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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 15 44 it is the complementary color RGB 220 240 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 15 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 35 15 44: RGB 40 15 39, RGB 57 33 58, RGB 74 51 77, RGB 91 69 96 and RGB 108 87 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 15 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 35 15 44: RGB 35 15 44, RGB 18 0 25, RGB 1 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

Complementary color

CMYK 8 / 0 / 12 / 6

HEX #DCF0D3

RGB 220 240 211

HSL 101.38, 0.49%, 0.88%

LAB 92.68, -11.74, 11.79

 

CMYK 0 / 63 / 2 / 84

HEX #280F27

RGB 40 15 39

HSL 302.4, 0.45%, 0.11%

LAB 8.47, 17.42, -10.8

 

CMYK 2 / 43 / 0 / 77

HEX #39213A

RGB 57 33 58

HSL 297.6, 0.27%, 0.18%

LAB 16.81, 16.5, -11.44

 

CMYK 4 / 34 / 0 / 70

HEX #4A334D

RGB 74 51 77

HSL 293.08, 0.2%, 0.25%

LAB 24.83, 15.62, -11.89

 

CMYK 5 / 28 / 0 / 62

HEX #5B4560

RGB 91 69 96

HSL 288.89, 0.16%, 0.32%

LAB 32.54, 14.86, -12.29

 

CMYK 6 / 24 / 0 / 55

HEX #6C5773

RGB 108 87 115

HSL 285, 0.14%, 0.4%

LAB 39.99, 14.21, -12.67

 

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

CMYK 28 / 100 / 0 / 90

HEX #120019

RGB 18 0 25

HSL 283.2, 1%, 0.05%

LAB 1.8, 9.67, -10.29

 

CMYK 83 / 100 / 0 / 98

HEX #010006

RGB 1 0 6

HSL 250, 1%, 0.01%

LAB 0.18, 1.1, -2.18

 

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

CMYK 9 / 67 / 0 / 82

HEX #290F2D

RGB 41 15 45

HSL 292, 0.5%, 0.12%

LAB 9.01, 19.23, -14.42

 

CMYK 0 / 67 / 0 / 82

HEX #2D0F2D

RGB 45 15 45

HSL 300, 0.5%, 0.12%

LAB 9.71, 20.61, -13.28

 

CMYK 0 / 67 / 11 / 82

HEX #2D0F28

RGB 45 15 40

HSL 310, 0.5%, 0.12%

LAB 9.42, 19.51, -10.01

 

CMYK 0 / 67 / 22 / 82

HEX #2D0F23

RGB 45 15 35

HSL 320, 0.5%, 0.12%

LAB 9.16, 18.5, -6.65

 

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

CMYK 20 / 66 / 0 / 63

HEX #4C205F

RGB 76 32 95

HSL 281.9, 0.5%, 0.25%

LAB 21.56, 32.21, -28.91

 

CMYK 21 / 66 / 0 / 43

HEX #743292

RGB 116 50 146

HSL 281.25, 0.49%, 0.38%

LAB 34.13, 45.01, -40.82

 

CMYK 20 / 66 / 0 / 23

HEX #9D43C5

RGB 157 67 197

HSL 281.54, 0.53%, 0.52%

LAB 45.93, 57.61, -51.92

 

CMYK 21 / 66 / 0 / 3

HEX #C555F8

RGB 197 85 248

HSL 281.23, 0.92%, 0.65%

LAB 57.22, 68.9, -62.42

 

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

CMYK 0 / 67 / 58 / 82

HEX #2D0F13

RGB 45 15 19

HSL 352, 0.5%, 0.12%

LAB 8.54, 15.93, 4.33

 

CMYK 67 / 0 / 47 / 82

HEX #0F2D18

RGB 15 45 24

HSL 138, 0.5%, 0.12%

LAB 15.72, -17.13, 10.3

 

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

CMYK 0 / 20 / 67 / 82

HEX #2D240F

RGB 45 36 15

HSL 42, 0.5%, 0.12%

LAB 14.7, 0.92, 15.12

 

CMYK 67 / 0 / 20 / 82

HEX #0F2D24

RGB 15 45 36

HSL 162, 0.5%, 0.12%

LAB 16.03, -13.95, 2.47

 

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

CMYK 0 / 67 / 58 / 82

HEX #2D0F13

RGB 45 15 19

HSL 352, 0.5%, 0.12%

LAB 8.54, 15.93, 4.33

 

CMYK 44 / 0 / 67 / 82

HEX #192D0F

RGB 25 45 15

HSL 100, 0.5%, 0.12%

LAB 16.09, -15.03, 16.51

 

CMYK 67 / 0 / 7 / 82

HEX #0F2D2A

RGB 15 45 42

HSL 174, 0.5%, 0.12%

LAB 16.23, -12.05, -1.44

 

CMYK 20 / 66 / 0 / 83

HEX #230F2C

RGB 35 15 44

HSL 281.38, 0.49%, 0.12%

LAB 7.96, 16.88, -15.41

 

CMYK 0 / 53 / 67 / 82

HEX #2D150F

RGB 45 21 15

HSL 12, 0.5%, 0.12%

LAB 10.02, 11.47, 8.78

 

CMYK 44 / 0 / 67 / 82

HEX #192D0F

RGB 25 45 15

HSL 100, 0.5%, 0.12%

LAB 16.09, -15.03, 16.51

 

CMYK 67 / 11 / 0 / 82

HEX #0F282D

RGB 15 40 45

HSL 190, 0.5%, 0.12%

LAB 14.45, -7.83, -6.23

 

Description

Color code: RGB 35 15 44 | qconv.com Color code: RGB 35 15 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 15 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 15 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 66 magenta, none yellow and 83 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 66% 0% 83% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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