FA225

RGB 143 162 37

HSL 69.12, 0.63%, 0.39%

LAB 63.19, -22.77, 57.99

 

CMYK 77 / 44 / 0 / 36

HEX #255CA3

RGB 37 92.2 163.6

HSL 213.84, 0.63%, 0.39%

LAB 39.15, 7.93, -43.73

 

CMYK 0 / 77 / 43 / 36

HEX #A2255D

RGB 162 37 93

HSL 333.12, 0.63%, 0.39%

LAB 37.47, 54.17, -1.86

 

CMYK 43 / 0 / 77 / 36

HEX #5DA225

RGB 93 162 37

HSL 93.12, 0.63%, 0.39%

LAB 60.16, -42.38, 54.05

 

CMYK 77 / 44 / 0 / 36

HEX #255CA3

RGB 37 92.2 163.6

HSL 213.84, 0.63%, 0.39%

LAB 39.15, 7.93, -43.73

 

CMYK 19 / 77 / 0 / 36

HEX #8325A2

RGB 131 37 162

HSL 285.12, 0.63%, 0.39%

LAB 35.51, 57.13, -48.19

 

CMYK 0 / 35 / 77 / 36

HEX #A26A25

RGB 162 106 37

HSL 33.12, 0.63%, 0.39%

LAB 49.64, 16.35, 45.75

 

CMYK 58 / 0 / 77 / 36

HEX #44A225

RGB 68 162 37

HSL 105.12, 0.63%, 0.39%

LAB 59.16, -49.99, 52.74

 

CMYK 77 / 44 / 0 / 36

HEX #255CA3

RGB 37 92.2 163.6

HSL 213.84, 0.63%, 0.39%

LAB 39.15, 7.93, -43.73

 

CMYK 0 / 77 / 4 / 36

HEX #A2259C

RGB 162 37 156

HSL 302.88, 0.63%, 0.39%

LAB 40.25, 62.47, -36.69

 

CMYK 0 / 35 / 77 / 36

HEX #A26A25

RGB 162 106 37

HSL 33.12, 0.63%, 0.39%

LAB 49.64, 16.35, 45.75

 

CMYK 77 / 0 / 73 / 36

HEX #25A22B

RGB 37 162 43

HSL 122.88, 0.63%, 0.39%

LAB 58.42, -55.98, 49.6

 

Description

Color code: RGB 37 92.2 163.6 | qconv.com Color code: RGB 37 92.2 163.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 92.2 green and 163.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 92.2 163.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 44 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 44% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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