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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 70 105 it is the complementary color RGB 220 185 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 70 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 35 70 105: RGB 40 70 100, RGB 57 88 119, RGB 74 106 138, RGB 91 124 157 and RGB 108 142 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 70 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 35 70 105: RGB 35 70 105, RGB 18 52 86, RGB 1 34 67, RGB 0 16 48 and RGB 0 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

Complementary color

CMYK 0 / 16 / 32 / 14

HEX #DCB996

RGB 220 185 150

HSL 30, 0.5%, 0.73%

LAB 77.35, 7.53, 22.46

 

CMYK 60 / 30 / 0 / 61

HEX #284664

RGB 40 70 100

HSL 210, 0.43%, 0.27%

LAB 28.78, -1.2, -20.99

 

CMYK 52 / 26 / 0 / 53

HEX #395877

RGB 57 88 119

HSL 210, 0.35%, 0.35%

LAB 36.33, -1.91, -21.1

 

CMYK 46 / 23 / 0 / 46

HEX #4A6A8A

RGB 74 106 138

HSL 210, 0.3%, 0.42%

LAB 43.65, -2.41, -21.24

 

CMYK 42 / 21 / 0 / 38

HEX #5B7C9D

RGB 91 124 157

HSL 210, 0.27%, 0.49%

LAB 50.77, -2.79, -21.42

 

CMYK 39 / 19 / 0 / 31

HEX #6C8EB0

RGB 108 142 176

HSL 210, 0.3%, 0.56%

LAB 57.72, -3.08, -21.63

 

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

CMYK 79 / 40 / 0 / 66

HEX #123456

RGB 18 52 86

HSL 210, 0.65%, 0.2%

LAB 21.04, 1.06, -24.1

 

CMYK 99 / 49 / 0 / 74

HEX #012243

RGB 1 34 67

HSL 210, 0.97%, 0.13%

LAB 12.96, 3.26, -24.12

 

CMYK 100 / 67 / 0 / 81

HEX #001030

RGB 0 16 48

HSL 220, 1%, 0.09%

LAB 5.28, 6.71, -22.85

 

CMYK 100 / 100 / 0 / 89

HEX #00001D

RGB 0 0 29

HSL 240, 1%, 0.06%

LAB 0.8, 5.63, -15.14

 

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

CMYK 67 / 45 / 0 / 60

HEX #223967

RGB 34 57 103

HSL 220, 0.5%, 0.27%

LAB 24.47, 7.4, -29.74

 

CMYK 67 / 56 / 0 / 60

HEX #222D67

RGB 34 45 103

HSL 230.43, 0.5%, 0.27%

LAB 20.81, 15.91, -35.6

 

CMYK 67 / 67 / 0 / 60

HEX #222267

RGB 34 34 103

HSL 240, 0.5%, 0.27%

LAB 17.75, 23.66, -40.57

 

CMYK 56 / 67 / 0 / 60

HEX #2D2267

RGB 45 34 103

HSL 249.57, 0.5%, 0.27%

LAB 18.72, 25.74, -38.96

 

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

CMYK 67 / 33 / 0 / 39

HEX #34689C

RGB 52 104 156

HSL 210, 0.5%, 0.41%

LAB 42.81, -0.13, -33.37

 

CMYK 67 / 33 / 0 / 19

HEX #458ACF

RGB 69 138 207

HSL 210, 0.59%, 0.54%

LAB 56.03, 0.2, -41.97

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 67 / 33 / 0 / 79

HEX #122436

RGB 18 36 54

HSL 210, 0.5%, 0.14%

LAB 13.57, -0.77, -13.96

 

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

CMYK 20 / 67 / 0 / 60

HEX #522267

RGB 82 34 103

HSL 281.74, 0.5%, 0.27%

LAB 23.4, 34.66, -31.17

 

CMYK 7 / 0 / 67 / 60

HEX #606722

RGB 96 103 34

HSL 66.09, 0.5%, 0.27%

LAB 41.69, -12.93, 36.72

 

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

CMYK 0 / 67 / 34 / 60

HEX #672244

RGB 103 34 68

HSL 330.43, 0.5%, 0.27%

LAB 25.09, 34.53, -5.04

 

CMYK 34 / 0 / 67 / 60

HEX #446722

RGB 68 103 34

HSL 90.43, 0.5%, 0.27%

LAB 39.66, -25.22, 33.93

 

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

CMYK 20 / 67 / 0 / 60

HEX #522267

RGB 82 34 103

HSL 281.74, 0.5%, 0.27%

LAB 23.4, 34.66, -31.17

 

CMYK 0 / 34 / 67 / 60

HEX #674422

RGB 103 68 34

HSL 29.57, 0.5%, 0.27%

LAB 32.11, 11.3, 26.32

 

CMYK 47 / 0 / 67 / 60

HEX #376722

RGB 55 103 34

HSL 101.74, 0.5%, 0.27%

LAB 38.95, -30.15, 32.95

 

CMYK 67 / 33 / 0 / 59

HEX #234669

RGB 35 70 105

HSL 210, 0.5%, 0.27%

LAB 28.79, -0.46, -24.17

 

CMYK 0 / 67 / 0 / 60

HEX #672267

RGB 103 34 103

HSL 300, 0.5%, 0.27%

LAB 26.75, 40.3, -25.63

 

CMYK 0 / 34 / 67 / 60

HEX #674422

RGB 103 68 34

HSL 29.57, 0.5%, 0.27%

LAB 32.11, 11.3, 26.32

 

CMYK 67 / 0 / 67 / 60

HEX #226722

RGB 34 103 34

HSL 120, 0.5%, 0.27%

LAB 38.12, -36.45, 31.8

 

Description

Color code: RGB 35 70 105 | qconv.com Color code: RGB 35 70 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 70 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 70 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 33 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 33% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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