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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 164 236 it is the complementary color RGB 220 91 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 164 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 35 164 236: RGB 40 164 231, RGB 57 182 250, RGB 74 200 255, RGB 91 218 255 and RGB 108 236 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 164 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 35 164 236: RGB 35 164 236, RGB 18 146 217, RGB 1 128 198, RGB 0 110 179 and RGB 0 92 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

Complementary color

CMYK 0 / 59 / 91 / 14

HEX #DC5B13

RGB 220 91 19

HSL 21.49, 0.84%, 0.47%

LAB 54.81, 47.53, 60.06

 

CMYK 83 / 29 / 0 / 9

HEX #28A4E7

RGB 40 164 231

HSL 201.05, 0.8%, 0.53%

LAB 63.98, -9.77, -42.9

 

CMYK 77 / 27 / 0 / 2

HEX #39B6FA

RGB 57 182 250

HSL 201.14, 0.95%, 0.6%

LAB 70.34, -11.48, -43.27

 

CMYK 71 / 22 / 0 / 0

HEX #4AC8FF

RGB 74 200 255

HSL 198.23, 1%, 0.65%

LAB 76.06, -17.4, -37.01

 

CMYK 64 / 15 / 0 / 0

HEX #5BDAFF

RGB 91 218 255

HSL 193.54, 1%, 0.68%

LAB 81.61, -24.14, -28.42

 

CMYK 58 / 7 / 0 / 0

HEX #6CECFF

RGB 108 236 255

HSL 187.76, 1%, 0.71%

LAB 87.19, -30.09, -19.89

 

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

CMYK 92 / 33 / 0 / 15

HEX #1292D9

RGB 18 146 217

HSL 201.41, 0.85%, 0.46%

LAB 57.75, -6.06, -44.96

 

CMYK 99 / 35 / 0 / 22

HEX #0180C6

RGB 1 128 198

HSL 201.32, 0.99%, 0.39%

LAB 51.29, -3.32, -44.46

 

CMYK 100 / 39 / 0 / 30

HEX #006EB3

RGB 0 110 179

HSL 203.13, 1%, 0.35%

LAB 44.81, 0.13, -43.8

 

CMYK 100 / 43 / 0 / 37

HEX #005CA0

RGB 0 92 160

HSL 205.5, 1%, 0.31%

LAB 38.19, 3.83, -43.17

 

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

CMYK 86 / 44 / 0 / 8

HEX #2283EB

RGB 34 131 235

HSL 211.04, 0.83%, 0.53%

LAB 54.63, 10.59, -59.97

 

CMYK 86 / 58 / 0 / 8

HEX #2262EB

RGB 34 98 235

HSL 220.9, 0.83%, 0.53%

LAB 45.73, 31.41, -74.37

 

CMYK 86 / 73 / 0 / 8

HEX #2240EB

RGB 34 64 235

HSL 231.04, 0.83%, 0.53%

LAB 37.85, 52.27, -87.33

 

CMYK 84 / 86 / 0 / 8

HEX #2522EB

RGB 37 34 235

HSL 240.9, 0.83%, 0.53%

LAB 33, 66.77, -95.38

 

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

CMYK 84 / 31 / 0 / 87

HEX #051620

RGB 5 22 32

HSL 202.22, 0.73%, 0.07%

LAB 6.42, -2.66, -8.99

 

CMYK 86 / 30 / 0 / 67

HEX #0C3A53

RGB 12 58 83

HSL 201.13, 0.75%, 0.19%

LAB 22.75, -5.16, -19.44

 

CMYK 85 / 31 / 0 / 47

HEX #145D86

RGB 20 93 134

HSL 201.58, 0.74%, 0.3%

LAB 37.3, -6.08, -28.89

 

CMYK 85 / 30 / 0 / 27

HEX #1B81B9

RGB 27 129 185

HSL 201.27, 0.75%, 0.42%

LAB 51.19, -7.59, -37.15

 

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

CMYK 38 / 86 / 0 / 8

HEX #9122EB

RGB 145 34 235

HSL 273.13, 0.83%, 0.53%

LAB 43.01, 75.34, -78.51

 

CMYK 0 / 4 / 86 / 8

HEX #EBE122

RGB 235 225 34

HSL 57.01, 0.83%, 0.53%

LAB 87.79, -14.96, 82.79

 

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

CMYK 0 / 86 / 30 / 8

HEX #EB22A5

RGB 235 34 165

HSL 320.9, 0.83%, 0.53%

LAB 53.52, 80.06, -20.41

 

CMYK 30 / 0 / 86 / 8

HEX #A5EB22

RGB 165 235 34

HSL 80.9, 0.83%, 0.53%

LAB 85.77, -47.49, 79.18

 

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

CMYK 38 / 86 / 0 / 8

HEX #9122EB

RGB 145 34 235

HSL 273.13, 0.83%, 0.53%

LAB 43.01, 75.34, -78.51

 

CMYK 0 / 56 / 86 / 8

HEX #EB6822

RGB 235 104 34

HSL 20.9, 0.83%, 0.53%

LAB 59.6, 47.28, 59.82

 

CMYK 47 / 0 / 86 / 8

HEX #7DEB22

RGB 125 235 34

HSL 92.84, 0.83%, 0.53%

LAB 83.91, -60.84, 76.85

 

CMYK 85 / 31 / 0 / 7

HEX #23A4EC

RGB 35 164 236

HSL 201.49, 0.84%, 0.53%

LAB 64.13, -8.37, -45.41

 

CMYK 13 / 86 / 0 / 8

HEX #CD22EB

RGB 205 34 235

HSL 291.04, 0.83%, 0.53%

LAB 51.97, 84.01, -63.52

 

CMYK 0 / 56 / 86 / 8

HEX #EB6822

RGB 235 104 34

HSL 20.9, 0.83%, 0.53%

LAB 59.6, 47.28, 59.82

 

CMYK 73 / 0 / 86 / 8

HEX #40EB22

RGB 64 235 34

HSL 111.04, 0.83%, 0.53%

LAB 82.18, -74.93, 74.67

 

Description

Color code: RGB 35 164 236 | qconv.com Color code: RGB 35 164 236 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 164 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 164 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 31 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 31% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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