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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 0 71 it is the complementary color RGB 220 255 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 0 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 35 0 71: RGB 40 0 66, RGB 57 18 85, RGB 74 36 104, RGB 91 54 123 and RGB 108 72 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 0 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 35 0 71: RGB 35 0 71, RGB 18 0 52, RGB 1 0 33, RGB 0 0 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

Complementary color

CMYK 14 / 0 / 28 / 0

HEX #DCFFB8

RGB 220 255 184

HSL 89.58, 1%, 0.86%

LAB 96.08, -23.27, 30.31

 

CMYK 39 / 100 / 0 / 74

HEX #280042

RGB 40 0 66

HSL 276.36, 1%, 0.13%

LAB 7.63, 32.86, -31.91

 

CMYK 33 / 79 / 0 / 67

HEX #391255

RGB 57 18 85

HSL 274.93, 0.65%, 0.2%

LAB 15.27, 32.26, -32.51

 

CMYK 29 / 65 / 0 / 59

HEX #4A2468

RGB 74 36 104

HSL 273.53, 0.49%, 0.27%

LAB 22.71, 31.7, -32.98

 

CMYK 26 / 56 / 0 / 52

HEX #5B367B

RGB 91 54 123

HSL 272.17, 0.39%, 0.35%

LAB 30.14, 30.77, -33.12

 

CMYK 24 / 49 / 0 / 44

HEX #6C488E

RGB 108 72 142

HSL 270.86, 0.33%, 0.42%

LAB 37.44, 29.8, -33.16

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

CMYK 65 / 100 / 0 / 80

HEX #120034

RGB 18 0 52

HSL 260.77, 1%, 0.1%

LAB 3.4, 20.94, -28.75

 

CMYK 97 / 100 / 0 / 87

HEX #010021

RGB 1 0 33

HSL 241.82, 1%, 0.06%

LAB 1.05, 7.23, -17.97

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

CMYK 35 / 100 / 0 / 72

HEX #2E0047

RGB 46 0 71

HSL 278.87, 1%, 0.14%

LAB 9.29, 34.87, -32.69

 

CMYK 18 / 100 / 0 / 72

HEX #3A0047

RGB 58 0 71

HSL 289.01, 1%, 0.14%

LAB 11.65, 36.73, -28.73

 

CMYK 1 / 100 / 0 / 72

HEX #460047

RGB 70 0 71

HSL 299.15, 1%, 0.14%

LAB 14.16, 38.91, -24.56

 

CMYK 0 / 100 / 15 / 72

HEX #47003C

RGB 71 0 60

HSL 309.3, 1%, 0.14%

LAB 13.63, 37.28, -17.64

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

CMYK 51 / 100 / 0 / 52

HEX #3C007A

RGB 60 0 122

HSL 269.51, 1%, 0.24%

LAB 17.3, 48.4, -53.53

 

CMYK 51 / 100 / 0 / 32

HEX #5500AD

RGB 85 0 173

HSL 269.48, 1%, 0.34%

LAB 26.59, 62.21, -69.69

 

CMYK 51 / 100 / 0 / 12

HEX #6E00E0

RGB 110 0 224

HSL 269.46, 1%, 0.44%

LAB 35.39, 75.3, -84.95

 

CMYK 50 / 100 / 0 / 92

HEX #0A0014

RGB 10 0 20

HSL 270, 1%, 0.04%

LAB 1.04, 5.82, -7.8

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

CMYK 0 / 100 / 69 / 72

HEX #470016

RGB 71 0 22

HSL 341.41, 1%, 0.14%

LAB 11.94, 32.94, 7.94

 

CMYK 100 / 0 / 93 / 72

HEX #004705

RGB 0 71 5

HSL 124.23, 1%, 0.14%

LAB 25.31, -33.86, 30.84

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

CMYK 0 / 52 / 100 / 72

HEX #472200

RGB 71 34 0

HSL 28.73, 1%, 0.14%

LAB 17.84, 15.07, 26.3

 

CMYK 100 / 0 / 52 / 72

HEX #004722

RGB 0 71 34

HSL 148.73, 1%, 0.14%

LAB 25.63, -29.91, 16.72

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

CMYK 0 / 100 / 69 / 72

HEX #470016

RGB 71 0 22

HSL 341.41, 1%, 0.14%

LAB 11.94, 32.94, 7.94

 

CMYK 49 / 0 / 100 / 72

HEX #244700

RGB 36 71 0

HSL 89.58, 1%, 0.14%

LAB 26.39, -25.06, 34.28

 

CMYK 100 / 0 / 32 / 72

HEX #004730

RGB 0 71 48

HSL 160.56, 1%, 0.14%

LAB 25.92, -26.52, 8.32

 

CMYK 51 / 100 / 0 / 72

HEX #230047

RGB 35 0 71

HSL 269.58, 1%, 0.14%

LAB 7.34, 33.43, -35.96

 

CMYK 0 / 100 / 99 / 72

HEX #470001

RGB 71 0 1

HSL 359.15, 1%, 0.14%

LAB 11.56, 31.92, 17.79

 

CMYK 49 / 0 / 100 / 72

HEX #244700

RGB 36 71 0

HSL 89.58, 1%, 0.14%

LAB 26.39, -25.06, 34.28

 

CMYK 100 / 0 / 1 / 72

HEX #004746

RGB 0 71 70

HSL 179.15, 1%, 0.14%

LAB 26.59, -19.49, -5.03

 

Description

Color code: RGB 35 0 71 | qconv.com Color code: RGB 35 0 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, none green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 0 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 100 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 100% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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