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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35.7 128.6 209 it is the complementary color RGB 219.3 126.4 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35.7 128.6 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35.7 128.6 209 shade: RGB 40.7 128.6 204, RGB 57.7 146.6 223, RGB 74.7 164.6 242, RGB 91.7 182.6 255 and RGB 108.7 200.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35.7 128.6 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35.7 128.6 209 shade: RGB 35.7 128.6 209, RGB 18.7 110.6 190, RGB 1.7 92.6 171, RGB 0 74.6 152 and RGB 0 56.6 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35.7 128.6 209 shade: RGB 35 129 209, RGB 35 82 209, RGB 36 35 209, RGB 83 35 209 and RGB 130 35 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35.7 128.6 209 shade: RGB 35 129 209, RGB 35 82 209 and RGB 35 35 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35.7 128.6 209 shade matches the following richer shades: RGB 35 129 209 and RGB 16 130 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35.7 128.6 209 shade: RGB 35 129 209, RGB 55 127 189, RGB 75 126 170, RGB 95 124 150 and RGB 115 123 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35.7 128.6 209 shade: RGB 35 209 195, RGB 35 177 209, RGB 35 131 209, RGB 35 85 209 and RGB 35 38 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35.7 128.6 209 shade: RGB 24 85 139, RGB 30 107 174, RGB 35 129 209, RGB 64 149 223 and RGB 99 168 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35.7 128.6 209 shade: RGB 35.7 128.6 209, RGB 148 35 209 and RGB 201 209 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35.7 128.6 209 shade: RGB 35.7 128.6 209, RGB 209 35 131 and RGB 131 209 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35.7 128.6 209 shade: RGB 35.7 128.6 209, RGB 148 35 209, RGB 209 114 35 and RGB 96 209 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35.7 128.6 209 shade: RGB 35.7 128.6 209, RGB 201 35 209, RGB 209 114 35 and RGB 44 209 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 38 / 0 / 18

HEX #2380D1

RGB 35.7 128.6 209

HSL 207.84, 0.71%, 0.48%

LAB 52.47, 2.36, -48.81

 

Complementary color

CMYK 0 / 42 / 79 / 14

HEX #DB7E2E

RGB 219.3 126.4 46

HSL 27.84, 0.71%, 0.52%

LAB 61.94, 30.16, 56.32

 

CMYK 80 / 37 / 0 / 20

HEX #2880CC

RGB 40.7 128.6 204

HSL 207.7, 0.67%, 0.48%

LAB 52.31, 0.96, -46.23

 

CMYK 74 / 34 / 0 / 13

HEX #3992DF

RGB 57.7 146.6 223

HSL 207.73, 0.72%, 0.55%

LAB 58.94, -0.88, -46.38

 

CMYK 69 / 32 / 0 / 5

HEX #4AA4F2

RGB 74.7 164.6 242

HSL 207.76, 0.87%, 0.62%

LAB 65.48, -2.35, -46.51

 

CMYK 64 / 28 / 0 / 0

HEX #5BB6FF

RGB 91.7 182.6 255

HSL 206.6, 1%, 0.68%

LAB 71.68, -5.48, -43.8

 

CMYK 57 / 21 / 0 / 0

HEX #6CC8FF

RGB 108.7 200.6 255

HSL 202.31, 1%, 0.71%

LAB 77.3, -12.15, -35

 

CMYK 83 / 38 / 0 / 18

HEX #2380D1

RGB 35.7 128.6 209

HSL 207.84, 0.71%, 0.48%

LAB 52.47, 2.36, -48.81

 

CMYK 90 / 42 / 0 / 25

HEX #126EBE

RGB 18.7 110.6 190

HSL 207.81, 0.82%, 0.41%

LAB 45.82, 4.93, -48.57

 

CMYK 99 / 46 / 0 / 33

HEX #015CAB

RGB 1.7 92.6 171

HSL 207.78, 0.98%, 0.34%

LAB 39.09, 8.06, -48.26

 

CMYK 100 / 51 / 0 / 40

HEX #004A98

RGB 0 74.6 152

HSL 210.55, 1%, 0.3%

LAB 32.36, 12.1, -47.73

 

CMYK 100 / 57 / 0 / 48

HEX #003885

RGB 0 56.6 133

HSL 214.47, 1%, 0.26%

LAB 25.5, 16.55, -47.16

 

CMYK 83 / 38 / 0 / 18

HEX #2381D1

RGB 35 129 209

HSL 207.59, 0.71%, 0.48%

LAB 52.58, 2.06, -48.64

 

CMYK 83 / 61 / 0 / 18

HEX #2352D1

RGB 35 82 209

HSL 223.79, 0.71%, 0.48%

LAB 39.57, 31.97, -69.64

 

CMYK 83 / 83 / 0 / 18

HEX #2423D1

RGB 36 35 209

HSL 240.34, 0.71%, 0.48%

LAB 29.86, 58.85, -85.65

 

CMYK 60 / 83 / 0 / 18

HEX #5323D1

RGB 83 35 209

HSL 256.55, 0.71%, 0.48%

LAB 33.23, 62, -79.97

 

CMYK 38 / 83 / 0 / 18

HEX #8223D1

RGB 130 35 209

HSL 272.76, 0.71%, 0.48%

LAB 38.81, 67.51, -70.58

 

CMYK 83 / 38 / 0 / 18

HEX #2381D1

RGB 35 129 209

HSL 207.59, 0.71%, 0.48%

LAB 52.58, 2.06, -48.64

 

CMYK 83 / 61 / 0 / 18

HEX #2352D1

RGB 35 82 209

HSL 223.79, 0.71%, 0.48%

LAB 39.57, 31.97, -69.64

 

CMYK 83 / 83 / 0 / 18

HEX #2323D1

RGB 35 35 209

HSL 240, 0.71%, 0.48%

LAB 29.82, 58.81, -85.73

 

CMYK 83 / 38 / 0 / 18

HEX #2381D1

RGB 35 129 209

HSL 207.59, 0.71%, 0.48%

LAB 52.58, 2.06, -48.64

 

CMYK 93 / 43 / 0 / 10

HEX #1082E5

RGB 16 130 229

HSL 207.89, 0.87%, 0.48%

LAB 53.74, 7.95, -58.05

 

CMYK 83 / 38 / 0 / 18

HEX #2381D1

RGB 35 129 209

HSL 207.59, 0.71%, 0.48%

LAB 52.58, 2.06, -48.64

 

CMYK 71 / 33 / 0 / 26

HEX #377FBD

RGB 55 127 189

HSL 207.76, 0.55%, 0.48%

LAB 51.46, -1.78, -38.99

 

CMYK 56 / 26 / 0 / 33

HEX #4B7EAA

RGB 75 126 170

HSL 207.79, 0.39%, 0.48%

LAB 51.06, -3.96, -28.6

 

CMYK 37 / 17 / 0 / 41

HEX #5F7C96

RGB 95 124 150

HSL 208.36, 0.22%, 0.48%

LAB 50.75, -3.62, -17.35

 

CMYK 12 / 5 / 0 / 49

HEX #737B82

RGB 115 123 130

HSL 208, 0.06%, 0.48%

LAB 51.18, -1.46, -4.84

 

CMYK 83 / 0 / 7 / 18

HEX #23D1C3

RGB 35 209 195

HSL 175.17, 0.71%, 0.48%

LAB 76.01, -43.94, -4.88

 

CMYK 83 / 15 / 0 / 18

HEX #23B1D1

RGB 35 177 209

HSL 191.03, 0.71%, 0.48%

LAB 66.83, -24.63, -26.35

 

CMYK 83 / 37 / 0 / 18

HEX #2383D1

RGB 35 131 209

HSL 206.9, 0.71%, 0.48%

LAB 53.16, 0.86, -47.72

 

CMYK 83 / 59 / 0 / 18

HEX #2355D1

RGB 35 85 209

HSL 222.76, 0.71%, 0.48%

LAB 40.34, 30.03, -68.38

 

CMYK 83 / 82 / 0 / 18

HEX #2326D1

RGB 35 38 209

HSL 238.97, 0.71%, 0.48%

LAB 30.27, 57.47, -84.98

 

CMYK 83 / 39 / 0 / 45

HEX #18558B

RGB 24 85 139

HSL 208.17, 0.71%, 0.32%

LAB 35.11, 1.38, -35.38

 

CMYK 83 / 39 / 0 / 32

HEX #1E6BAE

RGB 30 107 174

HSL 207.92, 0.71%, 0.4%

LAB 44.01, 1.77, -42.13

 

CMYK 83 / 38 / 0 / 18

HEX #2381D1

RGB 35 129 209

HSL 207.59, 0.71%, 0.48%

LAB 52.58, 2.06, -48.64

 

CMYK 71 / 33 / 0 / 13

HEX #4095DF

RGB 64 149 223

HSL 207.92, 0.71%, 0.56%

LAB 59.81, -1.44, -44.99

 

CMYK 57 / 27 / 0 / 10

HEX #63A8E5

RGB 99 168 229

HSL 208.15, 0.71%, 0.64%

LAB 66.76, -4.27, -37.32

 

CMYK 83 / 38 / 0 / 18

HEX #2380D1

RGB 35.7 128.6 209

HSL 207.84, 0.71%, 0.48%

LAB 52.47, 2.36, -48.81

 

CMYK 29 / 83 / 0 / 18

HEX #9423D1

RGB 148 35 209

HSL 278.97, 0.71%, 0.48%

LAB 41.38, 70.12, -66.29

 

CMYK 4 / 0 / 83 / 18

HEX #C9D123

RGB 201 209 35

HSL 62.76, 0.71%, 0.48%

LAB 80.82, -21.39, 75.72

 

CMYK 83 / 38 / 0 / 18

HEX #2380D1

RGB 35.7 128.6 209

HSL 207.84, 0.71%, 0.48%

LAB 52.47, 2.36, -48.81

 

CMYK 0 / 83 / 37 / 18

HEX #D12383

RGB 209 35 131

HSL 326.9, 0.71%, 0.48%

LAB 47.49, 70.48, -9.65

 

CMYK 37 / 0 / 83 / 18

HEX #83D123

RGB 131 209 35

HSL 86.9, 0.71%, 0.48%

LAB 76.4, -48.79, 70.19

 

CMYK 83 / 38 / 0 / 18

HEX #2380D1

RGB 35.7 128.6 209

HSL 207.84, 0.71%, 0.48%

LAB 52.47, 2.36, -48.81

 

CMYK 29 / 83 / 0 / 18

HEX #9423D1

RGB 148 35 209

HSL 278.97, 0.71%, 0.48%

LAB 41.38, 70.12, -66.29

 

CMYK 0 / 45 / 83 / 18

HEX #D17223

RGB 209 114 35

HSL 27.24, 0.71%, 0.48%

LAB 57.76, 32.11, 56.36

 

CMYK 54 / 0 / 83 / 18

HEX #60D123

RGB 96 209 35

HSL 98.97, 0.71%, 0.48%

LAB 74.96, -59.65, 68.36

 

CMYK 83 / 38 / 0 / 18

HEX #2380D1

RGB 35.7 128.6 209

HSL 207.84, 0.71%, 0.48%

LAB 52.47, 2.36, -48.81

 

CMYK 4 / 83 / 0 / 18

HEX #C923D1

RGB 201 35 209

HSL 297.24, 0.71%, 0.48%

LAB 49.77, 78.95, -52.32

 

CMYK 0 / 45 / 83 / 18

HEX #D17223

RGB 209 114 35

HSL 27.24, 0.71%, 0.48%

LAB 57.76, 32.11, 56.36

 

CMYK 79 / 0 / 83 / 18

HEX #2CD123

RGB 44 209 35

HSL 116.9, 0.71%, 0.48%

LAB 73.71, -70.04, 66.77

 

Description

Color code: RGB 35.7 128.6 209 | qconv.com Color code: RGB 35.7 128.6 209 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35.7 red, 128.6 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35.7 128.6 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 38 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 38% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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